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Pittsfield Mayoral Candidates Spar on Finances, Accountability

By Tammy DanielsiBerkshires Staff
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Nicholas J. Caccamo, Patricia 'Pam' Malumphy, Mayor James M. Ruberto, Mark A. Marciano and Rick E. Moon prepare to match wits in the PCTV studio.
PITTSFIELD, Mass. — A free-flowing forum on Friday with nine of the 10 candidates for mayor focused on finances and government transparency.

Incumbent James M. Ruberto, seeking a fourth term, defended his administration's financial acumen and his ability to shepherd the city through the continuing economic crisis. He cited the success of his tenure for sparking one of the largest mayoral races in some time.

"I think one of the reasons why we are seeing such interest in this mayoral race is because we've shown over the last six years what progressive government does," he said. "It produces results and it allows everyone to feel that the more engaged they can be in the process, the greater their opportunity to serve."

But his challengers said Ruberto's administration has seen property taxes go up and has failed to fully reveal budget details and certain project funding.

Moderated by local commentator Daniel Valenti, whose columns appear in The Pittsfield Gazette and The Berkshire Eagle, the 90-minute session was taped at Pittsfield Community Television. Valenti put the forum together at short notice because only one other forum, sponsored by PCTV, the Gazette and Berkshire Community College, has been scheduled before the Sept. 22 preliminary election.

Seated from left to right at two tables slightly facing each other and according to their position on the ballot, were Nicholas J. Caccamo, Patricia "Pam" Malumphy, Ruberto, Mark A. Marciano, Rick E. Moon, Daniel L. Bianchi, Paul Kwasniowski, Lisa M. Boyd and Jeffrey W. Ferrin. Stephen A. Fillio did not attend.

Valenti asked questions and also allowed responses between candidates. Ruberto, Bianchi (Ward 6 councilor) and Malumphy (a former councilor) dominated much of the conversation.

Malumphy said her work as regional director for the state Office of Business Development gave her insight into the needs of businesses to grow jobs while Bianchi pointed to his past service as the city's financial officer and on the control board that oversaw spending when the city was in financial crisis some years ago. Both called for greater cooperation and collaboration with surrounding communities.

Caccamo, a recent graduate of Champlain College, said the city should look to sustainability and efficiency to save costs. "When we cultivate a 'Buy Berkshires' mindset it'll allow us to take more control over our economic sitution and will allow us to weather national economic trends."

Marciano and Kwasniowski both said the city should look into energy savings, with Kwasniowski also adding that public safety should be the No. 1 priority: "We need to get these gangs out of Pittsfield."

Boyd, an accountant, said better planning and budget analysis could find savings. Several candidates pointed to specific spending items they said should be eliminated or changed to save money, such as outsourcing services, relying on paper mail rather e-mail, and freezing hiring.


Daniel L. Bianchi, Paul Kwasniowski and Lisa M. Boyd wait for a question from Daniel Valenti. (Jeffrey W. Ferrin is also seated at the table.)
Ruberto disagreed with Ferrin's assertion that supplying city workers and police with global positioning systems and cell phones was wasteful spending. "When [police] get on the squawk box, not only do you know they're coming — the druggies know they're coming, too."

The candidates split on whether to impose a 2 percent local rooms tax, which Ruberto supports. "If it passes, we will take those revenues and we will offset ... property taxes," said Ruberto.

Malumphy said she could support at most a 1 percent increase because "it feels like we're taxing our way out of everything." Ferrin agreed, as long as there was accountability. Marciano's, Moon's and Kwasniowski's answers were all no; Caccamo's and Boyd's both yes. "Taxes are going up for everyone, why not for them, too?" said Boyd.

Bianchi said it was an issue for cooperation with other communities, "to make sure the city of Pittsfield isn't disadvantaged."

The talk of taxes lead to issues of government transparency. Ferrin complained that his quest for cell-phone costs for the city resulted in a counter demand for $2,145 to compile the information. "If someone walks into an office and asks for this information, it should be readily available," said Ferrin.

