Williamstown to Celebrate MapleFest

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WILLIAMSTOWN, Mass.— MapleFest, the town's annual maple syrup celebration, is set to take place this Saturday, March 13, in Hopkins Memorial Forest.

Visitors will get the chance to see the entire process maple syrup-making process, from maple tree tapping to a working sugarhouse with an old kettle boiler, to syrup tasting and pancake eating. The free event will take place, rain or shine, from 11 a.m. to 2 p.m. Vans will be available from Chapin Hall.

Maple syrup celebrations have been a part of the country’s calendar for generations. The "maple moon" month, as this time of year is called, brings people together to cook maple syrup.

Visitors also are welcome to visit the sugarhouse anytime during the sugaring season, which is from early March to mid-April.

Hopkins Memorial Forest is located at the intersection of Northwest Hill Road and Bulkley Street. The reserve, managed by the Williams College Center for Environmental Studies, spans more than 2,500 acres in Massachusetts, New York, and Vermont. The land was donated to the college by the family of Colonel Amos Lawrence Hopkins in the 1930s. Since then, the college has actively maintained the forest, which it uses for teaching and research.
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Clark Art Exhibit Explores Imperialism, Lost History of South America

By Sabrina DammsiBerkshires Staff

A close-up of Kathia St. Hilaire's 'Mamita Yunai,' the aftermath of the massacre of striking United Fruit Co. workers by Colombian soldiers.
WILLIAMSTOWN, Mass. — The Clark Art Institute's newest exhibition "Invisible Empires" will run through Sept. 22 in the galleries of the Lunder Center at Stone Hill. 
 
Artist Kathia St. Hilaire uses mixed mediums, including printmaking, painting, collage, and weaving, to explore the lost Haitian history and culture she has heard as tales told by her parents and investigates how imperialism persists today in subtler forms. 
 
In her work, St. Hilaire uses various materials, including "beauty products," such as skin lighteners, industrial metal, fabric, and tires. She brings to life the lost history while drawing inspiration from Haitian vodou flags. 
 
St. Hilaire is informed from her experiences growing up in Caribbean and African American neighborhoods in South Florida and being raised by parents who immigrated to the United States from Haiti. 
 
Her work depicts historical moments, including the Haitian revolution, French colonialism, foreign interventions in the Caribbean, and the banana massacre in , and brings to life forgotten historical figures, including Rosalvo Bobo, Benoît Batraville, and Charlemagne Péralte, and integrates them with legends of Haiti's leaders. 
 
The stories that St. Hilaire tells are personal, "familial about the diasporic communities in which she was raised," and national "about the first free black Republican world, Haiti, and they are international pertaining to the "wider region, the Caribbean, Latin America, areas in which the United States has taken a great interest in, to put it lightly in historical terms," curator Robert Wiesenberger said. 
 
The way she narrates these stories together and depicts the effect they have on the present is an "unbelievable craft," he said. 
 
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