Art Lecture on Kentridge Slated at WCMA

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WILLIAMSTOWN - Okwui Enwezor, dean of academic affairs at San Francisco Art Institute, will speak on "(Un) Civil Engineering: William Kentridge's Allegorical Landscapes" on Saturday, April 12, at 2 p.m. at Brooks-Rogers Recital Hall on the Williams College campus.

The lecture is being presented in conjunction with two exhibitions on Kentridge's work currently on view at the Williams College Museum of Art: "William Kentridge Prints" and Kentridge's "History of the Main Complaint."

The lecture is free and open to the public.

Enwezor, adjunct curator at International Center of Photography in New York and artistic director of Documenta 11, will discuss the role of landscape as an archival structure of memory and narrative in the drawings, films, and tapestries within the context of post-apartheid culture.

Kentridge's work will be discussed in relation to his contemporaries, influences, and reaction to modes of work that seek to disremember the troubled relationship between cultures in South Africa.


Enwezor, senior vice president at San Francisco Art Institute, has held several visiting professorships and has curated numerous exhibits and has served on numerous juries, advisory bodies, and curatorial teams. He is director of the  2008 7th Gwangju Biennale.

He is completing two books, "The Postcolonial Constellation: Contemporary Art in a State of Permanent Transitions" and "Archaeology of the Present: The Postcolonial Archive, Photography and African Modernity"; and two exhibition projects, "Snap Judgments: Recent Positions in Contemporary African Photography" and "On Governmentality: Techniques and Technologies of Critique, Dissent, Resistance and Solidarity in Contemporary Art.

In 2004 he co-convened a major international conference: "Modernity and Contemporaneity: Antinomies of Art and Culture after 20th Century" at the University of Pittsburgh and Carnegie Museum.

The museum, on Main Street, is open Tuesday through Saturday from 10 to 5 and Sunday from 1 to 5. It is wheelchair accessible and open to the public;admission is free. For more information: 413-597-2429.
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Mohican People Honored with Display in South Williamstown

By Stephen DravisiBerkshires Staff

The idea for the installation was inspired by a sculpture installation at Field Farm.
WILLIAMSTOWN, Mass. — A granite installation in Bloedel Park next to the town's new traffic rotary honors the area's first residents and caps an effort that began five years ago.
 
The large granite wall across from the Store at Five Corners is adorned with emblems inspired by the symbols that decorate baskets of the Mohican people. It provides a testament to the presence of the ancestors of the Stockbridge-Munsee Band of Mohican Indians, who, thousands of years ago, lived in the land now known as Berkshire County.
 
The black and red images of a leaf and bear claw are accompanied by an interpretive panel telling part of the story of the native people who fought with the Americans in their Revolutionary War and later were forcibly removed from the area in the late 18th century. 
 
Today, the Mohican people persist with nearly 1,600 enrolled members on or near a reservation in Wisconsin.
 
But the Stockbridge-Munsee Community has never lost its connection to its ancestral home, and, in the last decade, more of the area's contemporary residents have worked to recognize that link.
 
Bette Craig thought the then-planned roundabout would offer an opportunity to highlight that historic link.
 
"It all started in 2021 when MassDOT was having a Zoom meeting to tell the local community about it and get feedback and so forth," Craig said on Thursday. "At the time, I was the president of the South Williamstown Community Association. I was saying things about [the proposed project], and one of the community people listening was Polly Macpherson, who I knew from the League of Women Voters.
 
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