Kahn/Selesnick to Lecture on their Photography and Sculpting

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Richard Selesnick and Nicholas Kahn, a photography duo, will discuss their work on Thursday, April 19, at 7 p.m. in Lawrence Hall, room 3, on the Williams campus. The lecture is free and open to the public. Kahn/Selesnick have collaborated since 1988 on a series of complex narrative photo-novellas and sculptural installations. Between 1988 and 1995 they worked on installations combining painted portraits on plaster panels, bread, honey and wax sculptures displayed in wooden ritual architecture. Through their photography and sculpting, Kahn/Selesnick construct a strange and beautiful world that they describe as being of "infinite promise that cannot possibly be described or communicated except by direct experience." In 1996, their first big show of photographic panoramas, The Flight Series, was set in the Wessex area of Britain in the mid 1930s. The Royal Excavation Corps story was revealed through museological display cases filled with artifacts, historical documentation and actual photographs from a variety of real expeditions, which merged with the staged and costumed scenarios that were depicted on the heavily folded and inscribed sepia toned panoramas framed on the walls. A residency at The Fine Arts Work Center in Provincetown, Mass., helped them create an elaborate full-scale oaken chapel; "Der Ruteloft des Betubten Bienenkaisers" (The Rood-Loft of the Drunken Beekeeper) with 120 painted panels, all of heads in profile sprouting psychoactive plants from their mouths. Additionally, their photographic fictions focus on human stunts such as their celebrated piece titled "Blake Man"(2002) where a suspended naked man floats with the falling dusk in the background; and "Lilypads"(2002), their photographic-story piece which made use of the suspended head image. Selesnick and Khan have exhibited internationally, in Monique Knowlton, (N.Y.), Pepper Gallery (Mass.) and The Royal Photographic Society (England), among others. Their work is held in the collections of The National Portrait Gallery, Smithsonian Institute, and the Philadelphia Museum of Art as well as many private collections.
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Kennedy Calls BCC Workforce Graduates Inspiring

By Breanna SteeleiBerkshires Staff

The programs ranged from emergency medical technician to computers to commercial drivers. See more photos here. 
PITTSFIELD, Mass. — Berkshire Community College Workforce and Community Education graduates were encouraged to be all they can be on Wednesday.
 
Graduates, families, friends, and staff gathered in Boland Theatre to celebrate around 100 graduates who completed a variety of courses.
 
They included community health worker, emergency medical technician, phlebotomy technician, registered behavior technician, AI fundamentals, Commercial Drivers License Class A and B, CompTIA Tech-plus, para educator, and English for Speakers of Other Languages.
 
College President Ellen Kennedy said it was amazing that this might be her last public speaking event before her tenure comes to an end.
 
She acknowledged the diverse reasons for their studies including career advancement and personal growth, commending their vulnerability and dedication. 
 
"Some of you explored AI, some of you improved your English speaking in really important ways, and the reason that each of you is here is because you decided to put your heart and soul to get vulnerable to do something that might have felt a little bit uncomfortable," she said. "And you did it, and we are so incredibly proud of you, and so happy to be here tonight, celebrating you."
 
Keynote speaker Shirley Edgerton, founder of Rites of Passage and Empowerment (ROPE) encouraged the graduates to reflect on their accomplishments and look forward to the future.
 
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