Letter: Arts Commission Should OK Pillar Art Restoration

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To the Editor:

I am writing in relation to your recent article covering the latest North Adams Public Art Commission meeting. I was disturbed to read that the commission had previously encouraged Mr. Oberst to submit a proposal to only then turn around and tell him that any proposal he makes will not be granted unless it is co-authored by Mass MoCA.

At its core Mr. Oberst and Mass MoCA are in a dispute, one which Mr. Oberst had no part in creating. Your article notes that Mass MoCA made other applications to the Public Art Commission properly but did not when they destroyed the work Mr. Oberst and local school children had been involved in. It is safe to assume they were worried that going through the commission would not give them the result they desired.

On that note I would challenge each member of the Public Arts Commission to let the public know how each of them would have approached such an application if MoCA had made it. I personally find it doubtful that the commission would have been able to stomach voting to destroy artwork that celebrated local history, enhanced the visual appeal of downtown, and was a collaborative community effort. On that note it might be worth reviewing the stated core principles for public artwork that the commission has published on its website:

  • Enhance the community’s visual environment
  • Promote awareness of the city’s social, cultural, and historical composition
  • Encourage a spirit of collaboration
  • Expand public knowledge of the visual art

Well the artwork Mr. Oberst is trying to restore certainly meets those core principles. The MoCA sound installation clearly does not. A new commission forgetting its core principles already is a sad state of affairs.

Also as a new commission I think they should be more careful of potential conflicts of interest. Mr. Kerns appears to have been the driving force behind denying Mr. Oberst's application. Mr. Kerns' business is a tenant at the Mass MoCA campus. Since the nature of what lies before the commission is a dispute involving his landlord Mr. Kerns should recuse himself from deciding on or influencing anything related to this application.

Common sense and decency should rule the day here. If the commission would not have granted the destruction of these works had they been approached then there is no rational reason to block or slow any restoration attempt. Additionally MoCA should face a consequence for purposely avoiding the commission in the first place. Be leaders and do what is right. Approve Mr. Oberst's application.

Joseph Smith
North Adams, Mass.

 

 


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BAAMS' Monthly Studio 9 Series Features Mino Cinelu

NORTH ADAMS, Mass. — On April 20, Berkshires' Academy of Advanced Musical Studies (BAAMS) will host its fourth in a series of live music concerts at Studio 9.
 
Saturday's performance will feature drummer, guitarist, keyboardist and singer Mino Cinelu.
 
Cinelu has worked with Miles Davis, Sting, Weather Report, Herbie Hancock, Tracy Chapman, Peter Gabriel, Stevie Wonder, Lou Reed, Kate Bush, Tori Amos, Vicente Amigo, Dizzy Gillespie, Pat Metheny, Branford Marsalis, Pino Daniele, Earth, Wind & Fire, and Salif Keita.
 
Cinelu will be joined by Richard Boulger on trumpet and flugelhorn, Dario Boente on piano and keyboards, and Tony Lewis on drums and percussion.
 
Doors open: 6:30pm. Tickets can be purchased here.
 
All proceeds will help support music education at BAAMS, which provides after-school and Saturday music study, as well as a summer jazz-band day camp for students ages 10-18, of all experience levels.
 
Also Saturday, the BAAMS faculty presents master-class workshops for all ages, featuring Cinelu, Boulger, Boente, Lewis and bassist Nathan Peck.
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