The Cantilena Chamber Choir will present a concert, "Revolutionary Music"

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LENOX, Mass. — The Cantilena Chamber Choir will present a concert, "Revolutionary Music" on Saturday, May 16, at 6 p.m. The performance at Trinity Church features selections from the rarely heard Ten Poems by Revolutionary Poets for a cappella choir by Dmitri Shostakovich.

Also on the program will be sacred choral music by Georgy Sviridov written at a time when the composition and performance of sacred music was banned in the Soviet Union. Revolutionary Music from other eras also will be performed, including the 16th century Lamentations of Jeremiah by Thomas Tallis, and early twentieth-century sacred music by Italian composer Ildebrando Pizzetti.

The Ten Poems have rarely been performed because of their political content. They were considered extremely pro-Stalinist as they were written to comply with the 1948 requirement that “all musical creativity conform once and for all to the dictates of Marxist-Leninist doctrine.”

Until recently, Russian musicians felt that performances of this music would help to restore Stalin’s reputation. As conductor Valery Gergiev states in a recent article on the subject of performances of political music by Shostakovich and Prokofiev, "we perform it today because I think we are not here to learn more about Stalin. We are here to learn more about Prokofiev.”

The central work of the Ten Poems is January 9, 1905, marking the date of one of the key events that sparked the Bolshevik Revolution. On what is now known as “Bloody Sunday,” Russian peasants came to the plaza in front of the Tsar’s winter palace in St. Petersburg to petition him for more food and freedom from his overbearing ministers. They stood in the cold waiting for a response and were met not by the Tsar, but by armed guards who opened fire on them. Shostakovich sets a chilling version of the story. The choral work, considered a preliminary study for the second movement of the Eleventh Symphony, uses a poem by Alexander Kots to convey the event with the chorus members singing the story as if they are the peasants telling it in the first person.

Now in its fifth season, the Cantilena Chamber Choir is the Berkshire region's leading a cappella group. It is comprised of 24 singers who possess vocal training, good sight-reading skills, and considerable choral experience. Last season it collaborated with the New England Baroque Soloists for two concerts and presented a special performance of Ron Perera’s Golden Door as a benefit for the Berkshire Immigrant Center. Past season highlights include concerts with Aston Magna, the Empire Brass at the Colonial Theatre, a concert of works by Berkshire composers, and a special benefit for the Lenox Library with Shakespeare and Company’s Annette Miller. The Choir is in residence at Trinity Church in Lenox, and has been heard on a special WMHT Christmas Eve 2008 radio broadcast of Lessons and Carols recorded at the church.

The Cantilena Chamber Choir is under the artistic direction of Andrea Goodman who is also the Director of the Northern Berkshire Chorale in Williamstown and the Saratoga Choral Festival, an annual summer concert series for chorus and orchestra in Saratoga Springs, N.Y.

All tickets are $15 and are available at the door or in advance by email from satbchoir@yahoo.com. Phone: 518-791-0185. Trinity Church is located at 88 Walker Street in Lenox. Those interested in more information can visit www.cantilenachoir.org.
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The Classical Beat: Look For a Profusion of Events at Tanglewood From Fall and Into Next Spring

by Stephen DanknerSpecial to iBerkshires

LENOX, Mass. — Come late August, classical aficionados are grateful for the cornucopia of extraordinarily sonorous riches the Boston Symphony has bestowed upon audiences within the incomparably bucolic setting that is Tanglewood. It's been, as ever, a magical summer of glorious music making.

But wait – it's not over; for a cool, refreshing stylistic change of pace, with a tincture of Jazz, Broadway, Dance, Classical, Pops and Local Community events to buoy the spirits, be sure to check out the complete schedule of upcoming events at the storied Tanglewood Learning Institute, beginning in September. Read below for the complete TLI listings.


Tanglewood Learning Institute Announces Fall/Winter/Spring Season, Presenting Over 50 Events September 2026 through May 2027

TLI's most expansive season to date brings classical, jazz, Broadway, and dance talent to Tanglewood's Linde Center. Tickets now on sale.

The Tanglewood Learning Institute (TLI) has announced the 2026–'27 fall/winter/spring season, the most expansive yet, with over 50 events at the Linde Center for Music and Learning on Tanglewood's campus and in the Berkshires community. Marking the third year of year-round TLI programming, the upcoming season offers a wide-ranging performance lineup of exciting classical, jazz, Broadway, and dance talent as well as the TLI Cinematics film series, new TLI Focal Point photography classes, and community engagement events.  

