Pittsfield restages Porter’s ‘Anything Goes’

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PITTSFIELD — Proteus, the Pittsfield High School Drama Society, will present Cole Porter’s high-energy Broadway hit musical “Anything Goes” on May 21, 22, 28 and 29 at 7:30 p.m. Porter’s score for the play is considered by many to be the best in the history of American musical theater. But according to Ralph Hammann, director of the production, the original book with which “Anything Goes” opened in 1934 did not always keep apace with Porter’s melodic music and witty lyrics. First written by Guy Bolton and P.G. Wodehouse, the plot involved an explosion aboard a luxury ocean liner. Their comic treatment of the mishap was deemed to be in poor taste when a real-life fire aboard the Morro Castle steamship killed 134 people. Rehearsals were to begin immediately, and since Wodehouse and Bolton had sailed for Europe, Howard Lindsay (the show’s director) and Russel Crouse penned a hasty rewrite, finishing the last scene just before the show had its out-of-town tryout in Boston. Although the show was a hit on Broadway, Lindsay and Crouse were never quite satisfied with their hurried collaboration. In 1987, Timothy Crouse (Russel’s son) and John Weidman rewrote the book for Lincoln Center’s acclaimed production at the Vivian Beaumont Theatre. They tightened plot elements, developed characterizations and reinstated five songs that had been cut from the original score, as well as adding four Porter songs that were never in the first production. The high school production will be a revival of the school’s 1997 show, with an ocean liner set designed by Hammann. Besides the title song, the show contains such classic Porter songs as “You’re the Top,” “I Get a Kick Out of You,” “All Through the Night,” “The Gypsy in Me,” “It’s De-Lovely,” “Friendship,” “Easy to Love” and the rousing “Blow, Gabriel, Blow.” There will be two extended tap-dance routines that involve virtually the entire company. Playing the evangelist-turned-nightclub singer, Reno Sweeney, is Cassie Stevens. The scheming Billy Crocker is played by Travis Gawron, while Crocker’s would-be romantic interest, Hope Harcourt, is played by Rebecca Tramel. Patrick Harris plays Moonface Martin, the comic Public Enemy No. 13, while Corey Plankey is the daft Sir Evelyn Oakleigh. Crocker’s cantankerous boss, Elisha Whitney, is played by Steve Rogers. Elise Kassmieh appears as Hope’s mother, Evangeline Harcourt, and Jennifer Farley rounds out the principal roles as Erma, a gangster’s moll. The six ‘”angels” who comprise Reno’s act are played by Morgan Lockyer (Chastity), Erika Geller (Virtue), Larissa Huda (Purity), Sara LaPlante (Grace), Meagan Graham (Faith) and Kate Rusk (Charity). In featured character roles are Melvin Varughese as the ship’s captain, Shawn Kirchner as the purser, Tim Shields as an arrogant minister and Jenna English and Krystal Sykes as his two converts. Cast as a quintet of singing sailors are Barry Benham, Jon Nopper, Justin Roccabruna, Mark Schilling and Matt Vrabel. The passenger list includes Jess Baczek, Jacqueline Boino, Matt Connor, Scott Eldridge, Dan Haley, Bryan Larkin, Kaya Severson and Leo Yantovsky. Gaylan Palmer, the school’s vocal instructor, has provided vocal direction and John Sauer serves as music director and accompanist. Choreography has been based on that in the 1997 PHS production, with significant revisions made by Hammann, Spanish teacher Anne-Marie Rodriguez, Mary Farley and dance captains Jennifer Farley and Larissa Huda. Serving as assistant director is Liz MacHaffie, her third time in that role. Jess Baczek is the stage manager, and Bryan Larkin is the technical director. Costumes are by Donna Larkin. Kaya Severson is the assistant stage manager, while Matt Connor is assistant tech director and Krystal Sykes is production manager. Samantha Tejada and Dan Haley are providing lighting. The dresser is Kaylea Patterson. Members of the crew and Hammann’s tech-theater classes have constructed the set. For the first time in its history, Proteus is selling all tickets as numbered/reserved seats. Tickets may be purchased in the school’s main office between 8 a.m. and 2:30 p.m. Reservations may be made by phoning the school at 499-9535, but tickets must be paid for by 2:30 p.m. on Friday the 21st and 28th. Tickets may also be purchased at the door. Prices range from $8 to $15, depending on seating location. The show is the primary fund-raiser for the theater company. Patrons are asked not to attend with infants or very young children.
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Pittsfield Reviews Financial Condition Before FY27 Budget

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — The average single-family home in Pittsfield has increased by more than 40 percent since 2022. 

This was reported during a joint meeting of the City Council and School Committee on March 19, when the city's financial condition was reviewed ahead of the fiscal year 2027 budget process.

Mayor Peter Marchetti said the administration is getting "granular" with line items to find cost savings in the budget.  At the time, they had spoken to a handful of departments, asking tough questions and identifying vacancies and retirements. 

Last fiscal year’s $226,246,942 spending plan was a nearly 4.8 percent increase from FY24. 

In the last five years, the average single-family home in Pittsfield has increased 42 percent, from $222,073 in 2022 to $315,335 in 2026. 

"Your tax bill is your property value times the tax rate," the mayor explained. 

"When the tax rate goes up, it's usually because property values have gone down. When the property values go up, the tax rate comes down." 

Tax bills have increased on average by $280 per year over the last five years; the average home costs $5,518 annually in 2026. In 2022, the residential tax rate was $18.56 per thousand dollars of valuation, and the tax rate is $17.50 in 2026. 

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