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State Reps. Gailanne Cariddi and William Pignatelli met with local arts leaders Monday morning to discuss challenges casinos will bring to smaller venues.

Pignatelli: Casinos Threaten Smaller Arts Venues

By Andy McKeeveriBerkshires Staff
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Greg Liakos of the Massachusetts Cultural Council has proposed four admendments intended to support nonprofit and small businesses in the face of casinos.
LENOX, Mass. — The county's Beacon Hill representatives are looking for ways to protect local cultural venues against the likely onslaught of casino gambling.

State Rep.  William "Smitty" Pignatelli, D-Lenox, met with proprietors of smaller and nonprofit performance venues Monday morning to discuss the "grave" threat casinos will bring.

"We're going to make a bad bill better. But it'll still stink," Pignatelli told them. "I think it is a sad day when we have to turn to gambling to pay our bills."

Pignatelli, a member of the Joint Committee on Tourism, Arts and Cultural Development, scheduled the roundtable at Town Hall with state officials. He was joined by fellow committee member Rep. Gailanne Cariddi, D-North Adams, and a representative from committee Vice Chairman Sen. Benjamin B. Downing, D-Pittsfield.

Casinos have been the subject of debate for about a decade and bills allowing them in the state have come to the edge of being signed into law. This year, the executive branch is pushing another bill that is expected to be debated by the legislative bodies in September.

While a casino is not proposed in Berkshire County,  the business model threatens smaller venues' abilities to bring in acts.

According to Greg Liakos, a spokesman for the Massachusetts Cultural Council, a casino's business model is based on providing entertainment at very low costs because it generates gambling income. Often, the contracts between the casino and the acts include clauses that prevent the acts from playing other venues in a 100-mile radius of the casino.

"It's a supply-side problem. It's getting those artists," Liakos said. "Our concerns are real, are unique and to be addressed is in the interest of the taxpayers."

For example, about five years ago, the 2,600-seat CityStage in Springfield sold out two Jerry Seinfeld shows and with other events going on in town, the city was booming with energy. Since then General Manager Tina D'Agostino has tried to book Seinfeld eight times but was blocked every time because of shows at Mohegan Sun casino in Connecticut.

Recently, CityStage booked "Lord of the Dance" but Mohegan Sun booked it the next day. Because the casino has an additional source of income, it was able to sell the tickets for $40 cheaper and D'Agostino's sales plummeted.

"It's frustrating. It hurts our ability to book," D'Agostino said. "We really do need to protect ourselves."


Troy Siebels, executive director of the Hanover Theatre in Worcester, said casinos could put his venue out of business.

"We already feel the impact from the Connecticut casinos," Siebels said. "Our goal is to get as many mitigating things in the bill as possible."


Tina D'Agostino has already seen the effects casinos have on smaller venues while running City Stage and Symphony Hall in Springfield.
As for the Berkshires, Pignatelli pointed to the Colonial Theatre and the Mahaiwe Performing Arts Center. The Colonial sold out two shows in June for Ron White and those type of shows are threatened, Pignatelli said.

"It probably won't be in the Berkshires but it will have an economic impact," Pignatelli said. "When the Mahaiwe is boarded up, we're going to care."

The closest proposed casino is eyed for Palmer, Springfield or Holyoke. The casino bill should include provisions to prevent sinking all other venues and the business community will need to express these concerns to Gov. Deval Patrick, Pignatelli said.

Liakos shared some draft amendments to the bill that include a moratorium on building performance arts venues in casinos, prohibit theaters that hold between 500 and 5,000 people, require licenses to address impacts on smaller venues and dedication of a portion of the tax revenues to smaller venues that can prove hardship from the casinos.

Ideas of regulating the 100-mile clauses or the ticket prices were brought up but quickly rejected by Liakos and Pignatelli because of doubts they could stand up to a legal challenge.

Staurt Chase, CEO of 1Berkshire, added that the impacts will run deeper than just performance arts venues. Restaurants, hotels and art galleries will all be affected while the county loses part of its draw, he said.

"It's bigger than just performing arts," Chase said.

