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Participants in the Christopher Street West Pride parade wearing Joey Terrill’s malflora and maricón T-shirts, June 1976. Photo by Teddy Sandoval. Courtesy of Paul Polubinskas.

Williams College Museum of Art to Reopen on Sept. 6

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WILLIAMSTOWN, Mass. — The Williams College Museum of Art will reopen for the fall in Lawrence Hall on Friday, Sept. 6, with a lineup featuring the critically exclaimed exhibit "Axis Mundo: Queer Networks in Chicano L.A."

A celebration to mark the reopening of Lawrence Hall and the opening of "Axis Mundo" will be held from 5 to 8 p.m. on Friday, Sept. 6. A season celebration to mark the entire fall lineup of exhibitions will be held Thursday, Oct. 3, from 5 to 8 p.m. Both events are free and open to the public.

"I couldn't be more thrilled to reopen the museum this September with a dynamic suite of exhibitions and collaborations with faculty, many of which dig into our collection in new and innovative ways," said WCMA Director Pamela Franks. "We look forward to welcoming visitors back in Lawrence Hall this fall for a rich array of bold and ambitious exhibitions, powerful art and exhilarating conversations."

The museum has been closed for the summer for renovations that included improving accessibility, public space and collection security, replacing and updating mechanical equipment, and updating staff work areas. During this time, WCMA has been operating a space on at 76 Spring St. that featured the museum shop as well as an exhibition of works in the WALLS collection, a special collection of original artworks that are loaned to Williams students every semester. That space will remain open daily from 11 a.m. to 6 p.m. through Monday, Sept. 2. After Sept. 2, the space will continue to be operated by WCMA and will be open daily from 10 a.m. to 5 p.m. starting Friday, Sept. 6. It will house the museum’s shop as well as offer programming in conjunction with the museum.

Reopening Lawrence Hall is "Axis Mundo: Queer Networks in Chicano L.A.," which excavates histories of experimental art practice, collaboration and exchange by a group of Los Angeles-based queer Chicanx artists between the late 1960s and early 1990s. It presents painting, performance ephemera, print material, video, music, fashion, and photography in the context of significant artistic and cultural movements, including mail art; the rise of Chicanx, LGBTQ, and feminist print media; the formation of alternative spaces; fashion culture; punk music and performance; and artistic responses to the AIDS crisis.

"Axis Mundo" is organized by C. Ondine Chavoya, professor of art and Latina/o Studies at Williams College, and David Evans Frantz, associate curator at the Palm Springs Art Museum, as part of Pacific Standard Time: LA/LA, an initiative of the Getty to encourage ambitious research and exhibitions at Southern California cultural institutions.

Joining Axis Mundo in opening on Sept. 6 are several other exhibits:

* 'SHIFT: New Interpretations of American and European Art,'
an ongoing exhibit that opens on Sept. 6 that probes the question: How do we engage and critique historic collections of art in ways that respond to the questions and values of today? Presenting work from three centuries of artists who have borrowed from other cultures or found inspiration from community in places other than where they were born, this installation highlights WCMA’s shift toward multiple material and intercultural interpretations of works in our collection.

* 'Candle (from Earth into a Black Hole),' runs from Sept. 6 to Dec. 15 and contains a white candle that burns down over 12 hours creates a journey through space via its scent. The layers of the candle, created by artist Katie Paterson, each contain a unique fragrance corresponding to a planet or place in the universe. "Candle" unfolds over time during multiple activations over the course of its installation: Sept. 26; Oct. 10 and 24; and Nov. 7 and 21. At each, the candle will burn for two hours, releasing different layers of scent while poets, dancers, and musicians share original interventions inspired by the work. The candle will burn from 5:30 to 7:30 p.m. Interventions begin at 6 p.m.



* Object Lab, which runs from Sept. 6 through Dec. 15, displays the artworks selected by participating professors in a hybrid gallery-classroom, offering access to students and the public throughout the semester. Courses this semester include Biology 311, History 203, Religion 108 and Russian 219.

* 'All At Once,' an ongoing exhibition that opens on Sept. 6, is an interactive installation that clusters objects by visual similarity, juxtaposing items that may be otherwise conceptually or historically distant. Using augmented reality (AR), viewers walk themselves through the collection in an installation that seeks to redefine the experience of visiting a museum building for the digital age.

Three other exhibits will open later in September, including:

* "Sonance for the Precession,"
which will run from Sept. 18 through Dec. 22, is a site-specific sound installation created by artist, musician and composer Neil Leonard for the Berkshire quad on the Williams College campus. The electroacoustic composition, played for 30 minutes each day for half an hour before sunset, explores ancient ideas connecting the precession, or movement, of the equinox with the harmonic series. A special event with saxophone and live electronics celebrates the Autumnal Equinox from 6:15 to 6:45 p.m. on Monday, Sept. 23.

* Sense and Suggestion, on view from Sept. 20 through Jan. 26, 2020, is an exhibit of contemporary works of art from WCMA's collection leads visitors on a multi-sensory journey, asking them to take a leap of imagination and bring their bodies into a different relationship to the space and objects around them.

* 'The Invisible Enemy Should Not Exist (Room Z, Northwest Palace of Nimrud),' will be presented from Sept. 27 through April 19, 2020. WCMA's 1935 Gallery will be transformed into the precise architectural layout of Room Z of King Ashurnasirpal II’s 9th century BCE palace, appearing as it stood since its 1854 excavation by British archaeologists until its destruction by ISIS in 2015. Working with a team of assistants, artist Michael Rakowitz reconstructed in 1:1 scale seven of the 13 monumental limestone reliefs that once lined the palace walls using contemporary Middle Eastern newspapers and packaging from northern Iraqi foods. Rakowitz will give a talk on the exhibition at 6 p.m. Thursday, Nov. 14.

In addition, Kenturah Davis will be the featured speaker at the annual Plonsker Family Lecture in Contemporary Art at 3 p.m. on Saturday, Oct. 5. Davis is an artist working between Los Angeles, New Haven, Conn., and Accra (Ghana). Her work oscillates between various facets of portraiture and design. Using text as a point of departure, she explores the fundamental role that language has in shaping how we understand ourselves and the world around us. This manifests in a variety of forms, including drawings, sculptures and performances.


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Puppets Teach Resilience at Lanesborough Elementary School

By Breanna SteeleiBerkshires Staff

The kids learned from puppets Ollie and a hermit crab.

LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.

Puppets in Education has been engaging with young students with interactive puppets for 45 years.  

The group partnered again with Bedard Brothers Chevrolet, which sponsored the visit. 

Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.

"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.

The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.

"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."

The resiliency program is new and formatted little differently to each of the age groups.

"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."

This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning. 

"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.

Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd. 

"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."

Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades. 

"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."

Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers. 

"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."

The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.

"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.

"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.

Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."

"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.

The students got to take home stickers at the end of the day with contact information of the organization.

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