Boston Symphony Orchestra Presents 2005 Tanglewood Jazz Festival

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Featured performers include Tony Bennett and The Count Basie Orchestra, Sonny Rollins, Madeleine Peyroux, Toots Thielemans, Kenny Werner, Oscar Castro-Neves, Airto, Marian Mcpartland, Chris Botti, The Yellowjackets, Skitch Henderson, Bucky Pizzarelli, Jay Leonhart, and Diane Cchuur and The Caribbean Jazz project featuring Dave Samuels Tanglewood Introduces The New Tanglewood Jazz Cafe Featuring Rising Stars and Up-and-Coming New Artists The 2005 Tanglewood Jazz Festival is sponsored by Volkswagen, Borders Books, and Jazztimes Magazine The Boston Symphony Orchestra will present its annual Labor Day Weekend Tanglewood Jazz Festival to be held September 2-4 at the orchestra’s summer home in the Berkshire Mountains in Lenox, Mass. Jazz greats highlighting this year’s festival include Tony Bennett with the Count Basie Orchestra, Sonny Rollins, Madeleine Peyroux, Toots Thielemans, Kenny Werner, Oscar Castro-Neves, Airto, Marian McPartland, Chris Botti, the Yellowjackets, Skitch Henderson, Bucky Pizzarelli, Jay Leonhart, and Diane Schuur and the Caribbean Jazz Project. A new addition to the jazz festival this year is the Tanglewood Jazz Cafe, an informal venue for new artists who will perform before each concert. Rising stars appearing this year include Esperanza, the Andy Ezrin Trio, the Marta Topferova Trio, and the Taylor Eigsti-Julian Lagos Duo. Food and beverages will be available in both the Hawthorne Tent and the Party Tent. Admission to the Tanglewood Jazz Café is free for ticketholders for that day’s performance. The festival opens Friday, September 2, at 8 p.m. in Ozawa Hall with a performance by Diane Schuur and the Caribbean Jazz Project featuring Dave Samuels. Diane Schuur’s interpretative powers and her legendary three-and-a-half octave vocal range have earned her the title of “the new First Lady of Jazz,” five Grammy nominations, two Grammy awards, and acclaim from critics worldwide. Her latest release, Schuur Fire (Concord Picante Records), was recorded with the Grammy-winning Caribbean Jazz Project, led by vibraphonist and marimba player Dave Samuels, with the world-renowned Brazilian guitarist Oscar Castro-Neves as producer and arranger. The Caribbean Jazz Project has become the gold standard of today’s dynamic Latin jazz movement. The CJP’s cohesive quality has become one of its most bankable trademarks. Four of the current principals – Samuels, drummer Mark Walker, pianist Dario Eskenazi, and bassist Oscar Stagnaro – are charter members of the band. Today’s CJP also includes Diego Urrcola on trumpet and flugelhorn and percussionist Robert Quintero. Toots Thilelmans’ sweet and truly unique jazz harmonica sound will follow Diane Schuur and the Caribbean Jazz Project with a performance by the Toots Thielemans Quartet, featuring pianist Kenny Werner, Brazilian guitarist Oscar Castro-Neves, and percussionist Airto. Thielemans, the preeminent exponent of the harmonica in jazz, took a simple folk instrument and brought it into the contemporary jazz ensemble. Non-jazz audiences are familiar with Thielemans on the soundtracks of Midnight Cowboy, Sugarland Express, The Pawnbroker, The Anderson Tapes, The Wiz, and many other films. He also wrote and performed the theme for Sesame Street. Thielemans is also the composer of the classic jazz waltz “Bluesette,” which he performs at each concert. Pianist Kenny Werner has performed with such jazz dignitaries as Ron Carter, Joe Williams, Lee Konitz, Billy Hart, John Scofield, Charlie Haden, and dozens of others. Werner has composed music for and produced the Brussels Jazz Orchestra and is accompaniast to vocalist Betty Buckley. Brazilian-born guitarist Oscar Castro-Neves is one of the founders of the Bossa Nova movement along with Antonio Carlos Jobim and Joao Gilberto. One of triplets in a talented musical family, Oscar had a national hit song in Brazil at the age of 16 that was covered by over 50 other artists. In 1962 Oscar came to New York to appear at the first Bossa Nova concert in America at Carnegie Hall. He toured with his own quartet, as well as with the Dizzy Gillespie Quintet, the Stan Getz Quartet, and the Lalo Schiffren Trio. In 1971 he joined Sergio Mendes’ Brazil 66 and has subsequently performed and recorded with numerous artists such as Quincy Jones, Ella Fitzgerald, Barbra Streisand, Stevie Wonder, Herbie Hancock, and Joe Henderson. Friday night’s concert will be broadcast live on WGBH-FM in Boston, WBGO in Newark, and National Public Radio stations across the country and will be available for rebroadcast to NPR stations nationwide throughout Labor Day Weekend. Saturday’s lineup will kick off at 12 noon with The Legends Trio featuring Skitch Henderson, Bucky Pizzarelli, and Jay Leonhart on the Theatre Stage. Pianist and conductor Skitch Henderson was the music director for NBC Television in its early days and later The Tonight Show with Steve Allen and Johnny Carson. He was also the musical director for Frank Sinatra’s Lucky Strike Show on NBC Radio and The Philco Hour with Bing Crosby. In 1983 Henderson founded the New York Pops to share his passion for music by bringing the more accessible symphonic pops fare