Clark Art Lecture on Alvin Baltrop

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WILLIAMSTOWN, Mass. — On Tuesday, Feb. 4, the Clark Art Institute's Research and Academic Program presents a talk by Darius Bost (University of Illinois Chicago / Clark/Oakley Fellow) exploring the work of Black, gay photographer Alvin Baltrop.
 
This free event takes place at 5:30 pm in the Manton Research Center auditorium.
 
According to a press release:
 
Since the 2019 solo exhibition?The Life and Times of Alvin Baltrop?at the Bronx Museum, Baltrop, known for his photographs of the gay sexual subcultures and abandoned warehouses at New?York's West Side piers, has received increased scholarly and popular attention. However, Baltrop has been primarily discussed as a gay artist who focused on gay subcultures. Though?Baltrop's race, class, gender, and sexuality shaped his artistry, few scholars have analyzed how these identity markers shaped his life and times. Bost discusses how Baltrop's identification as a Black, gay voyeur shaped his artistic practice and life experiences in the 1970s. Since Baltrop viewed his photography as historical documentation of a fleeting gay subculture, the talk also considers how his voyeuristic approach to photography might intervene in the practice of queer history.? 
 
Free. Accessible seats available; for information, call 413 458 0524. A reception at 5 pm in the Manton Research Center reading room precedes the event. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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