Clark Art Lecture on History of Arcadia

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WILLIAMSTOWN, Mass. — On Saturday, April 12 at 11 am, the Clark Art Institute presents "A History of Arcadia in Art and Literature," a talk by Paul Holberton. 
 
This free lecture is given in conjunction with the Clark's exhibition Pastoral on Paper and takes place in the Clark's Manton Research Center auditorium.
 
According to a press release:
 
Dr. Holberton, author of the acclaimed two-volume book A History of Arcadia in Art and Literature (2021), examines how idyllic landscapes and rustic scenes have been portrayed from antiquity through the Renaissance and into the eighteenth century. Responding to leading early modern literary and artistic luminaries such as Torquato Tasso, Claude Lorrain, and Thomas Gainsborough, he traces the complex journey of the pastoral across cultures and eras, from Virgil's adaptations of Theocritus to the influence of medieval pastourelles.
 
The idyllic tranquility of the lives of shepherds became a prominent subject in literature, music, and the visual arts over the seventeenth and eighteenth centuries. On view through June 15, Pastoral on Paper explores how artists depicted rural life by considering their representation of cows, cottages, mules, maidens, shepherds, ruins, and overgrown landscapes. Selected primarily from the Clark's strong holdings of drawings by Claude Lorrain and Thomas Gainsborough and supplemented with select loans of Dutch Italianate artworks, this exhibition analyzes pastoral imagery to examine how artists construct their own visions of an idealized landscape. 
 
Pastoral on Paper is organized by the Clark Art Institute and curated by William Satloff, Class of 2025, Williams Graduate Program in the History of Art.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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