The Classical Beat: Tanglewood and Sevenars are Not to be Missed

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This week, as Tanglewood enters its sixth week of classical programming, the two large-scale orchestral works to be performed by the Tanglewood Music Festival Orchestra are 20th century classics - each at the polar opposite of the stylistic spectrum: Béla Bartók’s bold and powerful Suite from "The Miraculous Mandarin" and Sergei Rachmaninoff’s melodically luxuriant Symphony No. 2. Both are audience favorites. Adding to the mix in the chamber music sphere are an evening – the first of four – of a traversal of the complete piano works of Johannes Brahms by the stellar
Garrick Ohlsson - and program three of "Pathways from Prague," featuring
the luminous pianist Emanuel Ax, in partnership with a trio of his brilliant
string colleagues.
 
That’s not all: Tanglewood’s programming in its three fabulous venues presents additional and diversely elucidating musical rewards. See below for the details, covering the period from August 10-16.
 
  • Programs in the Koussevitzky Music Shed

 

• Friday, August 12, 8:00 p.m.: The third "Pathways from Prague" chamber music program, curated by pianist Emanuel Ax, features Mr. Ax, violinist Leonidas Kavakos, violist Antoine Tamestit, and cellist Yo-Yo Ma in music by Janá?ek, Dvo?ák (including the melodious Piano Quartet No. 2 in E-flat), and Kaprálová ("Two Ritournelles" for cello and piano, Op. 25.)
 
• Saturday, August 13, 8:00 p.m.: The brilliant violinist Leonidas Kavakos is the soloist in Mendelssohn beloved Violin Concerto, on a program including the great 20th century French composer Henri Dutilleux "Métaboles," Claude Debussy breathtaking "Prelude to The Afternoon of a Faun," and Maurice Ravel charming fairytale-inspired "Mother Goose" ballet (complete), led by conductor Dima Slobodeniouk.
 
• Sunday, August 14, 2:30 p.m.: Perennial Tanglewood favorite Yo-Yo Ma performs Edward Elgar’s rapturous Cello Concerto on a program with Anna Clyne "Masquerade," Debussy overwhelming "La Mer," and Georges Enescu popular, folk dance-inspired "Romanian Rhapsody No. 1," led by conductor Cristian M?celaru, who, with this program will be
making his BSO debut.
 
• Sunday, August 14, 8:00 p.m.: The Tanglewood Music Center Orchestra, led by maestro Stefan Asbury and TMC conducting Fellows will perform Béla Bartók’s Suite from "The Miraculous Mandarin," Florence Price’s (1887-1953) "Ethiopia’s Shadow in America" and Rachmaninoff’s Symphony No. 2.
 
  • Programs in Ozawa Hall
 
• Thursday, August 11, 2:00-3:30 p.m.: TLI Open Cello Workshop with Yo-Yo Ma.
 
• Tuesday, August 16, 8:00 p.m.: Garrick Ohlsson surveys Brahms' complete piano works with four recitals; this first program includes mostly piano variations, including the virtuosic "Variations on a Theme of Paganini," Op. 35.
 
  • Program in The Linde Center
• Thursday, August 11, 1:00-2:00 p.m.: TLI In Conversation with
pianist Emanuel Ax and host Asadour Santourian at Studio E.
For tickets for these and for all Tanglewood/BSO concerts (lawn and Shed
seating) and for special events call (617) 266-1200 or 888-266-1200.
Online: tanglewood.org.
 
  • Sevenars Music Festival
Founded in 1968, Sevenars Concerts, Inc. is showcasing its 54th anniversary season of six summer concerts, held at the Academy in the historic village of South Worthington, MA, located at 15 Ireland Street, just off MA Route 112.
 
• Sunday, August 14, 4:00 p.m.: For a totally fun season Festival finale, head to the country – specifically South Worthington, Mass., for a great time with Sevenars’ longtime friends – the Bob Sparkman Trio. Wrapping up their summer season, the Music Festival concludes with this ensemble - friends of Sevenars over many years - offering a joyous jazz program for your musical delectation.
 
For Sevenars tickets, and general contact information, call: (413) 238-5854 (please leave a message for return call). On the Web:  www.sevenars.org . Email: Sevenars@aol.com . Admission is by donation at the door (suggested $20). Refreshments are included.

Tags: Sevenars,   Tanglewood,   The Classical Beat,   

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Pittsfield: Should Park Square Be an Historic District?

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — The committee drafting a proposed local historic district around Park Square wants to generate interest and participation in the process. 

Members launched the charge during meetings in August and September. A survey and public hearing are planned to gather feedback early on. 

City Planner Kevin Rayner explained they are not just doing this out of a love for historic buildings, but for the timeless sense of place you get when you step into Park Square, which was laid out over 200 years ago and hosted the first-ever agricultural fair in 1810. 

"I think that the main thing that we need to kind of park on is that this is the heart of our community, and it really sets the stage for the sense of place in Pittsfield, and any change to that should have some review and some consensus from folks who have a passion for protecting the history and that character of Pittsfield," he said to the new Local Historic District Study Committee last week. 

"And there's that private property versus historic resource thing, but I’d say that a lot of these buildings on the square belong to the soul of Pittsfield here, and deserve to be protected, and I don't think that the layer of regulation that we're throwing down here is going to be unreasonable or a real boundary." 

In March, the City Council voted to amend the City Code, Chapter 2, to establish the study committee.

Pittsfield has more than 20 locations on the National Register of Historic Places, including the Park Square Historical District, but the designation just allows communities to apply for federal tax credits and doesn't impose restrictions on buildings. The central area was laid out a few decades after Pittsfield was given a town charter in 1761.

A district can be one building, several buildings, or an area. Historic restrictions only apply to the exterior of buildings; the committee has authority to say a building in the district cannot be demolished. 

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