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Adam F. Falk was presented the college charter and key during his induction as Williams' 17th president.

Williams Inducts 17th President at 2010 Convocation

By Tammy DanielsiBerkshires Staff
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Falk and convocation speaker Daniel Kleppner, left, on the stage.
WILLIAMSTOWN, Mass. — Williams College marked beginnings and endings with the induction of a new president on Saturday afternoon.

Adam F. Falk was welcomed as the college's 17th president — and only the second scientist to lead the liberal arts college in its 217-year history — at the annual convocation in Chapin Hall. Falk's wife, Karen, and children Briauna, David and Alex were seated in the front row; the senior class, guests and faculty filled the hall.

The new president called upon students, faculty and staff to continue the college's role as an innovative leader and educator both nationally and internationally, and its promise to broaden the college community across multiple boundaries.

"Perhaps nothing has nothing has inspired me more in the past six months than discovering the remarkable depth, commitment and quality of our students," said Falk. "But how can all this difference flourish while at the same time we build a single community that welcomes and support all. ...

"If we can accomplish this  — internalize this perspective on difference — we can become truly global and teach and learn as never before."

Falk pointed to the famous Haystack Prayer Meeting of 1806, at which the missionary movement was created by Williams students; it was a commitment to use their education to better the world. From that time, the college became more an educator of the elite and the wealthy until breaking free in the 1960s to reflect a global diversity.

"We now recognize that the future leaders of society will come from all its many parts, and that the highest manifestation of the public good we provide is to be a college for all of the United States, and of the world," he said. "One year ago, I was drawn here because I saw this aspiration at the very core of Williams, and in the years to come, I assure you that our commitment will only grow."

Falk was named president last fall after a nearly yearlong search that included input from the college and local community. He replaced Morton O. Schapiro who left to head Northwestern University in 2008 after a decade at Williams.

Falk, who was dean of the School of Arts and Sciences at Johns Hopkins University, has been on campus since earlier this year. On Saturday, he was handed a copy of the college charter and the symbolic key to the school by Gregory Avis, chairman of the board of trustees and a 1980 graduate of the college.

Falk's background in theoretical physics prompted comments from several speakers, linking him to Einstein and the college's other scientist president, Paul A. Chadbourne, a naturalist with a medical degree who served from 1872 to 1881. Chadbourne thought professorship a "dangerous place for a man," where one would grow narrow minded and "more unlike other men."

"The difference between two presidents can be striking," said Eiko Maruko Seiniawar, associate professor of history who gave greetings from the faculty. "In President Falk, the faculty have and recognize someone who not just understands what animates our work, but who embodies and supports that which we value."


Karen Falk greets faculty while sons David and Alex wait for the convocation to begin.
Speakers also included Employment Manager Danielle Gonzalez, who spoke of the college's many collaborative efforts ("We invite you to call upon us, to ask for our input, to engage us, to use our talents and resources. And to ask, 'What now can we build together?'"); Christopher Giglio, president of the Society of Alumni, who also served on the presidential search committee; and Town Manager Peter Fohlin, who spoke on behalf of the community and welcomed the Oriole fan's "conversion to either a New York Yankees fan or a Boston Red Sox fan  — or both as the occasion is likely to require." College Council co-Presidents Ifiok Inyang and Emanuel Yekutiel gave welcome on behalf of the students, saying, "if you are good to us, we well be good to you — nine times out of 10."

Daniel Kleppner, class of 1953 and a 2010 Bicentennial Medal honoree, gave the convocation address. The groundbreaking physicist and professor emeritus at Massachusetts Institute of Technology said his time at Williams wasn't easy. Socially awkward and outside the then-fraternity dominated cliques, he graduated from Williams early with the help of his professors and won a Fulbright Scholarship to Cambridge College in England (where his stipend outpaced the local economy: "I was wealthy for two years: my social skills improved.")


Sheriff Carmen C. Massimiano brought the convocation to order for the last time.
However, Kleppner kept in close contact with his professors at Williams and came to appreciate "not only to the generosity of my teachers individually, but to Williams College itself and the Williams ethos which instilled such confidence and made my education possible. One rarely has the opportunity to say thank you to an institution ... Thank you, Williams College."

Kleppner's work in quantum mechanics and particles in ultracold temperatures ("You are idolized as the man who maded the ultracold ultracool.") was recognized with a Bicentennial Medal presented by Falk. Also awarded medals were William H. Eddy Jr., class of 1949, for his work in environmental education; William E. Spriggs, class of 1977, for public policy; Joshua M. Kraft, class of 1989, for youth services, and Camille L. Utterback, class of 1992, for interactive art.

Twenty-seven seniors were inducted into Phi Beta Kappa and the college bid farewell to retiring Berkshire County Sheriff Carmen C. Massimiano, who has lead the college's graduation and convocation processionals for three decades.

"It's time for someone else to do it," said Massimiano.
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WCMA: 'Cracking the Code on Numerology'

WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) opens a new exhibition, "Cracking the Cosmic Code: Numerology in Medieval Art."
 
The exhibit opened on March 22.
 
According to a press release: 
 
The idea that numbers emanate sacred significance, and connect the past with the future, is prehistoric and global. Rooted in the Babylonian science of astrology, medieval Christian numerology taught that God created a well-ordered universe. Deciphering the universe's numerical patterns would reveal the Creator's grand plan for humanity, including individual fates. 
 
This unquestioned concept deeply pervaded European cultures through centuries. Theologians and lay people alike fervently interpreted the Bible literally and figuratively via number theory, because as King Solomon told God, "Thou hast ordered all things in measure, and number, and weight" (Wisdom 11:22). 
 
"Cracking the Cosmic Code" explores medieval relationships among numbers, events, and works of art. The medieval and Renaissance art on display in this exhibition from the 5th to 17th centuries—including a 15th-century birth platter by Lippo d'Andrea from Florence; a 14th-century panel fragment with courtly scenes from Palace Curiel de los Ajos, Valladolid, Spain; and a 12th-century wall capital from the Monastery at Moutiers-Saint-Jean—reveal numerical patterns as they relate to architecture, literature, gender, and timekeeping. 
 
"There was no realm of thought that was not influenced by the all-consuming belief that all things were celestially ordered, from human life to stones, herbs, and metals," said WCMA Assistant Curator Elizabeth Sandoval, who curated the exhibition. "As Vincent Foster Hopper expounds, numbers were 'fundamental realities, alive with memories and eloquent with meaning.' These artworks tease out numerical patterns and their multiple possible meanings, in relation to gender, literature, and the celestial sphere. 
 
"The exhibition looks back while moving forward: It relies on the collection's strengths in Western medieval Christianity, but points to the future with goals of acquiring works from the global Middle Ages. It also nods to the history of the gallery as a medieval period room at this pivotal time in WCMA's history before the momentous move to a new building," Sandoval said.
 
Cracking the Cosmic Code runs through Dec. 22.
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