Clark Art Presents Book Talk With Poets

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WILLIAMSTOWN, Mass. — On Saturday, April 27 at 4 pm, the Clark Art Institute hosts a reading and conversation with poets Jessica Fisher and Mary Ruefle in its auditorium, located in the Manton Research Center. 
 
The free event is presented in celebration of their new books, "Daywork" and "The Book," respectively.
 
According to a press release:
 
Fisher's third book of poetry, "Daywork" (Milkweed Editions, 2024), takes its title from the giornata—the fresco painting term for the section of wet plaster that can be painted in a single day. Fisher is an associate professor of English at Williams College. Mary Ruefle is a prolific writer of poetry and prose, including most recently "The Book" (Wave Books, 2023) and "Dunce" (Wave Books, 2019), which was a finalist for the 2020 Pulitzer Prize. She is the poet laureate of Vermont.
 
Accessible seats available.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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