Boyd, too, said her efforts to track down spending items, including the $750,000 of work on Wahconah Park, was stymied. "There's no reason why numbers aren't available two weeks out."

Malumphy said the lack of transparency was one of the "tipping points" that had propelled her candidacy. She had helped Wahconah abutter Jenny Hersch file a petition for details on work there that has gone unanswered two months later. Bianchi, however, targeted the Pittsfield Economic Development Authority for not operating in a transparent manner: "Anything of any substance goes in executive session."

Caccamo, when asked by Valenti, said the city's budget process is "about as open as it gets."

Ruberto said initiatives undertaken during his tenure have been open, starting "with a conversation, they move forward in some cases with public hearings, in some cases with ad hoc committees, in some cases with neighborhood groups."

There's also an effort to ensure full information is available, because "incomplete information will lead to more questions," said Ruberto, adding the Wahconah numbers will be released after all "the expenses are duly reported."

Moon's take was more philosophical: "You don't fight the darkness; you turn on the light and make it go away,"

Marciano launched a spirited attack on Malumphy and Bianchi, questioning what they had done to further openness and claiming Malumphy had ignored the calls of a North Street business. Ruberto jumped to Malumphy's defense, saying it was unfair to use anecdotal evidence against anyone. (Malumphy later provided iBerkshires an e-mail from the business in question, thanking her for speaking with them.)

The candidates also touched lightly on the role of PEDA, public safety and education. The entire, unedited forum is scheduled to be broadcast on PCTV on Tuesday, Sept. 1, at 8:30 p.m.; Sept. 2 at 3:30 and 11 a.m., Sept. 5 at 5 p.m. and Sept. 6 at 1 and 10 a.m.

The candidates will next meet in BCC's Boland Theatre on Monday, Sept. 14, at 7 p.m.
If you would like to contribute information on this article, contact us at info@iberkshires.com.

The Classical Beat: Look For a Profusion of Events at Tanglewood From Fall and Into Next Spring

by Stephen DanknerSpecial to iBerkshires

LENOX, Mass. — Come late August, classical aficionados are grateful for the cornucopia of extraordinarily sonorous riches the Boston Symphony has bestowed upon audiences within the incomparably bucolic setting that is Tanglewood. It's been, as ever, a magical summer of glorious music making.

But wait – it's not over; for a cool, refreshing stylistic change of pace, with a tincture of Jazz, Broadway, Dance, Classical, Pops and Local Community events to buoy the spirits, be sure to check out the complete schedule of upcoming events at the storied Tanglewood Learning Institute, beginning in September. Read below for the complete TLI listings.


Tanglewood Learning Institute Announces Fall/Winter/Spring Season, Presenting Over 50 Events September 2026 through May 2027

TLI's most expansive season to date brings classical, jazz, Broadway, and dance talent to Tanglewood's Linde Center. Tickets now on sale.

The Tanglewood Learning Institute (TLI) has announced the 2026–'27 fall/winter/spring season, the most expansive yet, with over 50 events at the Linde Center for Music and Learning on Tanglewood's campus and in the Berkshires community. Marking the third year of year-round TLI programming, the upcoming season offers a wide-ranging performance lineup of exciting classical, jazz, Broadway, and dance talent as well as the TLI Cinematics film series, new TLI Focal Point photography classes, and community engagement events.  

The season begins in late September with TLI Jazz: Mark G. Meadows & The Movement (Sept. 18) and TLI Presents: Beijing Guitar Duo (Sept. 25). Berkshire-based artists appear throughout the season, including a dedicated weekend of TLI Close to Home performances (Oct. 30–Nov. 1). BSO musicians curate and perform five TLI Chamber Concerts (Oct. 18, Nov. 8, Feb. 28, April 11, and April 25). Last year's inaugural Berkshire Bach Portals series, a collaboration with Berkshire Bach Society, continues with four programs about the impact of Bach's music across artistic disciplines (Nov. 7, Jan. 30, March 20, and May 15). As currently planned, the TLI fall/winter/spring season concludes May 23 with a performance by Grammy-winning vocal ensemble Roomful of Teeth. TLI events continue during the 2027 Tanglewood summer season. 

