Clark Art Presents Book Talk

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WILLIAMSTOWN, Mass. — On Tuesday, Feb. 6 at 5:30 pm, the Clark Art Institute presents a book talk by noted art historian Laure de Margerie about her new book "French Sculpture: An American Passion."
 
The book is based on de Margerie's research as the founding director of the French Sculpture Census, the first comprehensive catalogue of French sculpture (1500–1960) in American public collections. This free event takes place in the Clark's auditorium, located in the Manton Research Center.
 
According to a press release:
 
"French Sculpture: An American Passion" unveils the story of the American taste for French sculpture and of the collectors, dealers, decorators, and curators who championed these works. De Margerie considers the role and meaning of French sculpture in America's ever-changing society, ranging from public monuments with their sometimes-controversial symbolism to the stories of the French women and men who shaped the American artistic landscape.
 
The book details the fascinating saga of American interest in French sculpture, ranging from 1792 when celebrated French artist Jean-Antoine Houdon first sculpted George Washington's likeness, to the monumental gift of the Statue of Liberty nearly 100 years later, through to the 1900s when artists like Auguste Rodin, Constantin Brancusi, and Marcel Duchamp were championed by U.S. museums. 
 
De Margerie was head of the Sculpture Archives at the Musée d'Orsay in Paris from 1978 through 2009. During her tenure, she was part of the team that installed the Orsay's sculpture collection for the museum's 1986 opening, co-authored the Musée d'Orsay's collection catalogue, and curated numerous exhibitions.
 
A 5 pm reception in the Manton Research Center reading room precedes the event. Copies of French Sculpture: An American Passion will be available for purchase at the talk and in the Museum Store.
 
Free; advance registration required at clarkart.edu/events. Accessible seats available; for information, call 413 458 0524. Admission to the Clark is free through March 2024.

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Clark Art Exhibit Explores Imperialism, Lost History of South America

By Sabrina DammsiBerkshires Staff

A close-up of Kathia St. Hilaire's 'Mamita Yunai,' the aftermath of the massacre of striking United Fruit Co. workers by Colombian soldiers.
WILLIAMSTOWN, Mass. — The Clark Art Institute's newest exhibition "Invisible Empires" will run through Sept. 22 in the galleries of the Lunder Center at Stone Hill. 
 
Artist Kathia St. Hilaire uses mixed mediums, including printmaking, painting, collage, and weaving, to explore the lost Haitian history and culture she has heard as tales told by her parents and investigates how imperialism persists today in subtler forms. 
 
In her work, St. Hilaire uses various materials, including "beauty products," such as skin lighteners, industrial metal, fabric, and tires. She brings to life the lost history while drawing inspiration from Haitian vodou flags. 
 
St. Hilaire is informed from her experiences growing up in Caribbean and African American neighborhoods in South Florida and being raised by parents who immigrated to the United States from Haiti. 
 
Her work depicts historical moments, including the Haitian revolution, French colonialism, foreign interventions in the Caribbean, and the banana massacre in , and brings to life forgotten historical figures, including Rosalvo Bobo, Benoît Batraville, and Charlemagne Péralte, and integrates them with legends of Haiti's leaders. 
 
The stories that St. Hilaire tells are personal, "familial about the diasporic communities in which she was raised," and national "about the first free black Republican world, Haiti, and they are international pertaining to the "wider region, the Caribbean, Latin America, areas in which the United States has taken a great interest in, to put it lightly in historical terms," curator Robert Wiesenberger said. 
 
The way she narrates these stories together and depicts the effect they have on the present is an "unbelievable craft," he said. 
 
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