Letter: E-Scooters Injuries: A New Epidemic

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To the Editor:

With the advent of the Bird e-scooters in Pittsfield, available to anyone with a license, a few cents, and a cell phone, I hope that Berkshire Medical Center's emergency room is ready for the traumatic brain injuries coming down the road.

The rentals don't include helmets and I've seen plenty of people having a blast — laughing and zipping along next to traffic — some riding double and no one wearing a helmet. They feel like a toy but they aren't toys: E-scooters are one of the most dangerous vehicles on the road with double the head injuries of cyclists — the injury rate is comparable to motorcycle riding. This includes the pedestrians who are struck by scooters.

The title of a 2021 medical article says it all: "Electric Scooter-Related Injuries: A New Epidemic in Orthopedics." Richmond, Va., has a longer history of Bird scooters, and thriving personal injury legal practices dedicated to defending scooter accident victims. How is this a good thing for Pittsfield?

Sarah Gardner
Williamstown, Mass.

 

 


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'Mary Ann Unger: To Shape a Moon from Bone' at WCMA

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) announced "Mary Ann Unger: To Shape a Moon from Bone," a project consisting of a retrospective survey on view from July 15 through December 22, 2022, as well as a publication. 
 
Organized by Horace D. Ballard, former Curator of American Art at WCMA and currently the Theodore E. Stebbins, Jr. Associate Curator of American Art at Harvard Art Museums, the exhibition and catalog offer the first curatorial assessment of the entirety of Unger's practice and highlight key works as culminating examples of her material experimentation.
 
According to a press release, rising to prominence in the downtown New York art scene in the 1980s and 1990s, Mary Ann Unger (1945–1998) was skilled in graphic composition, watercolor, large-scale conceptual sculpture, and environmentally-responsive, site-specific interventions. An unabashed feminist, Unger was acknowledged as a pioneer of neo-expressionist sculptural form. 
 
"To Shape a Moon from Bone" reexamines the formal and cultural intricacies of Unger's oeuvre, as well as the critical environmental themes suffusing her monumental installations. The exhibition repositions Unger within and against the male dominated New York sculpture scene in the last decades of the twentieth century.
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