Clark Art Lecture By Artist Mariel Capanna

Print Story | Email Story

WILLIAMSTOWN, Mass. —On Saturday, Feb. 15 at 2 pm, the Clark Art Institute presents a talk by artist Mariel Capanna marking the opening of "Mariel Capanna: Giornata," the newest public spaces installation at the Clark.

This free lecture takes place in the Clark’s Manton Research Center auditorium.

According to a press release: 

Mariel Capanna (b. 1988, Philadelphia, where she lives and works) plays what she calls "games of remembering" as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions that are at once jubilant and wistful. For the Clark, Capanna presents two new, site-specific oil paintings as well as a monumental, two-sided fresco. The fresco process is also defined by time constraints: the term giornata has referred, since the Italian Renaissance, to the area of wet plaster that can be painted in a single day. Mariel Capanna: Giornata marks the artist’s first museum solo exhibition.

This year-long installation, free and open to the public, is organized by the Clark Art Institute and curated by Robert Wiesenberger, curator of contemporary projects.

Support for Mariel Capanna: Giornata is provided by Margaret and Richard Kronenberg.

Free. Accessible seats available; for information, call 413 458 0524. For more information, visit clarkart.edu/events. Admission to the Clark is free January through March 2025.


Tags: Clark Art,   

If you would like to contribute information on this article, contact us at info@iberkshires.com.

Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
View Full Story

More Williamstown Stories