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Big Dance Turns Mass MoCA Tour Into Multisensual Peformance

By John SevenSpecial to iBerkshires
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NORTH ADAMS, Mass. — The latest dance performance to appear at Massachusetts Museum of Contemporary Art won't take place on a stage, but that's not the only way it parts from tradition.

Big Dance Theater's "This Page Left Intentionally Blank" will wind its movement through the museum itself, taking the idea of a guided tour and using that to create new ideas not only about dance and performance, but about museums as well.

"It was definitely conceived of as a piece for a museum, a theatrical alternative version or meta-version of a docent art tour," said company co-director Paul Lazar. "It is that. Everyone meets the docent and off you go, but the nature of that person who is your docent, and the kinds of things that occur, are more things that a dancer and an actor, which the docent is, is capable of than, say, an aspiring academic which may be a traditional docent."

Museumgoers seem intrigued by the idea: this weekend's performances are already sold out. Tickets are still available for Wednesday's noon and 3 events.

Lazar is hush-hush about many of the details of what will unfold — after all, he and choreographer/co-director Annie-B Parson want some surprises for attendees, but he will say that the event takes place within the Sol LeWitt Gallery, at Wall Drawing 146A, which constitutes a whole room, providing a perfect space for performance as well as a thematic undertone.

"It's a hieroglyphics related in that it's about translation, translating an idea into instruction and translating the instructions into executions," Lazar said. "Many things have that sequence, but certainly dance and theater do, so there's a kinship with those mediums or those genres."

In the performance, attendees will wear headphones, which will feature whatever the docent says to them and sound work by Tei Blow. Lazar says the audio is a rich and textured component to the performance that adds an aural level of trippiness.


The idea is for Big Dance Theater to play with your mind a little bit, transform the experience of visiting an art museum into something multi-sensual, and making the museum itself part of the art. According to Lazar, what you perceive in a museum affects you in more than an intellectual way, and the goal is to take advantage of any other possible perceptions.

"We try to discombobulate you and throw you in a lot of different directions in order to reinvigorate perception," he said.

That means creating a specific experience through the performance that is different from any other experience you might have in the same space, but at a different time.

"When you look at 146A specifically and the whole journey to and from 146A," Lazar said, "you have an experience and your perceptions are different from what they would have been if you just walked to 146A, looked at it, and walked back to the lobby. Your perception of everything along the way and the work itself are going to be influenced by what we do to you, and that's the offering that we make."

Big Dance Theater will perform this work following a three-week residency at Mass MoCA, giving it the chance to further develop the idea in real museum terms, with the plan to take it to other museums in further site-specific performances, which was always the plan. Its next venue is the Menil Collection in Houston, Texas, this April.

Lazar believes it's a natural fit, point out that alternative theater has always been more rooted in art history than performance history. At the same time, the art world and the performance world has always at a distance from each other. Lazar's hope is that this is one small step to bridging that tradition gap.

"Because those two worlds have always been a little allergic to each other, it's a challenge to see if we can move across that strong border and dissolve that kind of rigid border a little bit," he said.


Tags: dance,   mass moca,   

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Macksey Updates on Eagle Street Demo and Myriad City Projects

By Tammy DanielsiBerkshires Staff

The back of Moderne Studio in late January. The mayor said the city had begun planning for its removal if the owner could not address the problems. 
NORTH ADAMS, Mass. — The Moderne Studio building is coming down brick by brick on Eagle Street on the city's dime. 
 
Concerns over the failing structure's proximity to its neighbor — just a few feet — means the demolition underway is taking far longer than usual. It's also been delayed somewhat because of recent high winds and weather. 
 
The city had been making plans for the demolition a month ago because of the deterioration of the building, Mayor Jennifer Macksey told the City Council on Tuesday. The project was accelerated after the back of the 150-year-old structure collapsed on March 5
 
Initial estimates for demolition had been $190,000 to $210,000 and included asbestos removal. Those concerns have since been set aside after testing and the mayor believes that the demolition will be lower because it is not a hazardous site.
 
"We also had a lot of contractors who came to look at it for us to not want to touch it because of the proximity to the next building," she said. "Unfortunately time ran out on that property and we did have the building failure. 
 
"And it's an unfortunate situation. I think most of us who have lived here our whole lives and had our pictures taken there and remember being in the window so, you know, we were really hoping the building could be safe."
 
Macksey said the city had tried working with the owner, who could not find a contractor to demolish the building, "so we found one for him."
 
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