Clark Art, Morgan Library, the Mount Present Discussion on Belle Da Costa Greene

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WILLIAMSTOWN, Mass. — On Sunday, April 13 at 2 pm, the Clark Art Institute, the Morgan Library and Museum, and The Mount, Edith Wharton's Home, present "Belle da Costa Greene: A Librarian's Legacy," an examination of the inspiring life and career of the Morgan Library's first librarian and director Belle da Costa Greene. 
 
This free event takes place in the Clark's Manton Research Center auditorium.
 
Philip S. Palmer and Erica Ciallela, co-curators of the Morgan Library's centennial exhibition Belle da Costa Greene: A Librarian's Legacy, discuss their favorite objects in the show; examine Greene's life against the backdrop of national and institutional histories; and talk about the overlapping social circles of Greene, Bernard Berenson, and Edith Wharton. Five years in the making, this powerful and popular exhibition presents new research and is accompanied by a catalogue which will be available for purchase during a book signing after the event.
 
Free. Accessible seats available; for information, call 413 458 0524. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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