In recent times we have seen an all out effort to diminish freedom in America. We have seen the democratic process erode into a dictatorial presidency in which honor, humanity and dignity are forgotten words.
The red-blooded American portion of me, the part that in my youth soaked up John Wayne movies, was gratified by the spirit of director James Mangold's studiously executed "Ford v Ferrari." Rah, rah and all that good stuff.
A town can regulate the number of days a short-term rental may be utilized under the newly passed statute: but this additional restriction based on who owns the premises is a regulation of ownership and not use.
Expect no answer to the problem in this film but just a good old college try courtesy of Joon-ho Bong who, with co-writer Han Jin Won, astutely delves into the complex tapestry of the relationship between the landed and the impoverished.
If you're that particularly obnoxious sort who has to let everyone in the theater know your uncanny skill at guessing the plot, shh! But for my kindred spirits who, like me, can't figure these things out for the proverbial million dollars, you have to decide whether or not to trust that the director will ultimately tie things up in a manner that will win your satisfaction. I voted in the affirmative.
In self-imposed hiatus and exile from his storied career when we meet him, Mallo is an anxious confluence of nostalgia, regret, uncertainty and just a little glimmer of hope that might just be our wishful thinking.
As far back as the Devonian Period, some 340 million to 400 million years ago, insects invaded the dry land, guided by a still mysterious force enabling an aquatic nymph to become a terrestrial flying dragon capable of feeding and reproducing its own species with certain ease.
Vaping by youth has become what the U.S. Surgeon General calls an epidemic and many people are working to find solutions. I'm asked frequently what can be done to turn the tide, and now new resources are available to educate youth and help those who want to quit vaping.
But while the movie's crystal ball-inspired doodads, gewgaws and thingamajigs are perhaps sublimated to suggest the deal with the Devil they insinuate, the profoundness of what might come to be is spookily evoked in Pitt's performance. His embodiment of the hero it'd take to navigate the Big Brother-inspired anxieties of this prophesied world is sublimely perceptive.