A Festival of Latin American Music

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WILLIAMSTOWN, Mass. — The Williams College Department of Music will present a festival dedicated to Latin cultures and to the late Steven Dennis Bodner, who had worked to make the festival possible.

The festival starts on Friday, Feb. 11, at 8 p.m. with the Momenta Quartet at '62 Center and continues with a variety of music on Saturday, Feb. 12, at 6 p.m. in Brooks-Rogers Recital Hall, concluding with a concert at 8 p.m. in Chapin Hall on the same day. These free events are open to the public. This is a celebration of Latin American music–its contemporary expressions, heritage, and legacy as bridges between peoples.

The Momenta Quartet provides the first Puente Sonoro on Friday night in the '62 Center. All of the details of that concert and master classes are being released separately.

Those with an interest in chamber music also get their due. On Saturday evening Williams Chamber Players members Ronald Feldman, Doris Stevenson, and Joana Genova will present selected movements of the Piazzola trio, Four Seasons. Violist Noah Fields '11, and guests Martha Mooke and Duo Iberoamerica will also take the stage in the more intimate Brooks-Rogers Recital Hall to perform music by Modesta Bor, Alberto Ginastera, Aldemaro Romero, Tania León, Marcos Balter, Astor PIazzolla, and Williams faculty member Ileana Perez Velazquez.


The Saturday evening portion of the festival then moves to Chapin Hall. The larger student ensembles present more works of great contemporary Latin American composers. This not only provides an opportunity to experience modern music inspired by Latin America: this is a chance to hear the popular ensembles Zambezi Marimba Band and Williams Jazz, Percussion, and Brass Ensembles all in one venue. These ensembles present music by Armando Bayolo, Alberto Ginastera, Alexandre Lunsqui, Allem Carvajal, guest composer Tania León, and faculty member Andy Jaffe. Of special poignancy are the performances by the Symphonic Winds and Opus Zero Band, two groups central to the mission of presenting living music to a greater public. These ensembles embody the musical vision and are the flagship ensembles of the Bodner.

This idea of the festival came about when the immigration laws created such an uproar in Arizona. Faculty member Ileana Perez-Velazquez expressed her dismay to Bodner, and together they birthed the idea of a festival celebrating Latin Heritage. Bodner was a musician and colleague whose contribution was central to the presentation of many festivals such as this. His recent and untimely passing was and continues to be an unspeakable loss to the students, faculty, and staff at Williams. The service for Bodner is scheduled for Saturday, Feb. 12, at 3 p.m. in Thompson Memorial Chapel.
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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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