Letter: Bridge/Road repair

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To the Editor:

I sympathize with the people on Holmes Road with their bridge in disrepair. Just come on out to the Peck's Road Causeway, Hancock area, and you'll see more barrels and barriers and one-lane lights in such a small area.

It's a shame that the city has let its infrastructure get that bad but mind you we've got bike paths and one-way roads and beautification on North Street. It reminds me of Atlantic City ,one block off of North Street and it turns into a city of disrepair with rising crime!

David Casey
Pittsfield, Mass. 

 

 

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John Rubinstein on 'Eisenhower,' Trump, Fosse, Sondheim & Williamstown Theatre Festival

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — It's a rainy Saturday afternoon in Columbus, Ohio, and John Rubinstein is driving to the Berkshires. He left his Los Angeles home a few days ago, and his next stop is Cleveland. Once he gets to Pittsfield, he readies for his return appearance as Dwight D. Eisenhower in "Eisenhower: This Piece of Ground," a one-man show Rubinstein first did at the Barrington Stage Company last summer.
 
The show has been brought back by rave reviews and popular demand; it opens Sept. 16 and runs through Sept. 26. 
 
Rubinstein, who turns 80 in December, has been crisscrossing the country, doing the show for the past four years: "I can't wait to do it again and again and again," he said. "It's one of the great crowning pieces of luck of my career."
 
And what a career: "Crazy Like a Fox," "Family," numerous Broadway plays and musicals and TV movies and feature films and two Tony awards for "Pippin" (1972) and "Children of a Lesser God" (1980). A surprise many fans don't know: Rubinstein has scored the music to several films and TV shows, including "Jeremiah Johnson," "The Candidate," "The Dollmaker" and "China Beach."
 
During an exclusive interview over a 75-minute phone call, Rubinstein talks about liking Ike and loving "Eisenhower," as well as Donald Trump, Stephen Sondheim, Bob Fosse and the Williamstown Theatre Festival.
 
How did you hook up with 'Eisenhower?'
 
Director Peter Ellenstein sent me an email that said, "I have a play about Eisenhower, and I'd like to send it to you to consider." I read it. It was 40 pages long and single-spaced, one guy talking. I thought. "Jesus Christ, I don't know if anybody's gonna want to hear that, a two-hour monologue." But I liked it. I respected it. I found it fascinating but (a) I wasn't sure it would work as a play, (b) if I could memorize it and (c) if I could memorize it and it was a good play would anyone want to go see it? So I didn't commit myself at first. But Peter said, "Why don't you come and meet with me and the playwright, Richard Hellesson, and read the play out loud?"
 
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