Letter: Religious Liberty and Christian Nationalism

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To the Editor:

For those of you who were able to stand with us on Jan. 6, in witness against the rising tide of Christian Nationalism (Christianity as the one state religion) and in favor of freedom of religion and voting rights for all, we extend a huge thank you for doing so.

The threats are real. The danger to religious freedom is growing.

At a Texas rally, Michael Flynn, a Trump ally, vigorously advocated: "If we are going to have one nation under God, which we must, we have to have one religion, one nation under God, and one religion under God."

Speakers like Byron Fox, an evangelist touring with an organization called Faith Wins, sees the church as a battleship, that Christians are the persecuted ones, instilling fear of the Bible being outlawed, urging all Christians to be soldiers for Christ.

Other speakers at national conferences and rallies are adherents of the Seven Mountains Dominionism, an ideology that calls explicitly for the domination of government and education by Christians.



So let us all encourage our friends, family, and congregations of any and all religions to be very aware, and continue to speak up and speak out on this rising threat to religious liberty.

For further information or to get involved, email us at: deaconFCC@gmail.com.
 

Signed: First Congregational Church Williamstown, Committee for Religious Liberty

Betsy Burris
Adrian Dunn
Sherwood Guernsey
David Langston
Bridget Spann


 

 

 

 

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'Mary Ann Unger: To Shape a Moon from Bone' at WCMA

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) announced "Mary Ann Unger: To Shape a Moon from Bone," a project consisting of a retrospective survey on view from July 15 through December 22, 2022, as well as a publication. 
 
Organized by Horace D. Ballard, former Curator of American Art at WCMA and currently the Theodore E. Stebbins, Jr. Associate Curator of American Art at Harvard Art Museums, the exhibition and catalog offer the first curatorial assessment of the entirety of Unger's practice and highlight key works as culminating examples of her material experimentation.
 
According to a press release, rising to prominence in the downtown New York art scene in the 1980s and 1990s, Mary Ann Unger (1945–1998) was skilled in graphic composition, watercolor, large-scale conceptual sculpture, and environmentally-responsive, site-specific interventions. An unabashed feminist, Unger was acknowledged as a pioneer of neo-expressionist sculptural form. 
 
"To Shape a Moon from Bone" reexamines the formal and cultural intricacies of Unger's oeuvre, as well as the critical environmental themes suffusing her monumental installations. The exhibition repositions Unger within and against the male dominated New York sculpture scene in the last decades of the twentieth century.
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