Executive Director Pamela Tatge, left, says Jacob's Pillow is about the 'past, present, and future of dance.' See more photos here.
BECKET, Mass. — More than 100 community members of all ages celebrated the opening of Jacob's Pillow's Doris Duke Theatre with a community pop-up dance and open house on Sunday.
The event precedes the theater's ribbon-cutting ceremony, which is scheduled to take place on Wednesday.
The day was filled with smiles, laughter, tears, art unveilings, and, of course, lots of dancing.
Jacob's Pillow Dance Festival at 93 years is the longest-running dance festival in the nation, and the only national historic landmark dedicated to dance, said Pamela Tatge, executive and artistic director.
"There are very few places in our nation that care about, revere, preserve, and celebrate dance like Jacob's Pillow. This theater is all about dance," she said.
"It's dance in the future. It's dance in a way that will not only include artists that have made their artistic homes at Jacob's Pillow, but artists of the future. We are about the past, present, and future of dance at Jacob's Pillow."
Since the 1990s, the dance venue has had three stages: the Ted Shawn Theatre, the first theater built for dance in America; the outdoor stage, which has the backdrop of the Berkshire Hills; and Doris Duke Theatre.
The Duke Theatre, named for the philanthropist and arts supporter, was the smaller of the two performance venues at the dance festival. The Ted Shawn Theatre, named for the festival's founder, has more than 600 seats.
"Doris Duke Theatre was an intimate space, a flexible space, where artists who experiment, who are emerging, have the opportunity to present their best work," Tatge said.
The theater opened in 1990 and was Jacob's Pillow's first large studio. It was used for developing new work in class, rehearsals, and performances.
That was until 2020, when it burned down in a fire amid the pandemic. Despite that, the dance community banded together, rising above the ashes, and brought the theater back to life.
"The new Doris Duke Theatre will not only have all of the intimacy and warmth and character of the original Duke, supporting emerging artists, artists who want to have a visceral connection to their audience. We will also have as a hallmark of our work, dance that integrates with technology," Tatge said.
"That is work that gives an audience an experience that they wouldn't otherwise have in person, and also contributes to our online presence, bringing dance to audiences around the world."
In preparation for the pop-up dance, the Pillow sent a request out for volunteers who had learned a dance commissioned for the event by Broadway and five-time Tony-nominated choreographer Camille A. Brown.
"What dance does is it builds community. When we move together, we experience the kind of feeling that we wish we had all the time in our world," Tatge said.
Following tours of the new space, the volunteers rehearsed with Camille A. Brown dancers Brianna Dawkins and Eboni Edwards.
Following lunch, the fun and joyful dance was performed in front of the new theater, on its roof, and on the veranda.
"The idea being let's birth this building together and put our good energy and all of the future that awaits us," Tatge said.
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Reps. Leigh Davis, Bud Williams Filing Legislation Honoring Freeman
SHEFFIELD, Mass. — State Reps. Leigh Davis of the 3rd Berkshire District and Bud L. Williams, of the 11th Hampden District, are filing legislation establishing Aug. 22 as Elizabeth Freeman Day of Equality, Healing, and Remembrance in the commonwealth.
The legislation would direct the governor to annually issue a proclamation recognizing the courageous contributions of Elizabeth Freeman, an enslaved Black woman known as Mum Bett, whose landmark freedom suit helped spark the legal end of slavery in Massachusetts.
"Elizabeth Freeman's story began here in the Berkshires, but its impact reached every corner of the commonwealth," said Davis. "More than two centuries later, her legacy continues to inspire us. Establishing Elizabeth Freeman Day will ensure that future generations learn not only about her extraordinary bravery, but also about the power of one person to change the course of history."
In 1781, Freeman, of Sheffield at the time, challenged the institution of slavery by filing suit against her enslaver, Col. John Ashley. In the landmark case Brom and Bett v. Ashley, a Berkshire County jury ruled in favor of Freeman and her fellow plaintiff, Brom, granting them their freedom. The case demonstrated the power of the Massachusetts Constitution's declaration that all people are born free and equal and helped pave the way for the Quock Walker decisions that ultimately ended slavery in the commonwealth.
"Freeman's courage changed the course of history in Massachusetts," said Williams. "At a time when the odds were stacked against her, she stood up and demanded that the promises of liberty and equality contained in our Constitution apply to her as well. She risked everything to challenge an unjust system, and her victory helped lay the foundation for the end of slavery in our commonwealth. Her legacy deserves to be recognized and remembered by every resident of Massachusetts."
Although unable to read or write, Freeman understood the meaning of freedom and equality and took extraordinary action to secure those rights for herself and others. Her story remains one of the most powerful examples of individual courage in the face of injustice.
Elizabeth Freeman Day will provide an opportunity for reflection, education, healing, and remembrance, said Williams.
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