Recipients of this round of Cultural Facilities Fund grants pose with MCC Executive Director Anita Walker, right. Last year's story here.
PITTSFIELD, Mass. — In addition to a packed public meeting Monday morning, visiting legislators helped recognize local recipients of cultural facilities grants and visited some area venues impacted by such funding.
Members of the Joint Committee on Tourism, Arts, and Cultural Development as well as local officials joined the Massachusetts Cultural Council for this year's awardees of the Cultural Facilities Fund at a reception at the Berkshire Museum prior to its hearing.
"I've never seen a group of people given so little do so much with it," said committee co-Chairwoman Rep. Cory Atkins, who extolled the economic yield of such funding.
Atkins said that in the last six years, Cultural Facilities allocations have lead to more than 10,000 construction jobs. While these may be temporary, Atkins said the grants lead to an estimated 1,500 permanent jobs associated with or generated by these projects.
"That's important to legislators, because jobs are really front and center on the agenda," Atkins told a crowd that included administrators of some two dozen cultural organizations.
Out of 18 recipients from the fund in the western part of the state this year, 10 are in Berkshire County. These include Berkshire Carousel, Boston Symphony Orchestra, Clark Art Institute, Jacob's Pillow, Naumkeag, The Mount, Massachusetts College of Liberal Arts, Norman Rockwell Museum, Saint James Place and Topia Arts Center.
"We are at an interesting juncture with the Cultural Facilities Fund. In the last five years, we have invested $55 million in the cultural facilities all across the commonwealth," said Anita Walker, director of the Massachusetts Cultural Council.
The fund is paid out of a five-year capital bond that must now be renewed.
Walker encouraged attendees from the cultural venues to continue be vocal to their legislators, including Sen. Benjamin Downing, Reps. William "Smitty" Pignatelli and Paul Mark, who both serve on the tourism committee, and Reps. Gail Cariddi and Rep. Tricia Farley-Bouvier, who were both in attendance.
"Please do not take your role in the budget lightly," Farley-Bouvier agreed, crediting effective lobbying by the arts sector for the recent restoration of $1.6 million in MCC funding in the fiscal 2014 budget, bringing its funding back up nearly to pre-2009 levels.
Following the morning's meetings, members of the committee perused more of the Berkshire Museum before heading next door to the Colonial Theatre. Both facilities are past recipients of grants from the fund, as are Chesterwood and the Norman Rockwell Museum, which the entourage visited later in the afternoon.
At the Colonial Theatre, which underwent a massive restoration in 2006 to reopen as a major performance venue, Berkshire Theatre Group Director Kate McGuire demonstrated unique features of the building and the continued work that has gone into its ongoing renovation.
McGuire even lead the delegation into an undeveloped section of the property, a back portion of the former Berkshire Auto Garage, which the company hopes to renovate for additional programming.
"I just wanted you all to see this," said McGuire, "Because we'll be coming to some of you soon."
"Often a lot of legislators don't get a chance to go out and see and really understand the power of the work that you all do," said Atkins.
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Sheffield Craftsman Offering Workshops on Windsor Chairs
By Breanna SteeleiBerkshires Staff
Andrew Jack uses hand tools in his wood working shop.
SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.
Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.
He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.
"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.
"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."
Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.
"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."
Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.
"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."
Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving.
Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.
"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."
He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.
"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."
People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.
"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.
"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."
His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.
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