to a broader audience. The New York Pops is now the largest independent symphonic pops orchestra in the United States and its subscription season is one of the most successful at its home at New York’s Carnegie Hall. Bucky Pizzarelli has been a part of the fraternity of musicians who have kept mainstream and traditional jazz alive for more than half a century. The list of big bands and vocalists with whom Bucky has performed and recorded reads like a Who’s Who of Jazz. Bucky is a superior guitarist who swing musicians in particular appreciate. In 1952, Pizzarelli joined the staff of NBC and played for many years in the Doc Severinson Band on The Tonight Show. He also played and toured with Benny Goodman and led his own trio and recorded duos with Zoot Sims, Bud Freeman, Stephane Grappelli, and his son, guitarist and vocalist John Pizzarelli. Bassist Jay Leonhart has played with dozens of the great jazz musicians, big bands, and singers such as Thad Jones, Mel Lewis, Tony Bennett, Marian McPartland, and Jim Hall. Between 1975 and 1995 he was named The Most Valuable Bassist in the recording industry three times by the National Association of Recording Arts and Sciences. When he was 14 he started playing bass in a Dixieland jazz band in Baltimore and studied at the Peabody Institute, The Berklee School of Music, and The Advanced School of Contemporary Music in Toronto before leaving school to tour with the traveling big bands of the 1950s and 1960s. Leonhart has recorded 15 solo albums including a one-man show of songs about his life in music called The Bass Lesson. On Saturday, September 3, at 3 p.m. at Ozawa Hall Marian McPartland will celebrate her fourth anniversary at Tanglewood to record a live performance for NPR’s “Piano Jazz.” Her guest for this year’s taping is vocalist Madeleine Peyroux. Since 1978, Ms. McPartland has interviewed over 500 musicians and performers including Norah Jones (recorded live at Tanglewood), Diana Krall, Elvis Costello, Dave Brubeck, Dizzy Gillespie, Rosemary Clooney, Herbie Hancock, Bill Evans, Brad Mehldau, Ray Charles, Carmen McRae, and even William F. Buckley. Her easy, comfortable style, charm and quick wit engage her guests in fascinating and sometimes revealing conversations while seated at the piano. Madeleine Peyroux’s meteoric rise to the top of the jazz charts has been stunning. Her second CD, Careless Love (Rounder Records), skyrocketed to number three on the Billboard Chart earlier this year. Peyroux (pronounced like the country “Peru”), was born in Athens, Ga., and grew up in Brooklyn, Southern California, and Paris. She started as a street musician in Paris 1989 and joined the Lost Wandering Blues & Jazz Band, which toured around Europe for several years. She burst onto the recording scene in 1996 with her debut album Dreamland selling over 200,000 copies worldwide. Time magazine pronounced the groundbreaking Dreamland “the most exciting, involving vocal performance by a new singer this year.” Peyroux signed with Rounder Records in 2003 and released Careless Love in 2004. The recording is a blend of acoustic blues, country ballads, torch songs, and pop, featuring a diverse song list covering W. C. Handy, Bob Dylan, Hank Williams, Leonard Cohen, Edith Piaf, and Gene Austin. Headlining the festival on Saturday, September 3, at 8 p.m., international singing star Tony Bennett will take the stage at the 5,100-seat Koussevitzky Music Shed performing with the Count Basie Orchestra in a much anticipated and rare reunion to celebrate their landmark 1959 Capitol recording Basie & Bennett. Bennett has sold over 50 million records worldwide and has platinum and gold albums to his credit as well as 12 Grammy Awards and a Grammy Lifetime Achievement Award. Bennett was called “the best singer in the business” by Frank Sinatra. The MTV generation first took Tony Bennett to heart during his appearance with the Red Hot Chili Peppers on the 1993 MTV Video Awards ceremony. A resulting recording garnered the singer Grammy’s top award, “Album of the Year.” In the 1930s, the Count Basie Orchestra created what would be known forever as swing. Today the musical joy that Count Basie himself created lives on through the superb orchestra that bears his name, directed by Bill Hughes. William Basie, a New Jersey native from Red Bank, grew up with the tempos of the Swing Era in New York City. But toward the close of the 1920s, it was Kansas City that was drawing notice for jazz. Young pianist Bill Basie landed there while working the national vaudeville circuit and briefly joined Walter Paige’s Blue Devils, then stayed on with the Benny Moton Orchestra. With Moten’s sudden death three years later, Basie went from pianist to bandleader. He took the name “The Count” when his new group headlined at Kansas City’s Reno Club in 1936. With a keyboard touch or two, sound was set into motion. Always swinging, his piano spots became the band’s claim to fame. A simple “plink, plink, plink” closing triplet was all the signature his music needed. Despite half a century of changing tastes in popular music, the endurance of the Count Basie Orchestra confirms the genius of his earliest musical instincts. On Sunday, September 4, at 2 p.m., jazz giant and “saxophone colossus” Sonny Rollins returns