Single tickets and choose-your-own subscriptions for the upcoming TLI season go on sale Wednesday, August 12 at 10 a.m.

TLI Presents

A wide-ranging lineup of soloists and ensembles will visit the Linde Center for TLI Presents programs, beginning with the Tanglewood debut of the Beijing Guitar Duo (Meng Su and Yameng Wang) in a program that shows the expressive range of classical guitar and includes works by Telemann, Giuliani, and Chinese American composer Tan Dun (Sept. 25, 7 p.m.). Award-winning Moldovan accordionist Radu Ratoi follows with a varied recital that reveals the remarkable expressive range of his instrument with pieces by Rameau, Bach, Philip Glass, Gubaidulina, Tchaikovsky, and others (Oct. 23, 7 p.m.). 

Broadway comes to the Linde Center by way of two-time Tony-nominated singer and actress Christine Andreas ("My Fair Lady," "Oklahoma!," "The Light in the Piazza"), who brings classic and contemporary selections from the American songbook in her show S'Wonderful with Grammy-nominated composer and pianist Martin Silvestri. In a new format for TLI, this event will feature cabaret-style table seating with bites and beverages available for purchase (Nov. 13, 7 p.m.). Later that weekend, the Grammy-winning and four-time nominated wind quintet Imani Winds, renowned for blending classical masterworks with newly commissioned works and diverse musical influences, performs an adventurous chamber music program (Nov. 15, 3 p.m.)

Founded by retired Boston Ballet principal dancer John Lam, who led TLI 101: Dance at the Linde Center in July, Lam Dance Works returns to Tanglewood for an intimate evening where dance, live music, and the human voice illuminate memory, identity, and our shared humanity. The program features works by internationally acclaimed choreographers Peggy Baker, Jorma Elo, and Yury Yanowsky, with Artistic Director Lam offering audience insights before each work and a post-performance conversation with the artists. (Nov. 21, 7 p.m.).  

Newly installed as a Berkshire tradition, BSO Holiday Brass returns to the Linde Center for four presentations, including a morning performance geared towards families (Dec. 18–20).  

Colombian cellist Santiago Cañón-Valencia, Silver Medalist and "Audience Favorite" at the 2019 XVI International Tchaikovsky Competition, presents a recital that pairs music by Bach and George Crumb with several of his own compositions (Feb. 26, 7 p.m.). Concert pianists Alessio Bax and Lucille Chung, each in-demand soloists in their own right, offer an afternoon concert featuring repertoire for four hands, including works by Bach, Mendelssohn, Debussy, Poulenc, and Piazzolla (March 7, 3 p.m.).  

Actor and singer Jarrod Spector, most recently seen on Broadway as King George III in "Hamilton," shares his musical journey in "Jukebox Life," a cabaret-style evening of Broadway, rock n' roll, and crooner classics that traces his career from winning "Star Search" at age six to the bright lights of Broadway (April 9, 7 p.m.). 

In a highlight of the season, pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher give two performances of their collaborative and original program Counterpoint. The stylistically diverse music of "Counterpoint" includes the Aria from Bach’s Goldberg Variations, Art Tatum’s brilliantly virtuosic stride piano, Arnold Schoenberg’s ironic/modernistic take on the Viennese waltz, a delicate miniature from Tao and Teicher’s More Forever, and threading it all together, Gershwin’s  perennially beloved "Rhapsody in Blue." Tao and Teicher’s earlier work," More Forever," is a Bessie Award-winning, New York Times critic’s pick which was lauded for "constantly extending the sonic aspects of dance" (April 17, 7 p.m., and April 18, 3 p.m.). 

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