Letter: Golf Course Zoning Proposal Bad Planning

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To the Rditor:

We on the Williamstown Planning Board heard a petition about six months ago from Mike Deep, who owns the Waubeeka golf course. The following is an account of subsequent events.

Mr. Deep claimed the golf course is losing money and that a new hotel might keep it afloat.

Would the PB be behind rezoning the site to allow a hotel (presently not an allowed use in Rural Residence zones)? This was an unusual request, and one generally frowned on as "spot zoning” meaning that it would benefit not a swath of town but just one owner of one lot. The Planning Board agreed that in this case, enabling most of the golf course to stay as open space could also benefit the whole town, as it would keep the important southern gateway to the town with its gorgeous mountain views, so important to all of us residents as well as to our tourist industry.

The agreed upon idea was that he would take part of the property to develop as his hotel, and in return he would ensure that the rest of the property would be left as open space never to be built on.

Over the course of several meetings, we tried to hammer out a bylaw that would satisfy both parties, but there remained intractable sticking points such as how many acres the development would cover and how to ensure the open land would stay as open land.



Eventually it was clear we could not reach consensus. With the open-ended bylaw Mr. Deep wanted, the town would run the risk of a disaster: an inappropriately sized development for this crucial part of town, or worse still one that would start with enthusiasm and then run out of money and be abandoned after just a few years.

So we passed a motion saying the Planning Board was enthusiastically behind the idea of a country inn on the golf course (to help assure potential developers) and asking Mr. Deep to provide three items before we went any further: a market study studying the hotel needs for North Berkshire County, a schematic plan of his proposal, and a potential developer/partner, with whom we could discuss issues that would be important in ensuring a hotel that the town would feel was worth the unusual trade-off. Once we had that, we could craft the appropriate bylaw to accommodate his needs.

Not willing to provide the Planning Board's requests (though he provided partial answers at the recent public hearing), Mr. Deep is going for an end run around the board, with a citizen's petition that will be voted on at town meeting, bypassing the Planning Board.

The opinion of a majority of the Planning Board members remains opposed to this petition.

Development at any cost is not good planning.

Ann McCallum

McCallum is vice chairman of the Williamstown Planning Board.

 

 


Tags: letters to the editor,   town meeting 2016,   

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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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