to Tanglewood for his first performance since 2001. Rollins has played for nearly a half century and today remains one of the few surviving icons from a golden era of jazz that will probably never be equaled. Rollins first recorded in 1949 and today – over 50 years later – remains the most formidable of all jazz improvisers, a living inspiration to musicians and listeners worldwide. Jazz critic Gary Giddins said in the Village Voice, “If jazz must have a king, the present ruler is Sonny Rollins.” Rollins began playing professional dates in high school and jamming in Manhattan with Thelonious Monk and Bud Powell. Following a short stint in Miles Davis’ band, Rollins became a bandleader releasing classic albums like Sonny Rollins Plus Four, Way Out West, and The Freedom Suite. On 1956’s Saxophone Colossus, he introduced his signature composition “St. Thomas.” The song’s calypso rhythm, an homage to Rollins’ parents’ West Indian heritage, would become one of his trademarks. His upcoming CD, Without A Song (The 9/11 Concert), was recorded live at the Berklee Performance Center in Boston just four days after September 11, 2001. The Yellowjackets will perform material from their new CD Altered States (Heads Up Records) on Sunday, September 4, at 8 p.m. at Ozawa Hall. One of the most popular American jazz ensembles of the past 20 years, the Yellowjackets include keyboardist Russell Ferrante, saxophonist Bob Mintzer, Bassist Jimmy Haslip, anddrummer Marcus Baylor. The Yellowjackets began as the session band for guitarist Robben Ford in the late 1970s and took on a life of its own in a matter of a few years. More than two decades after its genesis, the band continues to delve into every corner of the musical universe – simply because it’s there to be explored – and weave a multilayered and innovative tapestry of sonic experience. Following the Yellowjackets at Ozawa Hall on Sunday evening will be trumpeter Chris Botti, a gifted composer and instrumentalist and a charismatic performer who has created a series of recordings that have made him a virtual genre-of-one in the realm of contemporary jazz. Through a singular combination of lush atmospheres and thoughtful improvisations, he has earned both critical acclaim and mainstream appreciation. On his latest recording, When I Fall in Love, the best-selling trumpet virtuoso expands the range of his earlier work with an album devoted to classic love songs, each one performed with Botti’s impeccable taste and signature tonal qualities. Featuring guest vocal performances from Paula Cole and Sting, When I Fall in Love reunites Botti with legendary producer/musician Bobby Colomby who helmed Botti’s 2002 seasonal collection, December. Botti is accompanied by the London Session Orchestra and the result is a lush and sultry sojourn into the very heart of romance. Botti has toured with Sting and was voted one of People Magazine’s “2004’s 50 Most Beautiful People.” All programs and artists are subject to change. Tickets for the 2005 Tanglewood Jazz Festival are on sale now through SymphonyCharge at 888-266-1200 or online through the BSO’s website, www.tanglewood.org, powered by EMC Corporation. Tickets are also available in person at the Tanglewood Box Office in Lenox. All ticket prices include a $1 Tanglewood Grounds Maintenance Fee. For further information, please call the Boston Symphony Orchestra at 617-266-1492. 2005 Tanglewood Jazz Festival Program Listing Friday, September 2, 7 p.m., Hawthorne Tent Jazz Cafe ESPERANZA QUARTET Admission free with ticket to Friday 8 p.m. concert Friday, September 2, 8 p.m., Ozawa Hall DIANE SCHUUR with THE CARIBBEAN JAZZ PROJECT featuring DAVE SAMUELS, TOOTS THIELEMANS, KENNY WERNER, OSCAR CASTRO-NEVES, and AIRTO Tickets: $55, $47, $40; lawn tickets: $17 Saturday, September 3, 12 noon, Theatre THE LEGENDS TRIO featuring SKITCH HENDERSON, BUCKY PIZZARELLI, and JAY LEONHART Tickets: $35, $25 Saturday, September 3, 1:30 p.m., Hawthorne Tent Jazz Cafe THE ANDY EZRIN TRIO Admission free with ticket to Saturday 3 p.m. concert Saturday, September 3, 3 p.m., Ozawa Hall MARIAN MCPARTLAND Live taping for NPR’s Piano Jazz with special guest MADELEINE PEYROUX Tickets: $45, $37, $30; lawn tickets: $17 Saturday, September 3, 6:30 p.m., Party Tent Jazz Cafe THE MARTA TOPFEROVA TRIO Admission free with ticket to Saturday 8 p.m. concert Saturday, September 3, 8 p.m., Shed TONY BENNETT and THE COUNT BASIE ORCHESTRA Tickets: $81, $61, $41; lawn tickets: $23 Sunday, September 4, 12 noon, Hawthorne Tent Jazz Cafe THE MARTA TOPFEROVA TRIO Admission free with ticket to Sunday 2 p.m. concert \ Sunday, September 4, 2 p.m., Ozawa Hall SONNY ROLLINS Tickets: $45, $37, $30; lawn tickets: $17 Sunday, September 4, 6:30 p.m., Hawthorne Tent Jazz Cafe THE TAYLOR EIGSTI-JULIAN LAGOS DUO Admission free with ticket to Sunday 8 p.m. concert Sunday, September 4, 8 p.m., Ozawa Hall THE YELLOWJACKETS CHRIS BOTTI Tickets: $65, $55, $42; lawn tickets: $20 PRESS CONTACTS: Dawn Singh, Dawn Singh Publicity (dawn@dawnsinghpublicity.com) 857-544-0739 www.dawnsinghpublicity.com Sean Kerrigan, BSO Associate Director of Media Relations (skerrigan@bso.org) 413-637-5286
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Pittsfield Council Endorses 11 Departmental Budgets

