Williams Professor Receives 2017 Frederick Burkhardt Residential Fellowship

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WILLIAMSTOWN, Mass. — The American Council of Learned Societies has named Dorothy J. Wang, associate professor of American Studies, a 2017 Frederick Burkhardt Residential Fellow. Wang is the first professor from Williams College to win the highly competitive fellowship, which provides "potential leaders in their fields with the resources to pursue long-term, unusually ambitious projects."

The Burkhardt Fellowship carries a $95,000 stipend and a $7,500 research budget, allowing awardees to take up a yearlong residency at an institution whose resources and scholarly community are suited to facilitate his or her research project. This year, 22 fellows were chosen out of 160 applicants. The Burkhardt "tends to draw an especially accomplished crowd of recently tenured scholars," says John Paul Christy, the ACLS' director of public programs. Wang's project, " 'Things Unintelligible, Yet Understood': Race and the Genealogies of American Poetics," will take her to the Department of English at The Graduate Center of the City University of New York (CUNY) during the academic year 2017-2018.  

"Winning the Burkhardt is a real affirmation of the kind of work being done by a new generation of poetry scholars, especially scholars of color, who want to put an end, once and for all, to the opposition of the aesthetic and the racial — a false binary that has a long and unfortunate history in Western aesthetics, inseparable from the enterprises of colonialism and slavery, and one that has been promulgated by such esteemed thinkers as Immanuel Kant and Thomas Jefferson," Wang said.

Wang's project, whose title's first half comes from Wallace Stevens' poem "Like Decorations in a Nigger Cemetery," re-thinks the literary historical narratives of American poetry since Modernism, along with fundamental concepts and practices that constitute contemporary poetry criticism.



Wang's new project builds on the work begun in her award-winning first book, "Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry" (Stanford University Press, 2013), which inspired an annual conference and was included on The New Yorker's "The Books We Loved in 2016" list. The third "Thinking Its Presence: Race, Creative Writing and Literary Study" conference will be held at the University of Arizona's Poetry Center in Tucson from Oct. 19-21.

Wang, who is also affiliated with the English Department, has taught at Williams for 10 years. She holds a Ph.D. in English literature from the University of California, Berkeley; a master's degree in poetry writing from Johns Hopkins University, a master's degree in international affairs from Princeton University; and a bachelor's degree in public policy from Duke University. She previously taught in the English departments at Northwestern University and Wesleyan University.

The Burkhardt Fellowship is open to recently tenured faculty at all U.S.-based colleges and universities and supports residencies at 13 national and international research centers that partner with ACLS for this program. Another set of awards, reserved for faculty from liberal arts colleges, enables fellows to carry out their residencies at any research university-based humanities center or academic department in the United States.

 


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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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