BTF’s Unicorn mines gold with 'Floyd'

By Ralph HammannPrint Story | Email Story
Reporters ’scoop the poop’ in “Floyd Collins.” From left to right are Jonathan Kay, Neal Mortimer and Sal Delmonte. (Photo by Kevin Sprague)
“Floyd Collins,” music and lyrics by Adam Guettel, book by Tina Landau, additional lyrics by Tina Landau, directed by Jared Coseglia. Berkshire Theatre Festival, The Unicorn Theatre, Stockbridge, through July 3. STOCKBRIDGE — Of the 1996 Playwrights Horizon production, New York magazine critic John Simon wrote that “Floyd Collins” was “the original and daring musical of our day, concerned with saying something in words and music, not merely bringing in da noise or paying the rent.” Referring to overrated shows like “Bring in ‘Da Noise, Bring in “Da Funk” and “Rent,” Simon was, as usual, right. Indeed, the current dean of American theater critics was rather prophetic regarding the decade that closed without much ado in the area of musicals about ideas. Seeing “Floyd Collins” today in the full-blooded production being given it in the Berkshire Theatre Festival’s Unicorn Theatre, one is struck with its timelessness and relevance to the ever-receding American dream. The often dissonant musical is based on the true story of Floyd Collins, a 38-year-old spelunker who crawled into a sinkhole that he hoped would lead to a majestic passage that would link all of the caves in his part of rural Kentucky. Collins reasoned that such a discovery would lead to fame and financial success through the tourist attraction that would follow. Little did he know that mere days after he became trapped over 125 feet underground in the winter of 1925, he would become the attraction as between 10,000 to 30,000 people journeyed to the site of his entrapment. While Collins, whose foot was caught in a small cave-in, was periodically visited by a cub reporter, Skeets Miller, a veritable carnival assembled aboveground for 18 days. The story was the basis for Billy Wilder’s acerbic film, “The Big Carnival,” which starred Kirk Douglas as the reporter who brought fame to himself and Collins. The film, told from the point-of-view of the reporter, was a brilliant satire on greed, the media and unreflective consumerism. Jettisoning that perspective, Adam Guettel and Tina Landau tell the story from that of the trapped Collins. It becomes an alternately rousing and rueful consideration of the literal depths to which a man will crawl to grasp his moment of fame and piece of the American dream. It is a paean to the durability of the spirit of the dispossessed, the people who envision more than their workaday lives provide. What first seizes your imagination at the BTF is Mimi Lien’s impressionistically impressive set depicting the lean subterranean passageway that will entrap Collins. Abetted by Matthew E. Adelson’s sly lighting, Lien invites our participation in Collins’ condition on a nearly visceral level. The music, sound design and acting complete the effect. From the outset, as Collins sings three songs accompanied by musical director Linda Dowdell’s versatile keyboard and director Jared Coseglia’s marvelous echo effects and sound design, we are swiftly transported to the underground world that Collins loved. We share in his joy of inhabiting a place never trespassed on by another human. And in Dalane Mason’s fully committed performance as Collins, we feel the rapture of a man on the verge of self-realization. In that trio of songs, Mason exultantly sings to and with himself and communicates with an immediacy and simplicity that are disarming. When, finally, Collins becomes wedged in the passage so that even his arms are deprived of movement, the effect is deeply empathic due to Mason’s earlier free and soaring movements (some choreographed by the estimable Julian Barnett). Cosegila has assembled a strong cast to support Mason, and the excellent designer, Marija Djordjevic, has costumed them in earth tones with rich veins of mineral deposits — the effect is that they have sprouted from the ground like outcropping rocks. Chief amongst the talented young cast are Rachael Bell, whose voice rings clear as her surname, slightly daft, and Colby Chambers, who makes Skeets Miller’s journey both dramatic and heartfelt. Given Chambers’ resonance, one wonders if there is another musical to be mined from this story or, perhaps, the Wilder film. A captivating, if vocally muddied, rendition of “Is That Remarkable?” sung and danced by three reporters also prompts this notion. As well, the plight of the rescuers attains an interest that almost rivals that of Collins. Occasionally lyrics are inarticulate, but this is a vast improvement over the noisily engaging but indecipherable work Coseglia wrought from last year’s “Tommy” in the Unicorn. Coseglia has also done admirable work in his staging by spelunking every stair and cranny of the quirkily engaging theater. Guettel’s music is not as infectious as that of his grandfather, Richard Rodgers, and audiences are unlikely to leave “Floyd Collins” humming the tunes that are diverse enough to seem disparate. But there is an earnest concern here about the human condition that underscores the best of Rodgers. Ralph Hammann is The Advocate’s chief theater critic.
Share
If you would like to contribute information on this article, contact us at info@iberkshires.com.

Dalton Announces New Supplier for Energy Program

DALTON, Mass. – The Town of Dalton has signed a thirty-four month contract with a new supplier, First Point Power.
 
Beginning with the January 2026 meter reads, the Dalton Community Choice Power Supply Program will have a new rate of $0.13042 per kWh. The Program will also continue to offer an optional 100 percent green product, which is derived from National Wind Renewable Energy Certificates (RECs), at a rate of $0.13142 per kWh.
 
For Dalton residents and businesses who are enrolled in the Town's Program, the current rate of $0.13849 per kWh will expire with the January 2026 meter reads and the new rate of $0.13042 per kWh will take effect. This represents a decrease of $5 per month on the supply side of the bill given average usage of 600 kWh. Additionally, this new rate is 3 percent lower than Eversource's Residential Basic Service rate of $0.13493 per kWh. Residents can expect to see an
average savings of $3 per month for the month of January 2026. Eversource's Basic Service rates
will change on Feb. 1, 2026.
 
Dalton launched its electricity program in January 2015 in an effort to develop an energy program that would be stable and affordable. From inception through June 2025, the Program has saved residents and small businesses over $1.7 million in electricity costs as compared to Eversource Basic Service.
 
It is important to note that no action is required by current participants. This change will be seen on the February 2026 bills. All accounts currently enrolled in the Program will remain with their current product offering and see the new rate and First Point Power printed under the "Supplier Services" section of their monthly bill.
 
The Dalton Community Choice Power Supply Program has no fees or charges. However, anyone switching from a contract with a third-party supplier may be subject to penalties or early termination fees charged by that supplier. Ratepayers should verify terms before switching.
 
View Full Story

More Stories

Sports
image description

Lee Executes Game Plan to Perfection in Quarter-Final Win

Sports
Sports
image description

Lenox Volleyball Reaches State's Final Four

Sports
Sports
image description

Mount Greylock Boys Win 3rd Straight Regional Crown

Sports
Sports
image description

Mount Greylock Girls Again Top Monson in Western Mass Final

Sports
Sports
image description

Lenox Sweeps Its Way to Western Mass Crown

Sports
Community News
image description

North Adams License Commission Sees Little Need for License...

Community News
Latest Stories
Previous Next

What's Trending?