MCLA Theatre Announces Four Productions

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NORTH ADAMS, Mass. — Massachusetts College of Liberal Arts' (MCLA) Theatre program announces its 2024-2025 season, featuring four productions.
 
The season opens November 8-10 with William Shakespeare's "Measure for Measure," directed by MCLA Professor of Theatre Laura Standley.
 
In this bold re-telling, MCLA Theatre explores a world where crime and punishment collide under the rule of a conservative hard-liner. As moral lines blur and the city faces a draconian crackdown, one woman's plea for mercy sets off a harrowing battle between virtue, sacrifice, and power.
 
The second show of the fall semester is "The Method Gun," running December 6-8. Created by the Rude Mechs theatre collective, it is an exploration of theatre-making, actor training, and the fine line between genius and absurdity, according to a press release.
 
Re-devised by MCLA Theatre students and directed by Professor Standley, this play-within-a-play delves into the extreme techniques of the fictional Stella Burden and her troupe, offering a darkly comic reflection on the meaning of art and truth in performance.
 
 
The spring 2025 semester begins with performances of "The Little Prince" from April 4-6.
 
Written by Rick Cummins and John Scoullar, this heartwarming adaptation of Antoine de Saint-Exupéry's beloved tale invites audiences to embark on a journey through the cosmos with a stranded aviator and an enigmatic little prince. Exploring the tension between childhood innocence and adult disillusionment, the play offers a beautiful allegory about love, loss, and the power of imagination. Directed by Professor Jeremy Winchester, this production is sure to delight audiences of all ages.
 
"Love and Information," directed by Professor Standley and MCLA Theatre's directing class, wraps up the season from May 2-4. 
 
Caryl Churchill's play takes audiences on a whirlwind journey through more than 50 short scenes, each examining the nature of love, memory, and identity in the digital age.
 
Tickets for all performances will be available through MCLA's community-serving cultural events program, MOSAIC. For more information and ticket pricing, visit MOSAIC at mcla.edu/mcla-in-the-community/bcrc/music.php.

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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