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'John Williams' Film Night' showcases the Boston Pops and the Boston University Tanglewood Institute Young Artists Chorus. (Hilary Scott, BSO photo)

Tanglewood Presents Powerhouse Programs

By Stephen DanknerGuest Column
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Andris Nelson leads a program Friday night on 'Why Music Matters.'

This week, Tanglewood continues its high energy 2018 classical season with a powerhouse pair of programs performed by the Tanglewood Music Center Orchestra (TMCO) and the Boston Pops, with guest artists the TMC vocal Fellows and the Boston University Tanglewood Institute (BUTI) Young Artists Chorus.

The "heavy hitters" are John Williams' "Film Night" - always an audience favorite event and a high point of each year's Tanglewood offerings - led by Mr. Williams and Boston Symphony maestro Andris Nelsons. Conductor Stefan Asbury directs a TMCO instrumental chamber ensemble accompanying the TMC vocal Fellows in a concert version of Leonard Bernstein's thought-provoking opera "A Quiet Place."


• Thursday, Aug. 9, 8 p.m. in Ozawa Hall: Maestro Stefan Asbury leads the Tanglewood Music Center Orchestra and Tanglewood Music Center Vocal Fellows, and TMC Alumni Dominik Belavy and Ryne Cherry in a fully staged performance of Leonard Bernstein's opera "A Quiet Place." Peter Kazaras directs the performance and features scenic design by Laura Jellinek, costume design by Terese Wadden, and lighting design by Barbara Samuels. Conceived as a sequel to Bernstein's 1952 one-act opera "Trouble in Tahiti," (performed in Ozawa Hall on July 12), and presented here in a recent new version for chamber orchestra by Garth Edwin Sutherland, "A Quiet Place" - Bernstein's final work for the stage - was originally premiered in 1983 on a double bill with "Trouble in Tahiti."

• Friday, Aug. 10, 7 p.m. in the Shed: Maestro Andris Nelsons and the Boston Symphony Orchestra will present a unique, hour-long program titled "Why Music Matters - According to Ludwig and Lenny." Designed especially for young audiences and their families, the program is inspired by Leonard Bernstein's pioneering work as a fabulous educator through his landmark series of televised "Young People's Concerts" with the New York Philharmonic (originally broadcast from 1958-1972) that introduced classical music to millions of listeners. Following in the tradition of her father, Jamie Bernstein will be the evening’s host and presenter. The repertoire includes excerpts from Beethoven classics: Symphony No. 5, Symphony No. 9, the "Leonore" Overture No. 3 and Bernstein's own "Symphonic Dances" from "West Side Story" and the "Meditations" from "Mass," for cello and orchestra. The cellist will be 18-year-old Michael Arumainayagam, one of the Fidelity Investments Young Artist Competition winners who performed with Keith Lockhart and the Boston Pops this past June at Symphony Hall.

• Saturday, Aug. 11, "John Williams' Film Night" 8 p.m. in the Shed: One of Tanglewood's most popular summer traditions, "John Williams' Film Night" showcases the Boston Pops and the Boston University Tanglewood Institute Young Artists Chorus. For the second year, Boston Pops Laureate Conductor John Williams shares the podium with BSO Music Director Andris Nelsons. Maestro Nelsons leads the first half of the concert, which features Leonard Bernstein’s music from the multi-Academy Award-winning film "On the Waterfront," as well as other classic musical selections from Hollywood, including "The Sea Hawk," "Sunset Boulevard," "Psycho" and "A Place in the Sun." The second half of the program will feature Mr. Williams leading music excerpted from his own scores: “Superman,” “Close Encounters of the Third Kind,” “Amistad” and “Star Wars.”

• Sunday, Aug. 12, 2:30 p.m. in the Shed: San Francisco Symphony Music Director and former BSO Assistant Conductor Michael Tilson Thomas returns to Tanglewood, where in 1969 he won the Koussevitzky Music Prize as a conducting student of Leonard Bernstein. To open the program, he leads the BSO in his own composition, "Agnegram," a 1998 work that is alternately jazzy, humorous and elegant. Following, the brilliant young Russian pianist Igor Levit takes center stage for Sergei Rachmaninoff’s virtuosic, glittering and masterfully composed "Rhapsody on a Theme of Paganini." Maestro Thomas will conclude the concert with a performance of Gustav Mahler's vigorously energetic and stupendous Symphony No. 1. Mahler's music, long out of favor, was decisively championed throughout Leonard Bernstein’s conducting career. In the years since, Mahler's symphonies have become among the most favored by audiences worldwide.

• Monday, Aug. 13, 8 p.m. in Ozawa Hall: BSO Music Director Andris Nelsons leads the Tanglewood Music Center Orchestra once again, and is joined by TMC Conducting Fellows in a program featuring two 20th-century masterpieces: Franz Schreker's (1878-1934) Chamber Symphony for 23 instruments, a 1916 work that epitomizes the composer's comprehensive mastery of instrumental colors (Schreker was a prominent early 20th century Viennese opera composer and music professor) and Lutosławski's “Chantefleurs et Chantefables,” a song cycle for soprano and orchestra set to poems of the French surrealist poet Robert Desnos (1900-1945). Concluding the program will be Haydn’s droll Symphony No. 97, the fifth of the prolific Austrian Classical master's "London" symphonies.

• Tuesday, Aug. 14, 8 p.m. in Ozawa Hall: The TMC Vocal Fellows will perform a vocal/piano recital featuring music by composer Alan Smith "To the Muse," John Harbison (b. 1938) "Flashes and Illuminations," Benjamin Britten (1913-1976) "Canticle V," Shawn Jaeger "In Old Virginny," Swiss composer Frank Martin (1890-1974) "Four Sonnets to Cassandra" and Shostakovich (1906-1975) "From Jewish Folk Poetry."

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Shakespeare & Company Names Interim Director of Center For Actor Training

LENOX, Mass. — Shakespeare & Company recently appointed Susan Dibble as interim director for the company's Center for Actor Training.

Dibble, a founding member of Shakespeare & Company, is an educator and artist. Her movement work was seen on stage this past season in "Twelfth Night" and for the past four decades she has been faculty member for the training program, teaching at the Month Long Intensive, Summer Shakespeare Intensive (formerly the Summer Training Institute), and various workshops.
"We're truly thrilled to welcome Susan Dibble on board as interim director of training," said Artistic Director Allyn Burrows. "Susan has a keen eye on all that is exciting about the training program and the company's work: a vigilance toward the specificity of language and honesty in acting, a generosity of spirit, and a clarity of purpose on stage. She brings a depth of knowledge from within and a breadth of experience from elsewhere that will enrich the training on a personal and a professional level for all participants going forward."

Dibble is a choreographer, dancer and teacher. She graduated from SUNY College at Purchase with a B.F.A. in Dance in 1976. For the past 39 years, she has worked at Shakespeare & Company as a master teacher of movement and dance for actors, movement director and choreographer, at the same time teaching at a variety of universities including the NYU Tisch MFA in Acting Program. She joined the faculty of the Theater Arts Department at Brandeis University, where she is a full professor and teaches Movement for Actors, Modern Dance, Choreography, Clown, Mask, Period Styles, and Historical Dance. She has been on the faculty at Brandeis for 31 years and served as Theater Arts Department chair for eight years. Dibble received the 2006 Leonard Bernstein Festival of Creative Arts Award for Distinguished Contribution to the Arts at Brandeis.

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