Harpsichordist to Perform at the Clark

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Victor Clark
Photo, Howie Levitz
WILLIAMSTOWN, Mass. — Renowned harpsichordist Victor Hill will present a solo recital at the Sterling and Francine Clark Art Institute on Sunday, Oct. 3 at 3 p.m. Admission is free.

Featured on the program are Johann Sebastian Bach’s six “French Suites,” the first five of which he composed for his wife Anna Magdalena in approximately 1720. Each suite consists of a sequence of six to eight stylized dance movements that Hill says “emphasizes Bach’s immense creativity.” German composer Johann Sebastian Bach (1685–1750) was a master of the Baroque period renowned for the artistic beauty, technical skill, and intellectual depth of his ecclesiastical and secular works for choir, orchestra, and solo instruments.

Hill was a professor of mathematics at Williams College for 40 years. He studied the harpsichord in Amsterdam with the noted Dutch harpsichordist Gustav Leonhardt and has played more than 900 concerts throughout the United States and in Europe. Hill plays the double-manual harpsichord of eighteenth-century design that was custom built for him in 1997 by Richard Kingston of Asheville, North Carolina. He tunes the instrument himself in a common 18th-century pitch and temperament.

The Clark is located at 225 South St. The galleries are open Tuesday through Sunday, from 10 to 5 (daily in July and August). Admission is free November through May. Admission is $15 from June 1 through Oct. 31. Admission is free for children 18 and younger, members, and students with valid ID. For more information, call 413-458-2303 or visit clarkart.edu.
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Williams Grads Told: Be Kind to 'What Is Strange Within You'

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — After describing herself as neither a speech writer nor a public speaker, Williams College Commencement speaker Cécile McLorin Salvant said that she watched "millions" of similar addresses when figuring out what she would say to the school's Class of 2026.
 
"I watched Valerie Jarrett's commencement speech from last year here at Williams, and it was so incredibly inspiring," Salvant said. "It was great, but, after watching, I felt like I had even less I wanted to say.
 
"And then I thought: What if I just showed up here as myself? I have spent so much of my life looking at what other people are doing and trying to fit myself into that, but I don't really fit. And I know you don't really fit, and, actually, I've been most rewarded when I remembered that and when I've honored that."
 
Salvant said that graduation day is a good time for the graduates to think about what drives them and trust themselves to find a path.
 
"We're so often looking at what everyone else is doing, distracting ourselves from our own desires and our own idiosyncrasies, and the result is that we get a little more mean, a little less understanding of others, a little more stingy, a little less kind," Salvant said. "So what I'm advocating for, ultimately, is a kindness that goes both ways. That kindness toward yourself, toward what is strange within you, is that same kindness with which you can meet the people in the world around you, and you can keep giving that kindness both ways, even when you think you have none left to give."
 
And, with that, the three-time Grammy winner and MacArthur fellow told the crowd that she was going to be true to her self, launching into a stirring a cappella rendition of West Side Story's "Somewhere," composed by longtime Tanglewood fixture Leonard Bernstein with lyrics by Williams alum Stephen Sondheim.
 
Salvant was one of a handful speakers who took a turn at the podium at the school's 237th Commencement Exercises.
 
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