Mass MoCA announces diverse new season

By Linda CarmanPrint Story | Email Story
Medeski Martin & Wood will kick of MASS MoCA's winter concert series on December 6
NORTH ADAMS — Mass MoCA programmers unveiled the museum’s winter and spring series of performers and exhibits yesterday, saying the schedule shows both diversity and excitement. McArthur Fellowship-winning installation artist Ann Hamilton will highlight the museum’s exhibition’s, with her new installation “corpus” opening in the football field-sized Building 5 gallery Dec. 14. “I always say this will really be the best season,” said Massachusetts Museum of Contemporary Art Executive Director Joseph Thompson, introducing the series and noting the museum’s commitment to artists’ residencies. It was sound and light, show and tell, as program director Jonathan Secor, followed by curator Laura Heon, described the upcoming artists and their work, while video clips and music provided illustration. MASS MoCA will present a wider range of events than ever before as the Hunter Center and Club B-10host musicians and performers from around the country with talents as diverse as country legend Pam Tillis and classical bassist Edgar Meyer. The lively Alternative Cabaret and Cinema Lounge series continue through the winter. And the museum will host two artists for extended residencies and work-in-progress presentations. The Main Stage season kicks off with a special screening of “American Splendor” Dec. 18 at 8 p.m. in the Hunter Center. This film about cult cartoon artist Harvey Pekar is described in a museum release as a daring and original mix of documentary, re-creation and animation. Pekar and his wife, Joyce Brabner, and daughter will introduce the film and take questions after the screening. The Main Stage season is sponsored by The Valley Advocate; the screening is shown in conjunction with Images Cinema and sponsored by The Porches Inn; Williams College is helping bring Harvey Pekar and his family to North Adams. The storytelling collective The Moth returns in a show titled “She’s Gotta Have It: Stories About Aspirations and Inspiration” Jan. 24 at 9 p.m. The Moth sold out the Hunter in 2002, and this time satirist Andy Borowitz hosts with stories from Joyce Maynard and Jonathan Ames among others. The Moth is sponsored by The Porches Inn and Classical Tents and Party Goods. Loser’s Lounge takes on the Andrew Lloyd Weber classic “Jesus Christ Superstar” March 27. According to “Time Out New York,” “There’s a fine line between laughing with people and laughing at them, and the musicians of the Loser’s Lounge have made a career out of blurring it. Loser’s Lounge [has] made the musical tribute into an art form.” Marlies Yearby brings her completed work “Brown Butterfly” to the Hunter Center May 1. Yearby and her dancers, composer Craig Harris, and video artist Jonas Goldstein were at MASS MoCA two years ago for a residency at the start of their multimedia collaboration about the life and times of Muhammed Ali. “Brown Butterfly is funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation, with additional funding provided by The Andrew W. Mellon Foundation and Altria Group, Inc. MASS MoCA’s winter concert series begins with Medeski Martin and Wood Dec. 6, and continues with Béla Fleck and Edgar Meyer, co-presented with Iron Horse Entertainment Group, Feb. 28. Fleck, a master of bluegrass and jazz banjo, and Meyer, a world-renowned classical bassist, promise a night of virtuosic fusion. And award-winning country star Pam Tillis will perform April 3 in a concert sponsored by 93.9 Bear Country radio. Tillis’ most recent album “It’s All Relative: Tillis Sings Tillis,” is a tribute to her legendary father Mel Tillis. The cold season will heat up with three sizzling dance parties, starting with an Afrobeat Dance Party with Antibalas, a hard-hitting 14-piece band with huge horns and bass layered over funky polyrhythmic beats Jan. 31. The dance parties are sponsored by The Valley Advocate. Karsh Kale and his band Realize, will bring danceable fusion to the Hunter Center in an Asian Massive dance party, a development of reggae, March 13. And MASS MoCA will host a Cuban dance party with Alfredo de la Fe in a co-presentation with the Williamstown Jazz Festival April 23. De la Fe is described as “wildly dynamic” and “Cuba’s greatest charanga violinist,” who popularized his instrument’s use in salsa music. Karen Black will present her one-woman tour de force, “A View of the Heart,” Dec. 12 to kick off the popular Alternative Cabaret series in Club B-10. To those planning to attend, Secor promised, “you’re all in for an extremely strange evening.” The Howard Fishman Quartet will play a mix of jazz, blues and Texas swing filtered through a distinctly pop sensibility Jan. 10. In mid-February, “Stalwart Originality: New Traditions in Black Performance returns with two solo shows co-presented with Williams College. Oni Faida Lampley performs “The Dark Kalamazoo,” her memoir of studying in West Africa, Feb. 20, and Roger Guenveur Smith of “Avenue K” will perform his work “Iceland” Feb. 21. The soul-pop duo Scrapomatic will perform March 6. Writers Jessica Hagedorn and Susan Choi will present a literary cabaret with readings from their work followed by discussion April 2. “Savage Nursery,” a mysterious adult fable – a puppet play – of a bird woman raising young fledglings, and a pack of feral children who collect beneath her nest, will be April 9. Club B-10 becomes the Cinema Lounge every other Thursday with an American outsider documentary film series. The series starts with “Devil’s Playground” about Amish coming-of-age, Jan. 8, and continues with “Daughter From Danang” Jan. 22. A double feature, “É Miha Cara” and “Brother Outsider” will be Feb. 19; “Bukowski: Born Into This,” will be March 11; “Cousin Bobby” March 25; “Benjamin & his Brother” April 8; “When the Spirits Dance Mambo” April 22, and “Incident at Oglala,” narrated by Robert Redford, May 6. Two artists will be in residence at MASS MoCA this winter. In January, Seattle-based composer Robin Holcomb works on “The Utopia Project” and offers a first look at her work-in-development. This staged theatrical song cycle, a collaboration with filmmaker Britta Johnson and actor/playwright Todd Jefferson Moore, is inspired by the history of utopian societies that fourished in the Pacific Northwest at the turn of the 20th century. The residency is funded in part by grants from the National Endowment for the Arts, the New England Foundation for the Arts, and Meet the Composer Inc., with additional support form ASCAP, the Virgil Thomson Fund, and the six New England state art agencies. Zvi Gotheiner’s ZviDance will perform his latest work-in-progress, “Territories,” after a two-week residency. The dance theater piece explores the notion of space and the connection between land and identity set against a musical soundscape, a collage of Middle Eastern music and Scott Killian’s contemporary composition. The work will have its world premiere at Jacob’s Pillow this summer, and is funded in part by the Bari Lipp Initiative for Dance and the National Endowment for the Arts. Several “Culture Breaks” enliven the season as well. Darra Goldstein, editor of “Gastronomica” presents an elegant vodka and caviar tasting in the Tall Gallery Feb. 6. Tickets are $38; space is limited. Artist Martin Kersels, the mastermind behind “Yankee Remix’s “boot,” titled “Sleeper’s Dream,” and dancer choreographer Melinda Ring will create a special gallery dance and musical soundscape Feb. 7. Secor described the performance piece as “a once in a lifetime, only at MASS MoCA event.” Support for MASS MoCA’s programming comes from The Mohawk Trail Association with funding from the state’s Department of Economic Development, Office of Travel and Tourism. MASS MoCA Curator Laura Heon announced that “corpus,” a new installation by Ann Hamilton, will open in the Building 5 gallery Dec. 14, running through October, 2004. Hamilton aims to articulate the void, making the air visible by dropping sheets of paper from the rafters of the football field-sized gallery. Forty pneumatic paper-dropping machines will drop paper intermittently, letting sheets of paper flutter and glide down to the floor. The falling sheets of paper will accumulate in piles over the yearlong installation, recording the passage of time and creating an evolving landscape. “We are delighted to have such a tremendous installation artist taking on the ultimate installation space,” said Thompson. “Ann has worked with some of the most fascinating installation spaces in the world, somehow managing to find something in them that no other artist had. We can’t wait to see what she will conjure out of Buidling 5, which is garnering a reputation with artists around the world as an amazing place to work. Ann is probably the best known maker of site-specific installations in this country, if not the world. Her works literally need to be experienced to be believed – being in one of her evocative installations fills all the senses, like being in a great cathedral.” “She’s about creating poetic experience,” said Heon. Consistent with Hamilton’s practice of addressing multiple senses, “corpus” will include a sound component with 24 downward-facing large megaphone-shaped speakers equally spaced throughout the room. Each speaker will broadcast a single voice as it travels slowly up and down from floor to ceiling. When the speakers are high in the rafters, the voices will be unintelligible; when the pass the ear of the listener, the voice will sound like that of a person walking away. Hamilton is as interested in verbal and written language as she is in the visual, and explores the transitions among them. In addition to the gentle shower of paper, the room will be bathed in a warm pink glow from squares of pink, red and orange silk organza covering the 2,300 window panes, and providing the room’s only light. The gallery in the balcony of Building 5 will house a spinning video projector – a lighthouse-like apparatus similar to the tower in her current work “across,” part of “Yankee Remix,” an exhibition now on view at MASS MoCA. An exhibition by James Lee Byars: “Letters From the World’s Most Famous Unknown Artist,” will open Jan. 17.
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Lanesborough Passes FY 2027 Budget, Warrant Articles