Tags: casinos,   economy,   

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The Classical Beat: Tanglewood, Sevenars Proffer Classical Glories

Stephen DanknerSpecial to iBerkshires

As Tanglewood enters its third week, the concerts will be awesome. If you're a pianophile and love concertos for your favorite instrument, masterworks by Ravel and Shostakovich are scheduled. In the third Tanglewood Music Center Orchestra  program of the season, BSO Maestro Andris Nelsons conducts two brilliant and virtuosic tone poems by Richard Strauss, "Don Juan" and "Tyll Eulenspiegel's Merry Pranks." TMC Conducting Fellows Julian Gilewski and Lauren Smith lead Beethoven's 'Leonore' Overture No. 3 and Hindemith's "Konzertmusik" for strings and brass. Samuel Barber's masterful Violin Concerto will also be a welcome addition. Such diverse repertoire amply demonstrates that at Tanglewood, the stylistic diversity of musical offerings is both wide and deep.

Added to these delights, there's also the inviting Sevenars Music Festival in South Worthington, MA. This week, Sevenars welcomes the prizewinning Mada-Hugh piano duo in a tribute to America's 250th birthday, showcasing works by Samuel Barber, Leonard Bernstein, Aaron Copland, George Gershwin, Jennifer Higdon, Vincent Persichetti, Florence Price and others - including the pianists' own arrangements. 

Both venues present outstanding classic and contemporary music performed at magnificent venues in pristine, bucolic settings by marvelous performers. "Who Could Ask for Anything More?" Read below for the details.

Tanglewood

Friday, July 17, 8:00 p.m. in the Shed: BSO Music Director Andris Nelsons leads the Orchestra in a fascinating program of instrumental and vocal virtuosity. A recent work by Composer-in-Residence Carlos Simon, "Meditations on Grace," will open the program. Violinist Keila Wakao is the soloist in Samuel Barber's lovely and highly virtuosic Violin Concerto, with its thrilling "perpetual motion" finale. Stellar operatic soloists Renée Fleming and Thomas Hampson will sing selections from composer John Adams' 1987 landmark opera "Nixon in China."

Saturday, July 18, 8:00 p.m. in the Shed: Japanese composer/conductor  Mamoru Fujisawa, known professionally as Joe Hisaishi leads the Boston Symphony in three of his works, and also the scintillating Piano Concerto in G by Maurice Ravel, with Jean-Yves Thibaudet the spectacular soloist.

Sunday, July 19, 2:30 p.m. in the Shed: Maestro Nelsons returns to the Shed's podium to direct the BSO in a program of Haydn (Symphony No. 22 'The Philosopher',) Shostakovich (Piano Concerto No. 1) with the stunning virtuoso pianist Danill Trifonov and accompanied by BSO Principal Trumpet Thomas Rolfe. Beethoven's Symphony No. 2 concludes the program.

Monday, July 20, 2:30 p.m. in Ozawa Hall: The Tanglewood Music Center Orchestra, led by TMC Conducting Fellows, and Maestro Nelsons, is featured in Richard Strauss' virtuosic symphonic poems "Don Juan" and "Tyll Eulenspiegel's Merry Pranks." Beethoven's "Overture to 'Leonore' No. 3" and Paul Hindemith's "Konzertmusik" for strings and brass complete the program.

Sevenars Music Festival

Sunday, July 19, 4:00 p.m.: The Mada & Hugh Piano Duo, comprised of Romanian-born pianist M?d?lina-Claudia D?nil? and Korean-American pianist Hugh Sung, stands at the forefront of innovative 4-hand piano performances.

Together, M?d?lina Claudia D?nil?  and Hugh Sung offer a unique command of classical mastery, which they joyously bring to their performances. Their repertoire spans the ages, from timeless classics to their own dazzling arrangements of popular tunes, all the while thrilling audiences with their exceptional artistry and creativity.

The Sevenars Academy is located at 15 Ireland Street, just off Route 112 in the historic village of South Worthington, MA. Admission is by donation (suggested $20.) Phone: (413) 238-5854). Online: www.sevenars.com. Refreshments will be available at no charge.

 

 

 

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