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — The City Council last week preliminarily approved 11 department budgets in under 90 minutes on the first day of fiscal year 2025 hearings.

Mayor Peter Marchetti has proposed a $216,155,210 operating budget, a 5 percent increase from the previous year.  After the council supported a petition for a level-funded budget earlier this year, the mayor asked each department to come up with a level-funded and a level-service-funded spending plan.

"The budget you have in front of you this evening is a responsible budget that provides a balance between a level service and a level-funded budget that kept increases to a minimum while keeping services that met the community's expectations," he said.

Marchetti outlined four major budget drivers: More than $3 million in contractual salaries for city and school workers; a $1.5 million increase in health insurance to $30.5 million; a more than  $887,000 increase in retirement to nearly $17.4 million; and almost $1.1 million in debt service increases.

"These increases total over $6 million," he said. "To cover these obligations, the city and School Committee had to make reductions to be within limits of what we can raise through taxes."

The city expects to earn about $115 million in property taxes in FY25 and raise the remaining amount through state aid and local receipts. The budget proposal also includes a $2.5 million appropriation from free cash to offset the tax rate and an $18.5 million appropriation from the water and sewer enterprise had been applied to the revenue stream.

"Our government is not immune to rising costs to impact each of us every day," Marchetti said. "Many of our neighbors in surrounding communities are also facing increases in their budgets due to the same factors."

He pointed to other Berkshire communities' budgets, including a 3.5 percent increase in Adams and a 12 percent increase in Great Barrington. Pittsfield rests in the middle at a 5.4 percent increase.

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