By Breanna SteeleiBerkshires Staff
LANESBOROUGH, Mass. — Town meeting on Tuesday approved an almost $14 million fiscal 2027 budget, and approved bylaws for short-term rentals and signage, and for public safety vehicles. 
 
Of the 20 warrant articles, one, Article 7, to use free cash to pay prior fiscal year bills of $941.27 was indefinitely postponed by Moderator David Rolle because the bills were for the fire association.
 
Some 247 of the town's more than 2,600 registered voters filled Lanesborough Elementary School, debating articles during a meeting that lasted more than three hours. 
 
The town's 2027 spending plan is up more than 10 percent, with the main increases from higher enrollment in the regional schools and the McCann Technical School renovation project.
 
Voters approved the assessment of $7,586,284 for Mount Greylock Regional School. They also approved Article 11, which was the use of $16,298.48 in free cash for the McCann's roof and window replacement project so as not to impact the budget. 
 
Ambulance Director Jen Weber is planning 24-hour coverage, which means more staff and a hike in her budget. Article 5 asked the town to appropriate $234,100 to operate the Ambulance Enterprise Fund for salaries and expenses, which passed.
 
Fire Chief Jeff DeChaine spoke to the audience on his articles and the need for a new truck to replace the 1996 fire truck, listed on the warrant articles for a total $813,366, which includes a $100,000 contingency cost on whether a 2026 model-year chassis can be secured before new emissions standards in 2027. If they get the 2026 chassis, that contingency likely won't be needed.
 
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