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Work has begun in front of the Clark Art Institute to prepare for the reconfiguration of the main entrance.

Clark Prepping For Phase II Expansion

By Christopher MarciszSpecial to iBerkshires
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Now You See It, Now You Don't
The Kalker House next to the museum was purchased for removal to create space for the new driveway. The structure is being taken apart and material donated for resale by the ReStore in Springfield.

WILLIAMSTOWN, Mass. — Construction crews and equipment have begun preliminary work at the Sterling and Francine Clark Art Institute as the museum lays the groundwork for the next phase of a major redevelopment project that
will reshape the South Street campus.

The work is paving the way for the more substantial work to begin behind the Clark's current buildings, on space that is now its overflow parking lot.

Clark officials say the work shouldn't have too much impact on visitors planning to come for the busy summer season.

"When you come to visit the Clark we'll make it as easy as possible to get in and out," said Vicki Saltzman, the Clark's director of communications.

The work that has begun includes the dismantling of the Kalker House, a museum-owned house near the main building which is being removed to make way for a new driveway onto the museum campus. Saltzman said the building is being taken down with great care, and that parts that can be salvaged are being given to the Center for Ecological Technology for resale.

The rest of the work that began this week is laying additional electrical and HVAC lines, which will be in place quickly and covered over with grass. "This is the most temporary piece of all this," Saltzman said.

The main impact for visitors this summer will be some altered parking arrangements, which Saltzman said the museum is paying close attention to by adding some more parking spaces, and moving parking for Clark staff
off-site.

The project begins as the Clark is prepares its ambitious summer schedule, which features the upcoming exhibit "Picasso Looks at Degas," which will run from June 13 to Sept. 12. The museum will also make a rare foray into showing recent work when it presents an exhibit of work by the late Spanish sculptor Juan Muñoz, from June 13


to Oct. 17.

Saltzman said the current work is a prelude for when construction begins in earnest on Phase II of the Clark's plan, which will formally go before its board of trustees this summer for approval.

That part of the plan will feature the addition of a major exhibition, conference and visitor center, which will include a 1 1/2-acre reflecting pool, new galleries, a new auditorium, and expanded visitor amenities like a full-service restaurant and cafe, museum shop, and family activity room. The project is designed by acclaimed Japanese architect Tadao Ando, with landscape work by Reed Hilderbrand Associates.
 


Fencing marks of the area near the new parking lot.

Another phase of the project includes the renovation of the Clark's two existing buildings by Selldorf Architects. The original 1955 museum building that houses the permanent collection will get new gallery space for American art and decorative arts. And the Manton Research Center — which currently serves as the main entrance — will be renovated to include more space for the Clark's research library.

The entire project received permitting approval in March, when the town Conservation Commission approved a notice of intent with a list of 35 conditions for the museum to follow.

The plans had been opposed by some owners of neighboring properties, who had raised aesthetic and ecological concerns about how the project would affect their property. Their opposition was abruptly withdrawn in January.

Phase I of the building project was the construction of the Stone Hill Center, which began in summer 2006 and was completed in June 2008. This 32,000-square foot, $25 million facility, with galleries, meeting space, and space for the Williamstown Art Conservation Center, was also designed by Ando.

That building has drawn considerable attention, as only the third public building in the U.S. by the Pritzker Prize-winning architect.

"Ando once wrote that the best architecture creates a spiritual threshold between man and nature," observed critic Philip Kennicott in the Washington Post in August 2008. "In the Stone Hill Center ... he has achieved his ideal."

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Puppets Teach Resilience at Lanesborough Elementary School

By Breanna SteeleiBerkshires Staff

The kids learned from puppets Ollie and a hermit crab.

LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.

Puppets in Education has been engaging with young students with interactive puppets for 45 years.  

The group partnered again with Bedard Brothers Chevrolet, which sponsored the visit. 

Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.

"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.

The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.

"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."

The resiliency program is new and formatted little differently to each of the age groups.

"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."

This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning. 

"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.

Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd. 

"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."

Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades. 

"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."

Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers. 

"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."

The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.

"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.

"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.

Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."

"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.

The students got to take home stickers at the end of the day with contact information of the organization.

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