Historical Commission Approves Demolition for Former Synagogue

By Joe DurwinPittsfield Correspondent
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The Historical Commission voted in favor of demolishing a century-old synagogue on Robbins Avenue. The building, owned by the Christian Center, has long been vacant.
PITTSFIELD, Mass. — The Historical Commission voted unanimously Monday in favor of demolition requests for two derelict buildings deemed unworthy of preservation.

The commission determined that while the structures, located at 177 Robbins Ave. and at 3 McLaughlin Place, are not devoid of historical significance, their current condition and lack of potential for reuse do not merit efforts at preservation.

The Robbins Avenue building was once the home of a westside synagogue, housing the Ahavath Sholem Congregation founded in 1911. Vacant for some decades, the property currently belongs to the Christian Center. A request for a predetermination of historical significance had come before the commission in January 2008, at which time research had been conducted on its background, as well as outreach to the local Jewish community. 

The commission had found that while the property dates back to the historic Childs Farm that once occupied a large portion of the city's now residential westside neighborhood, there was no indication the Childs family ever used it. The former chairman of the Historical Commission met with members of the local Jewish community at that time to obtain their input.

"Nothing came of that in terms of anyone coming forward wanting to do anything with the property," said commission member Kathleen Reilly. At that time the building was already in a state of serious disrepair and had been condemned.

Todd Burdick, who abstained from the vote as a member of the board of the Christian Center, added the perspective of that organization, which currently owns the building. The faith-based westside philanthropical organization had originally acquired the property in 1998, as part of its long-term mission of being able to offer more services to that neighborhood.

Burdick told the committee that the Christian Center had been recently told by its insurance carrier that the organization itself might be uninsurable if the structure was not demolished. At the time of the 2008 determination, the city had been slated to tear it down, he said, but now the center plans to use its own endowment funds to undertake the project.

"We've needed that building gone for years," Burdick explained, adding that the building stands in the way - physically, financially, and because of the insurance risk - to its long-term goals of seeing a more dynamic "campus" area as part of its operation of serving that neighborhood.

The former synagogue is next door to what was once St. John's Masonic Lodge, which has also been vacant for many years.

The structure at 3 McLaughlin St., in the Morningside neighborhood, was also determined to be too badly ruined to merit further discussion of preservation. 

This house is adjacent to the former Pittsfield High School building, on a tiny side street off Second Street. Built in 1906, it was at one time the home of Bernard J. Murphy, who served as a city councilor in the 1950s and '60s.

Also at its Monday meeting, the commission further discussed the situation surrounding the former Plunkett School on Fenn Street, for which demolition was delayed after Cafua Management proposed to build a drive-through doughnut shop there earlier this year. (Photos here.)

City Planner Cornelius J. Hoss said a publicized competing offer from a prospective buyer looking to restore and repurpose the building was essentially identical to one that had already failed to capture the interest of the current owners. 

"The offer that was made was exactly the one that was made when they had the choice between that and the one from Cafua Management," Hoss told the commission.

While the prospective buyer is willing to pay full price and wants to redevelop the building for housing, funding and approval could draw that out for one to two years. If plans fell through, they would be able to back out of the purchase.

The commission asked what actions the city, either through the commission or the Department of Community Development, could take to market the building to other potential developers. Hoss said it was not under the purview of the city to actively solicit buyers for this privately held property. The city would have to look into a formal legal opinion on what actions and efforts would be considered appropriate for members of the commission to help market the property.

Tags: demolition,   historical building,   historical commission,   

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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