North Berkshire Community Dance to Host Monthly Contra Dance

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WILLIAMSTOWN, Mass. — North Berkshire Community Dance will hold its monthly contra dance on Saturday, February 8, at the First Congregational Church’s Community Hall, 906 Main St., from 7:30 to 10:30 p.m.
 
The evening will feature caller Liz Nelson, who will teach each dance, and live traditional fiddle music from The Vintons, a trio of experienced musicians: George Wilson (fiddle), Andy Davis (accordion & piano), and Marko Packard (guitar & flute).
 
Contra dancing is a traditional social dance form that includes both historical and contemporary elements. No prior experience is needed, and attendees are welcome to join with or without a partner. New dancers and families with children are encouraged to arrive at 7:30 p.m. for an introductory lesson.
 
Admission is pay-as-you-can, with a suggested contribution of $12-$20. Barter options, including cleanup assistance, are also welcome.
 
A pre-dance calling playgroup will be held at the Williamstown Public Library from 2 to 3:30 p.m., where participants can practice calling dances or assist as dancers.
 
For more information, visit www.NorthBerkshireDance.org.
 
Health Guidelines: Attendees are asked to stay home if they feel unwell or have cold symptoms. Masks are appreciated but not required.
If you would like to contribute information on this article, contact us at info@iberkshires.com.

Clark Art Lecture On Queer Art And Artists in Medieval Europe

WILLIAMSTOWN, Mass. — On Tuesday, April 11, the Clark Art Institute's Research and Academic Program presents a talk by Karl Whittington (The Ohio State University) titled "Queer Making: Artists and Desire in Medieval Europe."

This free event takes place at 5:30 pm in the Manton Research Center auditorium.

According to a press release: 

Whittington asks: what role does desire play in the making of art objects? Art historians typically answer this question with reference to historical evidence about an artist's sexual identity, personality, and relationships, or with reference to particular kinds of imagery in works of art. But how do we think about desire in the case of anonymous artists or in works whose subject matter is mainstream? We know little about the lives and personalities of the makers of most works of art in Europe in the Middle Ages, but this should not hold us back from thinking about their embodied experience. This talk argues that we can "queer" the works of anonymous historical makers by thinking not about their identities or about the subject matter of their artworks but rather about their embodied experiences working with materials. Through considering issues of touch, pressure and gesture across materials such as wood, stone, ivory, wax, cloth, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Combining historical evidence with more speculative description, this talk broadens our understanding of the motivations and experiences of premodern artists.

Free. Accessible seats available; for information, call 413 458 0524. A 5 pm reception in the Manton Research Center reading room precedes the event. For more information, visit clarkart.edu/events

 

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