A Tribute To David Lynch at Images Cinema

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WILLIAMSTOWN, Mass. — Images Cinema presents a special series honoring the late David  Lynch by celebrating his masterpieces. 
 
Screenings in the main theater will be preceded by a restored short film, and will begin at 9:45pm on Fridays and Saturdays. Make it a night by joining Images for Lynchian vibes in the lounge beginning at 9pm. 
 
There will be additional screenings of all feature films in the lounge throughout the week (lounge showtimes available on website). 
 
Tickets are $7-10 and are available for purchase online at imagescinema.org or at the box office. Images Cinema is located at 50 Spring Street, Williamstown MA.
 
For additional screenings and events, visit https://www.imagescinema.org/david-lynch
 
SERIES TIMELINE:
 
BLUE VELVET (1986) | The Grandmother (1969)
Main Theater:
Friday, 2/7
Saturday, 2/8
 
Clean-cut Jeffrey Beaumont realizes his hometown is not so normal when he discovers a human ear in a field, the investigation soon catapulting him toward a disturbed nightclub singer and a drug-addicted sadist.
 
MULHOLLAND DRIVE (2001) | The Amputee: Version 1 (1974)
Main Theater:
Friday, 2/14
Saturday, 2/15
 
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
 
LOST HIGHWAY (1997) | The Amputee: Version 2 (1974)
Friday, 2/21
Saturday, 2/22
 
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
 
WILD AT HEART (1990) | The Alphabet (1969)
Friday, 2/21
Saturday, 2/22
 
After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.
 
INLAND EMPIRE (2006) | Six Men Getting Sick (1967)
Friday, 3/7
Saturday, 3/8
 
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
 
FIRE WALK WITH ME (1992) | Premonitions Following an Evil Deed (1995)
Friday, 3/14
Saturday, 3/15
 
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
 
 

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Clark Art Lecture On Queer Art And Artists in Medieval Europe

WILLIAMSTOWN, Mass. — On Tuesday, April 11, the Clark Art Institute's Research and Academic Program presents a talk by Karl Whittington (The Ohio State University) titled "Queer Making: Artists and Desire in Medieval Europe."

This free event takes place at 5:30 pm in the Manton Research Center auditorium.

According to a press release: 

Whittington asks: what role does desire play in the making of art objects? Art historians typically answer this question with reference to historical evidence about an artist's sexual identity, personality, and relationships, or with reference to particular kinds of imagery in works of art. But how do we think about desire in the case of anonymous artists or in works whose subject matter is mainstream? We know little about the lives and personalities of the makers of most works of art in Europe in the Middle Ages, but this should not hold us back from thinking about their embodied experience. This talk argues that we can "queer" the works of anonymous historical makers by thinking not about their identities or about the subject matter of their artworks but rather about their embodied experiences working with materials. Through considering issues of touch, pressure and gesture across materials such as wood, stone, ivory, wax, cloth, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Combining historical evidence with more speculative description, this talk broadens our understanding of the motivations and experiences of premodern artists.

Free. Accessible seats available; for information, call 413 458 0524. A 5 pm reception in the Manton Research Center reading room precedes the event. For more information, visit clarkart.edu/events

 

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