Letter: Fireworks Costly, Dangerous & Toxic

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To the Editor:

I wrote the paragraph below on the Williamstown Facebook page regarding this year's fireworks plans. My comments are just as applicable to every town in the county and every city across America that plans a fireworks display.

The experience of Canadian forest fires' smoke-filled air blocking out the otherwise sunny sky above should give us all pause about how we have historically celebrated the 4th with fireworks. Everything about life as we had come to expect it is now in flux: hotter summers, warmer winters, more frequent and more severe weather, rising sea levels, worsening air quality, more global pandemics. We are a caring, educated and progressive community and, as such, as we observe the disruptions to the planet that human activity is causing; isn't it time to ban the use of fireworks due to the smoke and noise pollution as well as the toxins including lead that are released into the air and which then enter our lungs, enter the ground and our water both surface and underground.

The Mount Greylock wells were contaminated by the annual fireworks displays that used to be held there. Now the college is hosting fireworks at the Taconic Golf Course. Surely the damage being done is hardly worth the expense or the hour of thrills (?) the few who attend experience. There are better totally safe and more enjoyable ways to celebrate such as a light show. The Chamber (supported by local businesses and our taxes) and the Select Board (using our tax dollars) which are paying for the show should make this the last year for fireworks and plan on a healthy, responsible, planet-friendly alternative in the future.

It is my hope that readers will recognize this appeal is to our better selves. It is not anti-American, it is pro-health, pro-environment, and pro-gressive (time for change).

I am hoping readers throughout the county will join in the effort and movement to end the costly, dangerous, and toxic displays. Many household pets are terrified of the sound and of course the wildlife in our surrounding forests are as well but they have no voice. If they could speak, they would say how damaging it is to their sensitive hearing, how terrifying for them and their young, and how badly it smells that they forage and eat plants and drink water that have been contaminated from the fallout.

What of some of those who have fought in wars for our freedom and come home with PTSD? Some of them find the loud noise and bright lights bring back traumatic memories.

In other words, there is probably only a small minority of citizens who actually enjoy the fireworks and thrill to the sounds and light. There are safe alternatives. We should honor and celebrate in a manner that doesn't add to the harm being done to the planet, wildlife, and even ourselves.
 

Paul A. Harsch III
Williamstown, Mass.

 

 


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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