A Festival of Latin American Music

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WILLIAMSTOWN, Mass. — The Williams College Department of Music will present a festival dedicated to Latin cultures and to the late Steven Dennis Bodner, who had worked to make the festival possible.

The festival starts on Friday, Feb. 11, at 8 p.m. with the Momenta Quartet at '62 Center and continues with a variety of music on Saturday, Feb. 12, at 6 p.m. in Brooks-Rogers Recital Hall, concluding with a concert at 8 p.m. in Chapin Hall on the same day. These free events are open to the public. This is a celebration of Latin American music–its contemporary expressions, heritage, and legacy as bridges between peoples.

The Momenta Quartet provides the first Puente Sonoro on Friday night in the '62 Center. All of the details of that concert and master classes are being released separately.

Those with an interest in chamber music also get their due. On Saturday evening Williams Chamber Players members Ronald Feldman, Doris Stevenson, and Joana Genova will present selected movements of the Piazzola trio, Four Seasons. Violist Noah Fields '11, and guests Martha Mooke and Duo Iberoamerica will also take the stage in the more intimate Brooks-Rogers Recital Hall to perform music by Modesta Bor, Alberto Ginastera, Aldemaro Romero, Tania León, Marcos Balter, Astor PIazzolla, and Williams faculty member Ileana Perez Velazquez.


The Saturday evening portion of the festival then moves to Chapin Hall. The larger student ensembles present more works of great contemporary Latin American composers. This not only provides an opportunity to experience modern music inspired by Latin America: this is a chance to hear the popular ensembles Zambezi Marimba Band and Williams Jazz, Percussion, and Brass Ensembles all in one venue. These ensembles present music by Armando Bayolo, Alberto Ginastera, Alexandre Lunsqui, Allem Carvajal, guest composer Tania León, and faculty member Andy Jaffe. Of special poignancy are the performances by the Symphonic Winds and Opus Zero Band, two groups central to the mission of presenting living music to a greater public. These ensembles embody the musical vision and are the flagship ensembles of the Bodner.

This idea of the festival came about when the immigration laws created such an uproar in Arizona. Faculty member Ileana Perez-Velazquez expressed her dismay to Bodner, and together they birthed the idea of a festival celebrating Latin Heritage. Bodner was a musician and colleague whose contribution was central to the presentation of many festivals such as this. His recent and untimely passing was and continues to be an unspeakable loss to the students, faculty, and staff at Williams. The service for Bodner is scheduled for Saturday, Feb. 12, at 3 p.m. in Thompson Memorial Chapel.
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Williams College Art Museum Will Be a Lab for Sustainability

By Tammy Daniels iBerkshires Staff

Michael Evans and Tanja Srebotnjak of  the Zhilka Center for the Environment get into details about green standards. 
WILLIAMSTOWN, Mass. — The sustainable aspects of the new $175 million Williams College Museum of Art will influence the next generation of arts leaders. 
 
"Really building a learning laboratory for sustainable art museums for the future," said Pamela Franks, museum director, at Monday night's community forum.
 
"One of the really distinctive features of the Williams College Museum of Art is its long tradition and contribution to the field of arts leadership. So a student who's leading a tour today may be the director of a major museum tomorrow, and everything that the student learns over the time that they're here at Williams becomes a kind of possibility for impact moving forward."
 
The forum at the Williams Inn was the latest public update on the museum's progress and information on its various aspects, this time on its sustainability focus. 
 
When it opens in fall 2027, the single-story structure designed by Brooklyn-based firm SO–IL will be something of an epitome of the college's sustainability and conservation ethos, first formally adopted by the trustees in 2011.
 
Over nearly 20 years, construction and renovations on campus have focused on attaining energy efficiencies, with projects over $5 million required to reach the gold standard in Leadership in Energy and Environmental Design, or LEED. The college has also sought the Living Building Challenge's Petal level in several cases. 
 
The museum is also looking to become an International Living Future Institute core building, of which only two now exist, and is focusing on Energy Use Intensity benchmarks, with the goal to operate with 70 percent less usage than a comparable 1990 museum. The structure will also be "zero ready" for solar, although it will powered through electricity not solar panels. 
 
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