The season begins in late September with TLI Jazz: Mark G. Meadows & The Movement (Sept. 18) and TLI Presents: Beijing Guitar Duo (Sept. 25). Berkshire-based artists appear throughout the season, including a dedicated weekend of TLI Close to Home performances (Oct. 30–Nov. 1). BSO musicians curate and perform five TLI Chamber Concerts (Oct. 18, Nov. 8, Feb. 28, April 11, and April 25). Last year's inaugural Berkshire Bach Portals series, a collaboration with Berkshire Bach Society, continues with four programs about the impact of Bach's music across artistic disciplines (Nov. 7, Jan. 30, March 20, and May 15). As currently planned, the TLI fall/winter/spring season concludes May 23 with a performance by Grammy-winning vocal ensemble Roomful of Teeth. TLI events continue during the 2027 Tanglewood summer season. 

Single tickets and choose-your-own subscriptions for the upcoming TLI season go on sale Wednesday, August 12 at 10 a.m.

TLI Presents

A wide-ranging lineup of soloists and ensembles will visit the Linde Center for TLI Presents programs, beginning with the Tanglewood debut of the Beijing Guitar Duo (Meng Su and Yameng Wang) in a program that shows the expressive range of classical guitar and includes works by Telemann, Giuliani, and Chinese American composer Tan Dun (Sept. 25, 7 p.m.). Award-winning Moldovan accordionist Radu Ratoi follows with a varied recital that reveals the remarkable expressive range of his instrument with pieces by Rameau, Bach, Philip Glass, Gubaidulina, Tchaikovsky, and others (Oct. 23, 7 p.m.). 

Broadway comes to the Linde Center by way of two-time Tony-nominated singer and actress Christine Andreas ("My Fair Lady," "Oklahoma!," "The Light in the Piazza"), who brings classic and contemporary selections from the American songbook in her show S'Wonderful with Grammy-nominated composer and pianist Martin Silvestri. In a new format for TLI, this event will feature cabaret-style table seating with bites and beverages available for purchase (Nov. 13, 7 p.m.). Later that weekend, the Grammy-winning and four-time nominated wind quintet Imani Winds, renowned for blending classical masterworks with newly commissioned works and diverse musical influences, performs an adventurous chamber music program (Nov. 15, 3 p.m.)

Founded by retired Boston Ballet principal dancer John Lam, who led TLI 101: Dance at the Linde Center in July, Lam Dance Works returns to Tanglewood for an intimate evening where dance, live music, and the human voice illuminate memory, identity, and our shared humanity. The program features works by internationally acclaimed choreographers Peggy Baker, Jorma Elo, and Yury Yanowsky, with Artistic Director Lam offering audience insights before each work and a post-performance conversation with the artists. (Nov. 21, 7 p.m.).  

Newly installed as a Berkshire tradition, BSO Holiday Brass returns to the Linde Center for four presentations, including a morning performance geared towards families (Dec. 18–20).  

Colombian cellist Santiago Cañón-Valencia, Silver Medalist and "Audience Favorite" at the 2019 XVI International Tchaikovsky Competition, presents a recital that pairs music by Bach and George Crumb with several of his own compositions (Feb. 26, 7 p.m.). Concert pianists Alessio Bax and Lucille Chung, each in-demand soloists in their own right, offer an afternoon concert featuring repertoire for four hands, including works by Bach, Mendelssohn, Debussy, Poulenc, and Piazzolla (March 7, 3 p.m.).  

Actor and singer Jarrod Spector, most recently seen on Broadway as King George III in "Hamilton," shares his musical journey in "Jukebox Life," a cabaret-style evening of Broadway, rock n' roll, and crooner classics that traces his career from winning "Star Search" at age six to the bright lights of Broadway (April 9, 7 p.m.). 

In a highlight of the season, pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher give two performances of their collaborative and original program Counterpoint. The stylistically diverse music of "Counterpoint" includes the Aria from Bach’s Goldberg Variations, Art Tatum’s brilliantly virtuosic stride piano, Arnold Schoenberg’s ironic/modernistic take on the Viennese waltz, a delicate miniature from Tao and Teicher’s More Forever, and threading it all together, Gershwin’s  perennially beloved "Rhapsody in Blue." Tao and Teicher’s earlier work," More Forever," is a Bessie Award-winning, New York Times critic’s pick which was lauded for "constantly extending the sonic aspects of dance" (April 17, 7 p.m., and April 18, 3 p.m.). 

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