Pick of the Week: Welcome 2 My Nightmare

By Keith HannaleckMuzikReviews.com
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"Welcome To My Nightmare" revisted? Really? And Alice Cooper kicks off this new album using auto tune ... it will happen when hell freezes over right?

Guess again, only in Alice's hell can this happen. Yes it's all true and you have to wonder how this is all going to work out. The king of shock rock is using auto tune on his opening track "I Am Made of You" and this entire album works and, in fact, this is the best work I have heard from Coop in decades. No kidding, this is a killer album.

Alice Cooper does not need auto tune; I think he decided to use it for the effect and bring a modern flair to his new recording. I have said in the past several times that I thought he could not really sing, however, I was proven wrong after seeing him perform live recently. At 63, the man has plenty of gas left in the tank.

"Welcome 2 My Nightmare" is the new sequel to the classic original album released in 1975. The key to making this all happen again was bringing in legendary producer Bob Ezrin. Nobody knows Cooper better than Ezrin and when they get together, it's magic. He brings out the very best in AC and if you look back at his best music, Ezrin was the producer.

Tracks
1. I Am Made Of You
2. Caffeine
3. The Nightmare Returns
4. A Runaway Train
5. Last Man On Earth
6. The Congregation
7. I'll Bite Your Face Off
8. Disco Bloodbath Boogie Fever
9. Ghouls Gone Wild
10. Something To Remember Me By
11. When Hell Comes Home
12. What Baby Wants
13. I Gotta Get Outta Here
14. The Underture

15. Under The Bed (Bonus)
16. Poison (Live at the Download Festival) (Bonus)
Genre: Rock Label: Universal
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I decided to get the fan pack from Classic Rock Magazine. It comes with the deluxe version of the CD that includes two bonus tracks, "Under The Bed," a good studio track and a live version of "Poison" from the recent Download Festival. You also get an entire magazine dedicated to Cooper and the album including some interaction with some of the stars that played on the album, which there are several. The biggest treat is Cooper getting together with his old mates from the original Alice Cooper group, Neal Smith (drums), Dennis Dunaway (bass) and Michael Bruce (guitar). There is some interesting reading in the magazine and one thing reminded me of the track "Only Women Bleed" and how I was thinking how brilliant the lyrics were and someone mentioned that very point.

Yes, AC has written some classic songs with well-thought-out lyrics. This is not something you would expect from a rocker of his ilk but he certainly has done his share over the years.

"Welcome 2 My Nightmare" is excellent, and while it may be hard pressed to match up with the original outing, this stands as a triumph for Cooper and Ezrin again. Going back in the studio over 35 years later is no easy task to continue a story so this stands as a sparkling testament to one of the true icons of rock. The instrumentation and production on the album, as the Brits like to say, is totally OTT (over the top). The Coop even does a duet with Keisha of all people. As it turns out it's a good match up, pop music's new bad girl doing a give and take with the Prince of Darkness - perfect.

Some of the standout tracks on this diversely stylistic album include the hyper driven rocker "Caffeine," with pumped up lyrics like "Caffeine, caffeine, amphetamine, a little speed is what I need ..." and "A Runaway Train" the AC band reunion track. It has that distinctive '70s rock sound and fits into the scheme of things perfectly. "Last Man On Earth" is another killer track that is explained perfectly in the magazine as "If hell had its own New Orleans jazz band, this is what it would sound like." AC does his best Tom Waits/Jimmy Durante impression. It's pure vaudeville and cabaret baby, and only Cooper could pull it off.

"The Congregation" is an in your face rocker with Rob Zombie wailing away on the six string. The part where they sound like the guards marching into the witch's castle on the "Wizard of Oz" is a beautiful touch to make this track more sinister than ever. That is Alice Cooper, sinister and evil but funny, too. And let us not forget the contributions of Steve Hunter (guitar) and Dick Wagner (guitar, composer) on both of these great recordings. Without that dynamic duo involved the sound would never be the same.

And finally "The Underture" (not Overture) is an instrumental compilation of highlights from some of the best from the original and new "Welcome To My Nightmare." But that is not the end if you have the special edition but either way this one is a real keeper. I knew this was going to be a good album, I just did not expect it to be this good. Maybe when Alice Cooper is 80 he will put out "WTMN 3 the final chapter," you just never know!

This is classic Alice Cooper so Welcome 2 his nightmare all over again.

Key Tracks: Caffeine, A Runaway Train, The Congregation

Keith "Muzikman" Hannaleck is founder of Muzikreviews.com, where you can find more reviews.
If you would like to contribute information on this article, contact us at info@iberkshires.com.

MSBA: No Stearns in Proposed West Pittsfield School

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — Stearns may not be part of the proposed consolidated West Side elementary school after all. 

During the School Building Needs Commission meeting on Monday, the owner's project managers, Skanska, reported that the Massachusetts School Building Authority would not fund a three-school project. 

Stearns Elementary School had been included in the feasibility study to see if Crosby Elementary, Conte Community School, and Stearns Elementary could all be located at 517 West St. All three school locations listed in the feasibility study had to be considered; Conte has several site challenges.

Project designers TSKP reviewed 12 different school options, and it was relayed that only the rebuilds of Crosby and Conte could be fully funded. Pittsfield would have to pay for Stearns. 

"I also think it's important to look at long-term and affordability, and if we choose to keep Stearns in, we're going to make the decision to keep PHS out," Mayor Peter Marchetti said. 

"The city cannot afford it all." 

He added that he would vote "no" on Pittsfield High School if the city is doubling down on Stearns. The city is also pursuing a statement of interest to the MSBA to fund repairs to the high school, which is almost a century old. 

"I'm not going to go to the taxpayers and say, 'give me two debt exclusions so we can build new schools,'" the mayor said. 

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