Clark Art Institute Offers School Vacation Week Activities

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WILLIAMSTOWN, Mass. — The Clark Art Institute will host activities for children and families during the Massachusetts public school system’s April vacation week.
 
From Tuesday, April 22, through Thursday, April 24, landscape drawing stations will be available throughout the museum, featuring various drawing mediums. Free drawing pads and colored pencils will also be provided for outdoor use.
 
At 2 PM each day, Williamstown Rural Lands will lead nature-related hikes and activities.
 
On Thursday, April 24, from 11 AM to 2 PM, a drop-in activity will allow visitors to sculpt miniature cows.
 
The exhibition "Pastoral on Paper," on view through June 15, features artworks depicting rural life, including representations of cows, cottages, mules, maidens, shepherds, ruins, and landscapes. The exhibition includes drawings by Claude Lorrain and Thomas Gainsborough, as well as Dutch Italianate artworks.
 
"Pastoral on Paper" is organized by the Clark Art Institute and curated by William Satloff, Class of 2025, Williams Graduate Program in the History of Art.
 
Drawing pads and colored pencil sets are available at the Clark Center admissions desk.
 
Information regarding the activities can be found at clarkart.edu/events. For accessibility inquiries, call 413-458-0524.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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