Chamber Music by Local Composers to be Premiered at Simon's Rock

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GREAT BARRINGTON, Mass. — A program of chamber music for clarinet, strings, and piano will feature first performances by two Berkshire County composers on Sunday, March 31, at 3:00 p.m. in Kellogg Music Center on the campus of Bard College at Simon's Rock as part of the South Berkshire Concert Series.  
 
Admission to the concert is free of charge. 
 
"To a Child Dancing in the Wind" by Alice Spatz is inspired by the poem of the same  title by William Butler Yeats, whose lines are read at the start of each movement. "Klezmer-ish" by Larry Wallach offers personal impressions of this folk-and-jazz form of Jewish music, and features a virtuosic role for the clarinet. Two classics of earlier 20th century music round out the program: a playful "Suite" for clarinet, violin, and piano by Darius Milhaud, and the "Fourth Violin Sonata" of Charles Ives, subtitled "Children's Day at the Camp Meeting," which incorporates nineteenth-century Sunday-school hymns.  The performers include clarinetist Sangwon Lee, violinist Ronald Gorevic, violist James Berlin, cellist Anne Legêne, and pianist Larry Wallach. 
 
Sangwon Lee
Clarinetist Sangwon Lee joined the Hartford Symphony as Principal Clarinet in 2023. He has performed with orchestras all over New England, which include the Boston Philharmonic, Berkshire Opera Festival, Vermont Symphony, Dartmouth Symphony, New Bedford Symphony, Symphony New Hampshire, etc. As a chamber musician, Sangwon has shared the stage with the late Peter Serkin - performing the Beethoven and the Mozart Quintets for Piano with Winds in multiple performances in 2018. He holds a BM in Clarinet Performance and a BA in Economics from the University of Michigan, an MM in Critical, Curatorial, and Performance Studies from Bard College, and a Graduate Diploma from the New England Conservatory. His teachers include Daniel Gilbert and Thomas Martin. As a member of the New Fromm Players, he participated in last summer's Festival of Contemporary Music at Tanglewood.
 
Ronald Gorevic
Ronald Gorevic has had a long and distinguished career as both a teacher and performer, on both the violin and viola. He is principal violist of the Springfield Symphony and on the faculties of University of Massachusetts and Smith College. As a violist, he has been a member of several well-known string quartets, spanning over twenty years, and covering most of the quartet repertoire. He has performed the Beethoven cycle twice, and has toured throughout the U.S. Germany, Japan, Korea and Australia. He has been heard on radio stations across the U.S., and has also been broadcast on S. German and S. W. German radio, and on the Australian Broadcast network. With pianist Larry Wallach, he has performed complete sonata cycles of Mozart, Beethoven, and Brahms.
 
James Bergin
James Bergin is a composer, conductor, violist and teacher. His compositions include microtonal and tonal works for chamber ensemble, solo instruments, voice, chorus, piano, and organ. He has been a fellow at the Virginia Center for the Creative Arts. From 2006 until its closing in 2018, he was the executive director of the Boston Microtonal Society. He co-founded its chamber ensemble NotaRiotous, dedicated to the performance of microtonal music on traditional instruments, which he conducted from 2006-2017. In 2013 he founded CIAO! (Community Intergenerational Action Orchestra), based in Williamstown, MA. and is an Artist/Teacher at Berkshire Children & Families/Kids4Harmony, an El Sistema-inspired intensive youth music program. Since 2016 he has been the music teacher at Berkshire Arts and Technology Charter School in Adams, MA.
 
Anne Legêne
Anne Legêne performs chamber music regularly on cello and viola da gamba with her husband, pianist and harpsichordist Larry Wallach, with harpsichordist Mariken Palmboom, and with her sister, recorder virtuosa Eva Legêne. Anne has played with numerous ensembles and
soloists in the Northeast. She teaches cello and conducts the chamber orchestra and the Collegium at Bard College at Simon's Rock, and teaches cello and viola da gamba at her home studio in Great Barrington, MA. Anne studied cello with Jean Decroos, principal cellist of the Concertgebouw orchestra, at the Royal Conservatory in The Hague, Netherlands. She earned a Graduate Performance Diploma in Early Music from the Longy School in Cambridge, MA, where she studied viola da gamba with Jane Hershey and baroque cello with Phoebe Carrai.
 
Larry Wallach
Larry Wallach holds the Livingston Hall Chair in Music at Bard College at Simon's Rock, where he taught for five decades. He is a composer, performer, musicologist, and educator whose interests span the history of Western music up to the present day, with particular focus on baroque and modern repertories. He has published articles about Charles Ives and Johannes Brahms, and as pianist, has performed all the Ives violin sonatas. He was a founding board member of the Berkshire Bach Society. Dr. Wallach's compositions, primarily of chamber music, have been performed across the United States. He has been awarded two "Meet the Composer" grants, and his 1986 composition, "Echoes from Barham Down," won the composition award from the New School of Music in Cambridge MA.  He has created works for the Atlantic Sinfonietta, the Da Capo Players, the Housatonic River Festival, the Prometheus Piano Quartet, the New England Conservatory Percussion Ensemble, and the Claflin Hill Symphony. In 2020, his orchestral composition, "Species of Motion," was recorded and released by the Janacek Philharmonic in the Czech Republic for Navona Records, and can be heard on Spotify. It was given its first live performance by The Orchestra Now on March 3 of this year. 
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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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