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In addition to the former duplexes that make up Porches, the hotel has preserved two other buildings for back of house and customer amenities. The building to be demolished can just be seen to the left.

Porches Inn Gets OK to Proceed With River Street Demolition, New Restaurant

By Tammy DanielsiBerkshires Staff
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An illustration of the proposed restaurant on River Street. It was been approved by the Planning Board and ZBA.
NORTH ADAMS, Mass. — A proposed new restaurant building on River Street is set to move forward after getting final approvals last week. 
 
The project by Berkshire Hill Development Corp., parent company of Porches inn, had already been approved by the Planning Board in June. It received permits and variances (largely dealing with parking) from the Zoning Board of Appeals on Monday and the OK to demolish a building, reluctantly, from the Historical Commission on Friday. 
 
Commissioners had initially opposed the demolition of 273-275 River St. to make way for a new building. The commission, which meets a few times a year, alerts members of demolition permits so they can individually review the buildings and then email whether they approve or not within the required 15 days.
 
The response on the two-story River Street building was a resounding no. 
 
The 1901 storefront and apartment building was the site of a fatal fire in 1958 that killed a child and saw the top two floors removed afterward. It housed a number of different entities over the years including a plumber, a grocer and, lastly, a soup kitchen. Ely Janis, a history professor at Massachusetts College of Liberal Arts, provided a history of the building, which is on the city's historic survey, to the ZBA and the commission's Justyna Carlson and Peter Siegenthaler also attended that meeting to indicate their body's opposition.
 
At best, the commission could have voted for a one-year demolition delay to see if an agreement on how to reuse the building could be reached. Berkshire Hill's attorney, Jeffrey Grandchamp, had said repeatedly that the company was willing to wait out the delay if imposed. 
 
On Friday, the commissioners voted to approve the demolition after Grandchamp said there would be an effort to incorporate the structure's lintels into the new building in some way as well as a history of the building and neighborhood in terms of signage or accessible links. Historical Commissioner Paul Marino had done a great deal of work on the area's history and Grandchamp said the company had engaged Janis to do a history of the site that includes the new building.
 
Marino voted for the demolition "with misgivings" because he felt it would happen anyways. But if asked if it were possible Berkshire Hills could reconsider the contemporary architecture of the new restaurant.
 
"If the building were in somewhat the same architectural style as the Porches or if it were like a classic house with two sides," said Marino. "If it was designed to look like that so would blend in with the neighborhood."
 
Siegenthaler thought reuse of the current structure with its big front windows would offer a more inviting aspect than the proposed building with its stone wall separation from the sidewalk that seemed "less friendly" to the neighborhood. 
 
Commissioner Christopher Wondoloski, however, disagreed. 
 
"I thought I voted to let River Street go," he said. "My heart is with the [older] building but when I see what their plan is, I kind of like it."
 
The plan was also backed by developer David Moresi, who is renovating the nearby Johnson School as high-end apartments, and Kristy Edmunds, the new director of the Massachusetts Museum of Contemporary Art. Both wrote letters in support of the project to the ZBA, with Edmunds saying, she was convinced it will be an asset to the city and the museum. 
 
"Mass MoCA and our visitors embrace the historical and contemporary in architecture as well as in art," she said. "New and old is Mass Moca's DNA," she wrote. "The contemporary building envisioned by Berkshire Hills and the adjacent historically preserved Porches will provide a view that reflects the spirit of Mass MoCA."
 
Grandchamp said the building was designed with pedestrians in mind since it is to serve not only Porches but the surrounding community.
 
"As far as the design of the building goes, I think that I will defer to the architects and the owner to decide what looks best," he said. "I think it's clearly different than most of the other buildings in that neighborhood. But it's, I think, as the director of MoCA said, that contrast can be appealing."
 
Not everyone is going to like the building, he acknowledged, just like not everyone likes every style of art. This is a different phase of the Porches campus, which has restored and preserved a number of historic buildings. Plus, he added, it's not going to be a Taco Bell but a structure by award-winning Canadian architects MacKay-Lyons Sweetapple Architects.
 
"The building that's there now is different than the buildings which preceded it," Grandchamp said. "So I think change is inevitable and becomes part of the historical fabric of the city."
 
Siegenthaler said it was the role of the Historical Commission to preserve the past. 
 
"You're absolutely right that life is change, and preservation can seem like it's standing in the way of change," he said. "I like to think that it's a matter of balance. ... It's about how you can maintain as much of the atmosphere as possible."
 
The Historical Commission also confirmed demolition permits for four Wheel Estates mobile homes at 2 Seneca, 4 Seminole, 17 Alan, and 14 and 22 Apache; 2438 Mohawk Trail, a barn at 440 East Main, the former rectory at 12 Union, 738 and 752 Curran Highway (two long vacant houses near Ocean State Job Lots), and 76 Tyler. 
 
The commission also approved the demolition of residential properties at 22-24 Veazie and 28 Veazie. While also owned by Berkshire Hills, Grandchamp said they are not part of the restaurant project. 
 
The ZBA approved three special permits for Berkshire Hills: one for the building's roof canopy to intrude into the setback, making the building less nonconforming than the current structure; a permanent easement for seven parking spots for Scarafoni Trust on land it is purchasing from Scarafoni; and for alterations of a parking lot on Lot 106 on Veazie Street that it is being purchasing. 
 
It also received four parking waivers: for 22 parking spots (based on restaurant square footage that does not include storage and offices); sharing nine spaces with Porches using them during the day and the restaurant in the evening; reducing setback from the walls from 5 to 4 feet; and to allow the paved parking on Lot 106. Berkshire Hills says it expects its patrons to largely arrive by foot or bicycle during the warmer months, which are its busiest seasons. 
 
The project is made up of several lots to the west of Veazie and along River Street. 
 

Tags: ZBA,   demolition,   historical commission,   restaurants,   

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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