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And on Sunday, Lafond will be painting on Spring Street as part of the Williamstown Cultural District's first Summer Sundays event of 2021.

Williamstown's Summer Sundays Return with Focus on Arts

By Stephen DravisiBerkshires Staff
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WILLIAMSTOWN, Mass. — Artist Bob Lafond does not mind people bothering him when he works.
 
"Earlier this year, I was painting for a while on the streets of North Adams," Lafond said this week. "People became familiar with me, and they would wave or say, 'I love your stuff' and things like that. Eventually they would have the courage to come up and ask a question.
 
"I just keep painting away."
 
And on Sunday, Lafond will be painting on Spring Street as part of the Williamstown Cultural District's first Summer Sundays event of 2021.
 
He is one of three artists who will be creating work on the street -- and welcoming questions from passers-by -- from 3 to 6 p.m. as part of a program chock full of art, music, dance and sidewalk vendors.
 
"I don't know when the last summer Summer Sundays was," said Williamstown Chamber of Commerce Executive Director Sue Briggs. "It went through a couple of iterations.
 
"This is definitely more art and culture driven, trying to bring in not only artist vendors but also art demos as well as music and dance performance artists."
 
The event is the first of two Summer Sundays planned this year. The second will be Aug. 22. Briggs said the local cultural district received a grant from the Massachusetts Cultural Council to fund the events, which have been in the works since the end of March.
 
"We had a vision of it in the winter," Briggs said. "We really wanted to do something to bring the community together, but at that time the state was still very much in lockdown. We didn't know what the event would look like, but we knew it needed to be outdoors.
 
"With the turnout we had for the Fourth of July [parade and fireworks], I think the community will be ready and interested even if it's a short-term, pop-up kind of event."
 
The street fair is being held in conjunction with the Williamstown Cultural District's ongoing public art show, "Coming Into the Light."
 
This Sunday's event will feature live music from a jazz trio led by Michael Junkins, solo pianist Felix Sun and ethnomusicologist Tendai Muparutsa, who co-directs the Kusika and the Zambezi Marimba Band at Williams College.
 
Also planned are dance performances by Berkshire Dance Theatre and dysFUNKcrew, a local dance troupe made up of Massachusetts College of Liberal Arts Dance Company alumni. There will be activities provided by the Print Shop, the Clark Art Institute and the Williams College Museum of Art and local vendors like artists Anna Moriarty Lev and Nate Hempill, publisher New Europe Books and Spring Street retailer Where'd You Get That?!
 
Summer Sunday will be capped by Images Cinema's screening of "Spider-Man: Homecoming" as part of its Family Flicks Under the Stars series at sundown.
 
Fine art will be on display at Spring Street's Greylock Gallery and the Poker Flats Gallery on nearby Water Street. And practicing artists scheduled to demonstrate their skills live include Sally Sussman, Trevor Murphy, Ghetta Hirsch and Lafond.
 
Spring Street will not be closed to traffic, but part of Walden Street will be closed, and the event will use Morgan Lawn at the top of Spring Street and the lawn at the Williams Inn, Briggs said.
 
"I think I'm going to show up at 3 and find a spot," Lafond said. "I don't think the sun is going to be shining too much, so we won't have to worry about that. Hopefully, it won't be raining.
 
"I've done Spring Street before, but I'm always looking for an excuse to set up on the sidewalk. Probably no one will pay attention to me, or they may come up and ask questions. I don't mind people coming up and talking to me."
 
And, having taught classes in painting, Lafond is used to discussing art as he creates it.
 
"Generally, plein air painters like to paint by themselves or with other plein air painters in remote locations where nobody bothers them," he said. "But in this situation, I have no problem with that.
 
"Usually people just ask for permission, 'Can I look?' Someone will always say, 'I paint, too,' and I come back and ask them why they aren't out here painting. It's not too often that you get a technical question like, 'What kind of red do you use?' or something like that. They're just curious. It's not common to see a painter on the street."
 
Sometimes, the questions delve a little deeper.
 
"I've painted in France on the streets, and a couple of years ago in Nice a whole class of students came by," Lafond said. "One said to me that he was having a hard time starting a painting. I pulled out my sketch book to show him how I start with the composition. He was pretty interested in that."

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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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