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Photo by Emma Rothenberg-Ware 'Hair' is the story of its time – the spirit of resistance to the Vietnam war and a government that lied about it, of diversity, of hope, sex, love, long hair and drugs – on stage at Berkshire Theatre Group.

Review: 'Hair' is a Must See

By Nancy SalziBerkshires columnist
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Kayla Foster leads the cast of 'Hair' at the Unicorn Theatre in Stockbridge.

It didn't have to be this good.

Just hearing one or two songs from the 1968 rock musical "Hair" – like "Let the Sunshine In" or "Good Morning Starshine" – would have been enough to bring tears to our eyes and a longing for a time when the youth of America could and did change our country.

That's what happened when Kate Maguire, artistic director and CEO of the Berkshire Theatre Group, heard a young woman sing the above songs at an American Theatre Wing event not long ago. She told us in a talkback that on the spot she decided to bring a revival of the show in the intimate space of the Unicorn Theatre, where the audience could be a part of the story.

And bring it she did! This production of "Hair" is far more than good. It is astonishing! The unbelievable energy of the 15-member cast not only brings that troubling and exciting time of our history to life on the stage, it reawakens our spirits and our souls. We want to get on the stage to dance and protest with them.

"Hair" is the story of its time – the spirit of resistance to the Vietnam war and a government that lied about it, of diversity, of hope, sex, love, long hair and drugs – represented by one young man who is drafted and is ambivalent both about serving and about defying his draft notice.

We first meet the "tribe" of flower-bearing, sign-carrying, very high young people singing "The Age of Aquarius" led by Dionne (Latoya Edwards). They accept a young man, Claude (Andrew Cekala), into their midst. He takes drugs with them and observes their free "mating" habits. We soon begin to see that reality has seeped into their idealistic world. Jeannie (Livvy Marcus) is pregnant. Berger (Brandon Contreras) is cruel to his girlfriend, Sheila (Kayla Foster), and becomes "Vietnam bait" when he is expelled from high school. Crissy (Katie Birenboim) can't find a potential love she once met in Washington Square Park. Claude has a bad acid trip and hallucinates being shot in Vietnam. Claude's parents (Shayna Blass and Nick Pankuch) represent the seemingly stodgy American society. In spite of everything, the show ends with the young people's optimism, which the audience (at least those who stayed for the talk-back) so badly wanted to feel today.


The cast is uniformly outstanding. The three leads, Brandon Contreras, Andrew Cekala and Kayla Foster, all have a riveting presence and big, strong voices. The standout performance belongs to Contreras, however.

The direction by Daisy Walker and choreography by Lisa Shriver were brilliant. They obviously worked as a close, collaborative team to make the large cast flow so easily around the multi-level stage and through the theatre aisles. The set by Jason Simms, with raw planks of wood on the floor levels and a giant window at the back of the stage, facilitated the constant movement. Patricia M. Nichols excellent lighting design brought the mood of each song to life and tastefully disguised a scene in which many characters shed their clothes.

There are 35 wonderful songs in "Hair" that tell a story or encapsulate a mood. The musical is almost completely sung-through. Gerome Ragni and James Rado wrote the books and lyrics, Galt MacDermot the music. Eric Svejcar played the piano and let a three person orchestra. The show was originally produced by the New York Shakespeare Festival Theatre.

There are so many cultural events competing for our time and money in the Berkshires this (and every) summer. But "Hair" needs to be on your must-see list. It is about a spirit alive 50 years ago in the young hippie movement and also today among the young Parkland resistors. It is wonderful entertainment and a deeply emotional experience.

Book and Lyrics by Gerome Ragni and James Rado; Music by Galt MacDermot, Directed by Daisy Walker; Music Direction and Piano by Eric Svejcar; Choreography by Lisa Shriver; Scenic Design by Jason Simms; Costume Design by Shane E. Ballard; Lighting design by Patricia M. Nichols; Sound design by Nathan Leigh.
Cast: Katie Birenboim, Ariel Blackwood, Shayna Blass, Chance Brayman, Andrew Cekala, Brandon Contreras, Latoya Edwards, Kayla Foster, Kristopher Saint Louis, Livvy Marcus, Nick Pankuch, Will Porter, Sarah Sun Park, Aiden Wharton, Eric R. Williams.
At The Unicorn Theatre's Larry Vaber Stage on BTG’s Stockbridge Campus, 6 East St., through Aug. 11. Tickets online.


Tags: Berkshire Theatre Group,   local theater,   

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Pittsfield Subcommittee Supports Tax Incentive for St. Joe's Project

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — The developer of the former St. Joseph's Central High School dreams of a glass rear that floods light into the auditorium and allows for more parking. 

On Tuesday, the subcommittee on Community and Economic Development unanimously supported a proposed 10-year tax increment exemption agreement to redevelop the former Catholic high school. 

They heard details about the plan to convert the shuttered school into a 70 percent residential, 30 percent commercial building with 20 percent of the 19 apartments designated affordable. It is expected to be an 18-month project once begun. 

Over the last decade or so, developer David Carver, of Scarafoni Associates & CT Management Group, has been involved with several overhauls of churches, school buildings, and even a firehouse into apartments. 

"I've always been interested in older historic buildings, especially in downtowns, and as the economy changes, we know there are lots of older buildings, worthy buildings that need a new life, and I've always found it interesting and a challenge to save them and turn around," Carver said. 

"Most of these buildings, I will say, are generally better built and more attractive than some of the new buildings that are built everywhere, and I've always been drawn to that, and it's almost like public art to me."

In 2017, the 120-year-old school ceased operations. After the COVID-19 pandemic hit, it sheltered people without homes before The Pearl, a 40-bed downtown shelter, was finished a few years ago. 

The TIE would freeze the current property value base, starting at 100 percent forgiveness in the first year, decreasing by 10 percent annually over the agreement's 10-year period. 

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