Clark Art Screens 'Shotgun Stories'

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WILLIAMSTOWN, Mass. — On Thursday, April 3, the Clark Art Institute continues its Small Town film series with a screening of Shotgun Stories (2007) at 6 pm in the Manton Research Center.

According to a press release: 

Shotgun Stories hinges on the death of a father and the revenge of his sons. The sons he abandoned, a band of misfit brothers headed by Son (Michael Shannon), crash his funeral, which prompts the sons he had with his new wife to seek revenge. While the “dead-ass town” that the two branches of the family share is vague and seemingly sprawling, their blood feud binds them claustrophobically together. It’s an age-old problem, a town that just isn’t big enough for the both of them. A Shakespearean climax inevitably awaits these angry, grieving men. Director Jeff Nichols interweaves the action with slow moments weighed down by all that has been left unsaid. Shot in fifteen days on 35mm with a crew of just fifteen, this lithe production was able to shoot on location relatively unnoticed and was Nichols’ debut feature. (Run time: 1 hour, 32 minutes)

Free. Accessible seats available; for information, call 413 458 0524. For more information, visit clarkart.edu/events.


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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