Williams Invites Community To Experience 'Human Library'

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WILLIAMSTOWN, Mass. — Williams College is inviting the community to experience a "Human Library" on  Friday, Feb. 10, from 11 to 3  and Saturday, Feb. 11, from 1 to 3 at the Paresky Center on campus.

This is a free, interactive event and reservations are not required. Support is provided by the Gaudino Fund and Sawyer Library.

The Human Library contains 35 to 40 books, or rather people, who have volunteered to be "checked out" for 25 to 30 minutes each. As a reader, a visitor will be able to start a one-on-one conversation with any book in the library. This is an opportunity to borrow another person for a given time and ask them what you want to know. The goal is for members of the community — both on campus and off — to learn more about each other, to explore and move beyond stereotypes, and to develop a greater understanding of each person's unique story.

All of the books participating in this project have titled themselves as "Custodian," "Evangelical Christian," "Fat Woman," "Feminist," "Iraq War Veteran," "LDS Missionaries (Mormon)," "Olympic Athlete," "Orphanage Boy," "Psychiatrist" and "Queer" among others.

The Human Library Project was organized by Magnus Bernhardsson, associate professor of history and Gaudino Scholar, and Katarzyna Pierprzak, associate professor of Francophone literature, French language, and comparative literature. Professors Bernhardsson and Pierprzak worked closely with Mount Greylock Regional High School and Williamstown Elementary School to identify the types of books people might be interested in learning more about.

"Prejudice can appear in many forms, in ways that you might not even realize," said Bernhardsson. "The Human Library is a way for people in our community to appreciate one another and a useful reminder of our assumptions. The conversations in the library may lead to some 'uncomfortable learning,' which is an objective of the Gaudino Fund, but ultimately it will hopefully make us better readers of our community and the various challenges people face on a daily basis."

Helena Warburg, head of the Science Library at Williams, will be participating as the book "Child of Holocaust Survivors." Warburg said she wanted to participate because, "I'm a librarian and I love the message you get from a book. So the opportunity to be a human book instead of a written book is intriguing."

She adds, "It's not every day you can ask someone any question you want about their life experiences. I am excited to be able to share something personal about myself, so that people can get a better idea of who I am and what makes me tick."

The Human Library was conceived in 2000 in Copenhagen by a self-initiated, non-governmental youth movement called "Stop The Violence." To learn more, visit www.humanlibrary.org.
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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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