Clark Art Presents Classical Music Performance

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WILLIAMSTOWN, Mass. — On Saturday, Sept. 30 at 4 pm, the Clark Art Institute hosts a concert by the BlackBox Ensemble on its Fernández Terrace, located by its Reflecting Pool. 
 
"The Sound of Space Between Us" is a site-specific performance connecting sound and movement through physical space.
 
According to a press release:
 
In this performance, the Clark's grounds are used as a meeting place for music and dance to converse about our public place in the ecosystem and our private paths with(in) it. The musicians are choreographic agents, responding to each other, the dancers, and the audience in real time while stationed around the space, whether working as parts in a predetermined map or improvising as a unit. The performance features work by Annie Nikunen, Meg Stuart, Anna Thorvaldsdottir, Dai Fujikura, Morton Feldman, and inti figgis-vizueta, with choreography by Annie Nikunen and Joelle Antonia Santiago. The Sound of Space Between Us was conceived and curated by Annie Nikunen (flutist of BlackBox Ensemble) and Leonard Bopp (Artistic Director of BlackBox Ensemble).
 
Bopp grew up in Albany and attended Williams College, and both Bopp and Nikunen studied at the Tanglewood Music Center this past summer—Nikunen as a composition fellow, and Bopp in the Conducting Seminar.
 
About Blackbox Ensemble
Founded in 2018, the BlackBox Ensemble is a collective of young contemporary music performers based in New York dedicated to exploring the experimental boundaries of the music of our time. The group's performance at the Clark kicks off their ambitious 2023–24 season, with major performances slated in New York and beyond, including touring engagements in Washington, DC, Florida, Michigan, and throughout the Northeast. The BlackBox Ensemble aims to present contemporary classical music in a format that is approachable, innovative, and impactful.
 
About Annie Nikunen
Referred to as the "...best flute player in NY” by The Observer, Nikunen is a New York-based multidisciplinary sound-movement artist, drawing from both sound and movement in her process and combining them in her practice. As a composer, flutist, choreographer, dancer, curator, and radio broadcaster, she uses physical space as a vector and vessel to invite dialogue between ear, eye, and body. As an Artist Ambassador for Creatives Care, Nikunen applies her passion for these subjects, creating communities where artists feel connected and heard. Nikunen studied composition at New York University and previously studied music at Barnard College and Columbia University—where she also studied contemporary flute performance at the Manhattan School of Music with Tara O'Connor.
 
About Leonard Bopp
Bopp is a New York-based conductor and trumpet player. After graduating from The Juilliard School Pre-College Division (where he studied trumpet with Raymond Mase), Bopp attended Williams College and the University of Michigan School of Music, Theatre, and Dance (where he studied with Kenneth Kiesler). In the summer of 2022, Bopp was selected as a recipient of the American Austrian Foundation/Faber Young Conductors Fellowship at the Salzburg Festival. In addition to his work with the BlackBox Ensemble, Bopp is the chamber orchestra conductor at the Kaufman Music Center's Face the Music program.
 
About Joelle Antonia Santiago
Santiago is a New York-based artist whose work straddles dance, performance, and film. A Fulbright Scholar and recipient of the Harriet Hale-Woolley Award for the Arts (Paris), Santiago has presented collaborative and solo work at the New York University (NYU) Tisch School for the Arts, International Studio and Curatorial Program, and Columbia University Ballet Collaborative Workshop. Santiago directs the NYU Tisch School of the Arts Summer High School Dance program and has guest lectured at the Peabody Conservatory at Johns Hopkins University. Santiago studied at the Barnard College of Columbia University.
 
Free. Bring a picnic and your own seating. Rain moves the performance to Oct. 1 at 4 pm.

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Mount Greylock School Committee Moving Superintendent Evaluation to Fall

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass.—The Mount Greylock Regional School Committee this month discussed moving its evaluation of the superintendent from the spring to the fall starting in 2027.
 
Chair Julia Bowen brought the idea to the table as part of her proposed calendar for the committee's work during the 2026-27 academic year, saying that a move to the autumn will allow the committee to factor data from the preceding year into its evaluation.
 
"To the extent that [Superintendent Joseph Bergeron's] goals are tied to school performance and, specifically, MCAS [scores], we don't get that or other end of school year summative information until the fall," Bowen said. "Many schools I've worked with and know of actually moved their school leader evaluation to the fall so they can take advantage of all the data that's actually available, rather than doing it in the June time frame.
 
"The other point on that is, as it is, we otherwise vote for Joe's goals in September/October and evaluate him in May, and that's not a year. If we can do it fall to fall, we actually get a full year of work from when we agree on the goals."
 
The committee's most experienced member, Carolyn Greene, raised a concern about breaking with the practice of completing the evaluation process in May and June.
 
"It feels natural to evaluate a superintendent at the close of a school year, not the beginning of a school year," Greene said. "We're still in it in May and June. We're still in it in terms of our mindsets. Sometimes we don't meet in July. We come back in August and do a ‘retreat.' We're now meant to hit the ground running with an evaluation in September based on the work of the previous school year. And the reason is we don't get all the data from the previous school year until September.
 
"The rhythm is off for me. But it could just be that I'm so used to the previous rhythm. I don't want to oppose it. I just do have some reservations about it."
 
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