Berkshire Museum To Present What’s The Story

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PITTSFIELD – The Berkshire Museum will highlight its diverse collection the special exhibition What’s the Story, April 26-June 1, 2008. The exhibition will explore how artists—and museums tell stories. Approximately 40 works of art from the 16th-century to the present, as well as selected historical artifacts and natural science, will illustrate storytelling, ranging from Biblical, historical, and mythological tales to people and folklore of the Berkshires.

 Berkshire landmarks depicted include the Pittsfield Elm, Waconah Park, Ice Glen, and Windsor Dam. Artists represented include Leonard Baskin, Benjamin West, Edward Moran, Adriaen Isenbrandt, Norman Rockwell, Bessie Borris, Ammi Phillips, Marsden Hartley, Suzy Frelinghuysen, and William Adolphe Bouguereau. The exhibition also highlights recent acquisitions of work by Keith Haring, Jules Olitski, Peter Garfield, and Morgan Bulkely. What’s the Story is sponsored by TD Banknorth.

“As we celebrate the reopening of the Berkshire Museum this spring, we wanted to highlight the diversity of the art collection and bring out some familiar favorites and some things that haven’t been on view,” said Stuart A. Chase, executive director of the Berkshire Musuem. “Not only does What’s the Story highlight famous artists like Rockwell and Bouguereau, but it also gives us the opportunity to tell stories that only the Berkshire Museum can tell, like the legendary elephant.”

Among the more unusual objects included in What’s the Story is a slice of an elephant tusk carved with the story of an elephant that fell through a bridge in Adams in the 1850s as it was being walked through the Berkshires, and soon after died of its injuries in a barn in Lenox. The story is also evoked by the 2005 photograph Fall in New England by Jeremy Hobbs. The digitally manipulated print depicts an imaginary vista in the Berkshires in autumn; in one meadow is an elephant in a paddock.

The first section of the exhibition focuses on traditional telling of well-known stories. Featured works include Daniel Interpreting to Belshazzar the Handwriting on the Wall by Benjamin West (1738-1820); Flight Into Egypt and Adam and Eve by Adriaen Isenbrandt (active 1510-1551); Apollo and Marsyas attributed to Giovanni Antonio Burrini (1656-1727); Henrik Hudson Entering New York Harbor, September 11, 1609, by Edward Moran; and the print Icarus by Leonard Baskin. Two paintings by Norman Rockwell—Shuffleton’s Barbershop and Shaftsbury Blacksmith Shop—evoke stories of rural America.


Another section tells the story of the large elm tree that once stood in Pittsfield’s Park Square. The Pittsfield Elm, the site of many gatherings, was cut down in 1864. A pot, bowl, goblet, and tables that were made from the elm will on on view, along with a selection of Pittsfield Elm Ware. Pittsfield Elm Ware was a pattern of Blue Staffordshire Pottery dating to 1828. Designed by James Clews, the pottery depicts Park Square and the Elm, as well as a Pittsfield woman known in her day as “Crazy Sue” Dunham. A portrait of Sue Dunham by George Williams is also included.

Portraits of other Berkshire County residents on view include Caroline H. William Barnes and Seth Austin Barnes by famed American itinerant artist Ammi Phillips, and Sarah Higginson Begley by Bessie Boris. Views of the Berkshires include Twilight Diamond by Richard Lasner; Ice Glen Springtime by Marin Greene; Windsor Dam by Bartlett Hendricks; View of Great Barrington by A.H. Wenzler; and Scene on the Housatonic by Arthur Parton.

Also included are examples of the traveling exhibit boxes that former Berkshire Museum director Laura Bragg created in the 1930s. These boxes were intended to bring museum education directly into the schools.

The Berkshire Museum is located at 39 South Street on Route 7 in Downtown Pittsfield. The galleries and aquarium are open Monday through Saturday, 10 a.m. to 5 p.m., and Sundays noon to 5 p.m. Admission is $10 for adults, $5 for children ages 3-18. Members and children 2 and under are admitted free. For more information, contact the Berkshire Museum at (413) 443-7171, ext. 10, or visit www.berkshiremuseum.org
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Dalton Board Signs Off on Land Sale Over Residents' Objections

By Sabrina DammsiBerkshires Staff

Residents demanded the right to speak but the agenda did not include public comment. Amy Musante holds a sign saying the town now as '$20,000 less for a police station.'
DALTON, Mass. — The Select Board signed the sale on the last of what had been known as the Bardin property Monday even as a handful of residents demanded the right to speak against the action. 
 
The quitclaim deed transfers the nine acres to Thomas and Esther Balardini, who purchased the two other parcels in Dalton. They were the third-highest bidders at $31,500. Despite this, the board awarded them the land in an effort to keep the property intact.
 
"It's going to be an ongoing battle but one I think that has to be fought [because of] the disregard for the taxpayers," said Dicken Crane, the high bidder at $51,510.
 
"If it was personal I would let it go, but this affects everyone and backing down is not in my nature." 
 
Crane had appealed to the board to accept his bid during two previous meetings. He and others opposed to accepting the lower bid say it cost the town $20,000. After the meeting, Crane said he will be filing a lawsuit and has a citizen's petition for the next town meeting with over 100 signatures. 
 
Three members of the board — Chair Robert Bishop Jr., John Boyle, and Marc Strout — attended the 10-minute meeting. Members Anthony Pagliarulo and Daniel Esko previously expressed their disapproval of the sale to the Balardinis. 
 
Pagliarulo voted against the sale but did sign the purchase-and-sale agreement earlier this month. His reasoning was the explanation by the town attorney during an executive session that, unlike procurement, where the board is required to accept the lowest bid for services, it does have some discretion when it comes to accepting bids in this instance.
 
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