A Festival of Latin American Music

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WILLIAMSTOWN, Mass. — The Williams College Department of Music will present a festival dedicated to Latin cultures and to the late Steven Dennis Bodner, who had worked to make the festival possible.

The festival starts on Friday, Feb. 11, at 8 p.m. with the Momenta Quartet at '62 Center and continues with a variety of music on Saturday, Feb. 12, at 6 p.m. in Brooks-Rogers Recital Hall, concluding with a concert at 8 p.m. in Chapin Hall on the same day. These free events are open to the public. This is a celebration of Latin American music–its contemporary expressions, heritage, and legacy as bridges between peoples.

The Momenta Quartet provides the first Puente Sonoro on Friday night in the '62 Center. All of the details of that concert and master classes are being released separately.

Those with an interest in chamber music also get their due. On Saturday evening Williams Chamber Players members Ronald Feldman, Doris Stevenson, and Joana Genova will present selected movements of the Piazzola trio, Four Seasons. Violist Noah Fields '11, and guests Martha Mooke and Duo Iberoamerica will also take the stage in the more intimate Brooks-Rogers Recital Hall to perform music by Modesta Bor, Alberto Ginastera, Aldemaro Romero, Tania León, Marcos Balter, Astor PIazzolla, and Williams faculty member Ileana Perez Velazquez.


The Saturday evening portion of the festival then moves to Chapin Hall. The larger student ensembles present more works of great contemporary Latin American composers. This not only provides an opportunity to experience modern music inspired by Latin America: this is a chance to hear the popular ensembles Zambezi Marimba Band and Williams Jazz, Percussion, and Brass Ensembles all in one venue. These ensembles present music by Armando Bayolo, Alberto Ginastera, Alexandre Lunsqui, Allem Carvajal, guest composer Tania León, and faculty member Andy Jaffe. Of special poignancy are the performances by the Symphonic Winds and Opus Zero Band, two groups central to the mission of presenting living music to a greater public. These ensembles embody the musical vision and are the flagship ensembles of the Bodner.

This idea of the festival came about when the immigration laws created such an uproar in Arizona. Faculty member Ileana Perez-Velazquez expressed her dismay to Bodner, and together they birthed the idea of a festival celebrating Latin Heritage. Bodner was a musician and colleague whose contribution was central to the presentation of many festivals such as this. His recent and untimely passing was and continues to be an unspeakable loss to the students, faculty, and staff at Williams. The service for Bodner is scheduled for Saturday, Feb. 12, at 3 p.m. in Thompson Memorial Chapel.
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Creative Pause: Venerable WTF Taking Time to Innovate, Strategize

By John TownesSpecial to iBerkshires
The pace and pressures of change have intensified in all sectors of society. The creative economy is no exception.
 
Non-profit arts organizations have always had to adapt to changing times. Some of these issues are common and perennial, including the need to raise funds, attract audiences, and remain relevant and sustainable.
 
In addition, while the COVID-19 pandemic was several years ago, it has taken time
to recover from the universal shutdowns of 2020 and their aftermath.
 
These issues were highlighted in the Berkshires recently with the announcement that two prominent cultural institutions in Northern Berkshire County — the Williams Theatre Festival and the FreshGrass music festival at Massachusetts Museum of Contemporary Art were cancelling their 2026 summer seasons.
 
Both organizations, which are separate, will use the time to regroup, with plans to return in 2027.
 
While the announcements raised concerns about the impacts on the cultural tourism economy this summer, the overall slate of cultural attractions and activities in the Berkshires appear to be on track. The cultural sector is not monolithic, and other individual organizations are either proceeding as normal or expanding their offerings.
 
The season cancellation at WTF was because of a combination of factors, said Raphael Picciarelli, WTF's managing director for strategy and transformation. He shares administrative oversight responsibilities with Kit Ingui, managing director of operations and advancement.
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