Executive Director Pamela Tatge, left, says Jacob's Pillow is about the 'past, present, and future of dance.' See more photos here.
BECKET, Mass. — More than 100 community members of all ages celebrated the opening of Jacob's Pillow's Doris Duke Theatre with a community pop-up dance and open house on Sunday.
The event precedes the theater's ribbon-cutting ceremony, which is scheduled to take place on Wednesday.
The day was filled with smiles, laughter, tears, art unveilings, and, of course, lots of dancing.
Jacob's Pillow Dance Festival at 93 years is the longest-running dance festival in the nation, and the only national historic landmark dedicated to dance, said Pamela Tatge, executive and artistic director.
"There are very few places in our nation that care about, revere, preserve, and celebrate dance like Jacob's Pillow. This theater is all about dance," she said.
"It's dance in the future. It's dance in a way that will not only include artists that have made their artistic homes at Jacob's Pillow, but artists of the future. We are about the past, present, and future of dance at Jacob's Pillow."
Since the 1990s, the dance venue has had three stages: the Ted Shawn Theatre, the first theater built for dance in America; the outdoor stage, which has the backdrop of the Berkshire Hills; and Doris Duke Theatre.
The Duke Theatre, named for the philanthropist and arts supporter, was the smaller of the two performance venues at the dance festival. The Ted Shawn Theatre, named for the festival's founder, has more than 600 seats.
"Doris Duke Theatre was an intimate space, a flexible space, where artists who experiment, who are emerging, have the opportunity to present their best work," Tatge said.
The theater opened in 1990 and was Jacob's Pillow's first large studio. It was used for developing new work in class, rehearsals, and performances.
That was until 2020, when it burned down in a fire amid the pandemic. Despite that, the dance community banded together, rising above the ashes, and brought the theater back to life.
"The new Doris Duke Theatre will not only have all of the intimacy and warmth and character of the original Duke, supporting emerging artists, artists who want to have a visceral connection to their audience. We will also have as a hallmark of our work, dance that integrates with technology," Tatge said.
"That is work that gives an audience an experience that they wouldn't otherwise have in person, and also contributes to our online presence, bringing dance to audiences around the world."
In preparation for the pop-up dance, the Pillow sent a request out for volunteers who had learned a dance commissioned for the event by Broadway and five-time Tony-nominated choreographer Camille A. Brown.
"What dance does is it builds community. When we move together, we experience the kind of feeling that we wish we had all the time in our world," Tatge said.
Following tours of the new space, the volunteers rehearsed with Camille A. Brown dancers Brianna Dawkins and Eboni Edwards.
Following lunch, the fun and joyful dance was performed in front of the new theater, on its roof, and on the veranda.
"The idea being let's birth this building together and put our good energy and all of the future that awaits us," Tatge said.
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Sheffield Craftsman Offering Workshops on Windsor Chairs
By Breanna SteeleiBerkshires Staff
Andrew Jack uses hand tools in his wood working shop.
SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.
Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.
He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.
"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.
"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."
Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.
"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."
Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.
"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."
Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving.
Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.
"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."
He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.
"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."
People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.
"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.
"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."
His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.
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