Mass MoCA Commission Welcomes Architecture Firm, Silkscreen Printer

By Tammy DanielsiBerkshires Staff
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NORTH ADAMS, Mass. — Two new tenants will open on the Massachusetts Museum of Contemporary Art campus: Gary Lichtenstein Editions LLC and JZJN architecture.
 
Lichtenstein Editions is a publisher and printer of fine art silkscreen editions and will be located in Building 13, in the gallery formerly occupied by Eckert Fine Art. Gary Lichtenstein, with managing partner Melissa Marr, said he expects to open the second week of June.
 
"We've been in discussions with the director there, Kristy Edmunds, for over a year," Lichtenstein told the Mass MoCA Commission on Monday, adding he had worked with her before. 
 
The studio is currently operating in Jersey City, New Jersey, and prior to that in Connecticut and California.
 
"In addition to custom screen printing services, GLE, as we like to call them, frequently curates exhibitions, produces events and cultivates site-specific projects and educational programs," said Kimma Stark, project manager at Mass MoCA. 
 
The studio has been involved with its communities, Lichtenstein said, and has offered education through internships that have turned into jobs that have lead back to more education. He said they were looking forward to moving to North Adams "and be a part of a new community with the kind of leadership that we feel is there to begin with, that we could just blend in."
 
Commissioners hoped that the new business would make connections with the local high school art teachers. Lichtenstein said they'd brought in classes to see how they operate and sometimes inspires that one student to come back and talk to them. 
 
The print facility expects to be open weekdays from 10 to 6 and weekends by appointment, but will likely shift to match the museum's hours. 
 
JZJN offers architectural design, project management, strategic planning, exhibition design and custom fabrication and will be located directly above Lichtenstein in Building 13. 
 
Principals Mandy Johnson and James Jarzyniecki both hold master's of architecture degrees from Wentworth Institute of Technology in Boston and moved their practice from New York City to North Adams in 2016. They opened the nonprofit gallery Outside at 10 Ashland St. and had a studio in the Beaver Mill for a few years before moving here permenantly. 
 
"We still have that space now and that's really transitioned into a fabrication space, so woodshop and there's a fiber studio in there, as well as lots of material research that we do for our projects," said Jarzyniecki. "It's sort of like high and low tech. So we've got both going on -- the tablesaw my grandfather had from the '50s and then the 3D printers ... it's sort of nice to be able to marry those two things."
 
The gallery, he said, "was really our exhibition space as well as our meeting space with clients. So when we hadn't needed a big table to work out with clients, we would meet with them at the end of Main Street, it really functioned really well for that."
 
When the gallery closed during the pandemic, they began looking for a new location and began talks with Stark. 
 
"Everyone knows where Mass MoCA is," he said. "I will not have to explain it when people are coming to our office to meet with us. So we're excited to move in."
 
The firm's projects are mainly residential and cultural, and its worked with a number of museums including MoCA,  the Clark Art Institute and Williams College Museum of Art.
 
Both ventures were approved with Commissioner Eric Kerns abstaining from the JZJN vote because he is currently a client. 

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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